marcel carne jacques prevert (30 Ergebnisse)

Paperback. Zustand: Very Good. Cover and edges show wear. Pages are clean and intact. There is some slight dirtiness on the textblock/fore edge from handling.

Paperback. Zustand: Very Good. First Edition. First Edition Thus, First Printing. Published by Simon and Schuster, 1970. Octavo. Paperback. Book is very good. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Very good. - Square octavo, pictorial white wraps. The wraps are lightly spotted & soiled. 128 pp. Illustrated with B&W stills from the film. Very good. First edition.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Taschenbuch. Zustand: Sehr gut. 1. Auflage. 128 Seiten Das Buch ist in gutem Zustand, nur geringe Gebrauchs-, Alters- oder Lagerungsspuren. Besitzstempel/-vermerk auf Vorsatz. ISBN: 9780900855405 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 208.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade Paperback. Zustand: Near Fine. First Edition in English. New York: Simon and Schuster, 1970. First edition in English, stated first printing. 8vo. Trade paperback, 128 pp. Illustrated with black and white photographers. Tiny remainder mark. Unread. Near fine.

Zustand: Good. Light traces of use on cover, edges discoloured. . Letterbox mail.

Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:090085541X.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.

Gr.8°, schwarzer OPpbd. mit farbig illustr. OU; 409 Seiten; 3 Bll.; zweispaltig. Französische Texte; durchgehend s/w-bebildert. ISBN 2715800096. - Umschlag leicht angestaucht. Sehr sauberes Exemplar.

Original-Pappband mit Original-Schutzumschlag, 4°, 409 Seiten. Schutzumschlag berieben, bestossen und mit kleinen Einriss.

Couverture souple. Zustand: bon. R200139973: 1992. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Papier jauni. 127 pages, nombreuses photos en noir et blanc dans le texte - coins frottés, passages de texte surlignés sur quelques pages. . . . Classification Dewey : 791.43-Cinéma.

. . . 1 Vol. . 127 pp. Cuarto Menor. Rústica. . Buen estado de conservación. Texto en francés.

Paris : L'Avant-Scène n°90, mars 1969. Un volume 13,5x18,5cm broché de 152 pages illustrées. Bon état. Livres.

8° Oktav Brosch. Brosch. 128 S. English translation and description of action by Dinah Brooke and Nicola Hayden. Mit s/w Abb. Die Ecken sind etwas bestoßen. Die Kapitale sind etwas bestoßen. Der Kopfschnitt ist etwas ergraut. Der Vorderschnitt ist leicht fleckig. sehr guter Zustand M 3.1 Sprache: Englisch Gewicht in Gramm: 310.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Softcover. Zustand: Wie neu. Broché. 23x28,5cm. 260pp. Non lu, comme neuf.

Zustand des Schutzumschlags: dj. First Edition. [French Cinema] FIRST EDITION IN ENGLISH, first impression. Octavo (21 x 14cm), pp.218. With nearly 50 black and white stills from the film. Publisher's grey cloth with gilt titles to spine. With the photographic dust-jacket, priced at 42s / £2.10. With some associated news clippings and a postcard loose to preliminaries. Toning to edges, with light general wear to jacket. Very good. An English translation of the shooting script for the classic 1945 French film.

brosch. Zustand: Gut. Band 21 aus der Reiche "Classic Film Scripts" von Lorrimer Publishing. Mit vielen s/w-Phototafeln illustriertes Drehbuch zum Filmklassiker "Der Tag bricht an". Darsteller: Jean Gabin, Arletty, Bernard Blier. Neuwertig. 128s. PB 20x14. GB 1970. E-1 engl. krankheitsbedingt erfolgt der Versand nur 1x pro Woche. Sprache: Deutsch.

Couverture rigide. Zustand: bon. R100058411: 1999. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - étiquette collée sur la page de garde - jaquette en bon état - nombreuses photos en noir et blanc dans et hors texte - quelques illustrations en couleurs dans et hors texte. Avec Jaquette. . . Classification Dewey : 791.43-Cinéma.

Original Wraps. Zustand: Collectible; Very Good. 1st. L'Avant-Scene No. 72-73, "Les Enfants du Paradis". SIGNED BY JEAN-LOUIS BARRAULT, WHOSE LEGENDARY 1945 PERFORMANCE AS BAPTISTE DEBUREAU, THE LOVE-STRICKEN MIME, IS CONSIDERED ONE OF THE GREAT ACHIEVEMENTS IN FRENCH CINEMA. His signature is clear and legible and runs across the front pastedown portrait of him in character. A sharp copy to boot of this 1967 1st edition. Bright and VG in its stapