marchese maria (30 Ergebnisse)

Paperback. Zustand: Brand New. Benavente, Paola (illustrator). In Stock.

OBroschur. Zustand: Sehr gut. Aufführung vom 9. Juni 2014. 146 (2) S. mit Stab u. Besetzung, OBroschur, 8°. Mit zahlr. farb. Abb. u. Szenenfotos. Vollständige Abdrucke der Libretti auf italienisch u. der deutschen Ü v. Konrad Kuhn. Beiträge (dt. u. englisch): Moshe Leiser u. Patrice Caurier im Gespräch. Ein anderer Othello: Rossinis u. Berios Shakespeare-Oper (K. Kuhn). Maria Malibran als Desdemona 1816 (K. Kuhn). Weit. Text: Ich bin anders (M. Frisch). Dazu ausf. Künstlerbiografien (dt. u. engl.), mit kl. Fotos. Mont. Eintrittskarte v. 9. Juni 2014 auf erster Seite (ohne Abdeckung), geringf. hschr. Korrektur in blauem Kuli auf Besetzungsseite. Schönes, sehr gutes Exemplar. Broschüre.

Paperback. Zustand: Brand New. Meo, Maria Luisa (illustrator). 189 pages. Italian language. 9.00x6.00x0.48 inches. In Stock.

reichverzierter OLWd., roter Schnitt, gemusterte Vorsätze, XVI+441 Seiten mit zahlr. Abb., kl.-2° (21 x 28,5 cm), Decke angeschmutzt und an den Rändern etwas berieben, alte Stempel auf Titel- und Scnmutztitelseite, Seiten etwas gedunkelt, sonst sauber, insgesamt guter Zustand. Book Language/s: German.

Zustand: BUONO USATO. ITALIANO Dedica autografata al frontespizio, brossura editoriale illustrata, con alette e con ordinari segni del tempo, fascetta editoriale Finalista al Premio Italia Letteraria 2005, pagine in buonissimo stato di conservazione, lievemente ingialliti i bordi Numero Pagine 373.

Zustand: Buono (Good). Mm. 154x101. Pp. 30, [1]. C. lievemente ed uniformemente brunita e macchiata. Piccola riparazione manuale con nastro adesivo alla parte superiore del dorso. Brossura editoriale con titolo illustrato alla copertina anteriore. Prima ed unica edizione. Il volume appartiene alla collezione "Biblioteca popolare", nr. 28. Book.

Zustand: New.

Brossura. Zustand: Molto buono (Very Good). . 8vo. pp. 86. Dedica e firma autografe dell'Autore (Inscribed and signed by the Author). Molto buono (Very Good). Piccola etichetta in copertina. Prima edizione (First Edition). . Book.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware.

Zustand: BUONO USATO. Strumenti didattici Spaggiari per la scuola ITALIANO Dedica firmata con il solo nome di Maria, forse l'Autrice, all'occhiello, timbro saggio al frontespizio, premessa degli stessi Autori, pagine ingiallite ai bordi causa tempo, con alcune figure e grafici in nero nei testi, lieve e minuta fioritura ai tagli, brossura editoriale illustrata, flessibile, lucida, conlievissimi segni di usura alle punte e minuta abrasione al piede. Numero pagine 383.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: leggermente ingiallite.

Zustand: BUONO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Volume privo di frontespizio, piccolo timbro all'occhiello. Sam è un giovane senzatetto. Un ragazzo fragile, sensibile e afflitto da allucinazioni di cui Serena, la giovane donna che lo accoglie in casa una sera d'inverno, si innamora. La narrazione è a due voci: quella di Sam, attraverso il suo blog, e quella di Serena. Due punti di vista diversi eppure vicini, due mondi distanti che entrano inevitabilmente in collisione all'inizio del 2020, quando il sistema di valori che regola il precario equilibrio delle loro esistenze - la sicurezza delle mura domestiche (la tana di Serena) e il senso di libertà che offre la strada a Sam - viene messo radicalmente in discussione con le restrizioni imposte dalla pandemia. L'autrice non si tira indietro e scava in profondità le vite complicate di tutti personaggi coinvolti, confrontandosi consapevolmente con le paure e le ossessioni che li minacciano e regalando al lettore momenti di eccezionale intensità. In questo, Maria Marchese si avvale di una scrittura finissima, non priva di invenzioni originali e creative. Numero pagine 216. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; Fonti per la storia di Mantova e del suo territorio ; 2. Physical description; 219 pages ; 23 cm. Notes; At head of title: Comune di Mantova. Includes bibliographical references and index. Includes papers in Latin. Subjects; Gonzaga, Gianfrancesco marchese (1395-1444). Gianfrancesco I Gonzaga, Marquis of Mantua (1395-1444). Gianfrancesco Gonzaga Marquis of Mantua (1395-1444). Mantua (Italy) History. Mantua (Italy) History Sources. Italy Mantua to date. Genre; Bibliography. 3 Kg.

Hardcover. 195 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Q10403 8876420851 Sprache: Italienisch Gewicht in Gramm: 550.

Hardcover. Zustand: Brand New. 320 pages. 9.19x6.13x0.85 inches. In Stock.

In 8 (cm 15,5 x 24), pp. 85 + (1b). Brossura editoriale con leggere bruniture ai piatti. Saggio critico relativoÂa questo celebre passo di 'I promessi sposi'. ITA.

Zustand: New. In Italian.

Parma, Spaggiari, 1997, 16mo brossura con copertina illustrata a colori, pp. 383, alcuni disegni nel testo ("Strumenti"didattici Spaggiari per la scuola).

Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Taschenbuch. Zustand: Neu. Anglicisms in Italian | A lexicographic case study of the U words | Maria Giovanna Marchese | Taschenbuch | 68 S. | Italienisch | 2015 | Edizioni Accademiche Italiane | EAN 9783639776553 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Il volume indaga l¿intersezione e la commistione di codici tra cultura umanistica emedico-scientifica, dimostrando quanto il quadro generale del rapporto fra la ¿scienzäletteraria e quelle mediche e naturali (fisica, chimica, biologia) sia ricco, complesso, storicamentesedimentato, in un percorso diacronico dall¿antichità al XXI secolo. Ponendo alcentro della riflessione il testo letterario, le pagine di questo libro osservano le contaminazionilinguistiche, strutturali e tematiche tra le due culture. Le scienze sono analizzatesecondo tre prospettive: come strumento, riflettendo intorno alle modalità attraverso cuile rivoluzioni mediche, scientifiche e tecnologiche hanno influenzato la costruzione retoricae linguistica dei testi; come oggetto del discorso, per interrogare le combinazioni tragli strumenti retorici e affabulatori delle tecniche di storytelling e l¿(apparente) asetticitàdel discorso scientifico; e, infine, come pratica ermeneutica, indagando l¿utilizzo dellescienze come strumento per l¿analisi e la critica letteraria.

Taschenbuch. Zustand: Neu. Letteratura e altre scienze | Incroci e sovrapposizioni | Lorenzo Battistini (u. a.) | Taschenbuch | 320 S. | Italienisch | 2023 | Peter Lang | EAN 9782875748409 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Originalbroschur. 24 cm. Zustand: Gut. 1792 Seiten. ( durchlaufend paginiert) einige Abbildungen; Einbände mit leichten Gebrauchsspuren ( Deckel und Rückenkanten teils leicht berieben). Sonst gutes Exemplar der Ausgabe in VIER Bänden. - Von 1982-1989 erschienen. Text in ITALIENISCH. (Wir bieten zahlreiche Titel aus diesem Sachgebiet auf unserer HP an - we offer a lot of titles in this field on our website ) Sprache: Italienisch Gewicht in Gramm: 2200.

4 Bll., (8) 928 (8) S. Mit 1 Holzschnitt-Frontispiz [schreibende Nonne vor Bücheregal]. Leicht gebräunt und stellenweise etwas fleckig. Sprache: Deutsch Gewicht in Gramm: 1200 16,5 x 10 cm. Leder der Zeit über Holzdeckeln (etwas Wurmgang, Schnitt etwas fleckig, Rücken mit Fehlstelle, Gelenke stellenweise geplatzt).

Rome: Nella Stamperia della Rev. Camera Apostolica, 1683. Small quarto (20.9 × 14.8 cm). Early nineteenth-century quarter vellum, marbled paper covered boards; [10], 441, [1] pp. Text with occasional foxing and toning, a few pages more heavily; a few small stains and spotting to margins; else good or better. First edition of the vita of Catherine Ricci (1522-1590) written by Domenico Maria Marchese (1633-1692); different variants appeared. Despite the Dominicans' efforts to have Catherine Ricci canonized, the Dominican nun, who died in 1590, was not beatified until 1732 by Pope Clement XII and canonized in 1746 by Pope Benedict XIV. Just four years after her death, the Dominican composer Serafino Razzi published an extensive biography of his order sister. Rome's reserve towards the native Florentine was probably due primarily to her open admiration for Savonarola. While Rome saw the Dominican as a "heretic, schismatic, and despiser of the Holy See", Catherine revered him as a martyr and saint, writing a hymn in his honor. When she was born in 1522 into a wealthy family, the memory of the monk who had been hanged and burned in 1497 was probably still vivid in the collective memory of Florence. For Savonarola, who preached openly against the Borgia Pope Alexander VI, not only organized the "bonfire of the vanities", which is still remembered today and into which Sandro Botticelli, among others, threw some of his paintings, but also propagated after the Medici fled from the French the founding of a republic and the disempowerment of the oligarchs. Not only the Franciscans of the city, but also some Dominicans turned against Savonarola, who, with the help of his followers, was increasingly building a theocratic dictatorship. Catherine Ricci's veneration for the excommunicated priest was, remarkably, not entirely unusual in the sixteenth century. Another canonized adherent of Savonarola was Philipp Neri, also born in Florence, with whom Catherine Ricci was in contact. But for her, the condemned schismatic was also associated with a vision and a miracle of healing. Since 1540, she had been suffering from an illness that confined her to bed for over a year, and finally the pain had prevented her from sleeping for a whole month. On the eve of Savonarola's execution, some of his relics were brought to her, but they brought her no relief. During the night, she threw them on the floor in despair, but regretted her action and knelt down to pick them up again. Then Savonarola appeared to her, made the sign of the cross, and healed her. According to reports, he appeared to her in more than a dozen visions over the next two years. (Cf. Patrick Macey, Bonfire Songs: Savonarola's Musical Legacy, Oxford 1998, p. 132.) However, she was canonized on the basis of other visions. Over several years, she is said to have been transported into ecstasy every week from Thursday ("Last Supper") until Friday at 4 p.m. ("Death of Christ on the Cross"). In this state, she is said to have relived all the stages of Christ's Passion and then described the feelings of the Mother of God with astonishing vividness. (Cf. Catholic Encyclopedia) Already in the first vita, it is reported that Catherine Ricci, like the Dominican Catherine of Siena in the Middle Ages, received the stigmata and the wounds of the crown of thorns; accordingly, she is also depicted in a Dominican habit and with a crown of thorns (cf. LCI VII, p. 300). The problem for Rome with the veneration of Catherine was that it contributed significantly to the spread of the Savonarola cult in the Dominican Order and in urban circles. In 1583, Archbishop Alessandro de' Medici lamented in a letter to the Grand Duke the spread of images of Savonarola. Those in favor of Catherine's beatification and canonization endeavored to sweep Savonarola's name under the rug. Thus, the name is not mentioned in Marchese's vita either. But despite his name being erased from the writings and printed vitae and carefully removed from the memories submitted during the process, it was to no avail. He had become too deeply ingrained in Catherine's story, so that some time had to pass before she was canonized. But long before that, popular piety and the nuns' veneration had already passed their judgment. Contrary to the rules of the Congregation of Rites, a veritable cult arose around the tomb of Catherine Ricci, where hundreds of votive offerings had accumulated over time. Numerous images also already depicted her as blessed. (Anna Scattigno, La costruzione di un profilo di santità femminile nella Firenze del XVII secolo >ht tp s://doi.o rg/10.13128/Annali_Stor_Firen-14444.

Zustand: Good. Roma 1683 Nella Stamperia della Reu. Camera Apostolica. In Italian. Octavo, (6), 440pp., later wraps. Good, end papers chipped, text is lightly worn and lightly toned but no foxing. Binding quite secure. Rare.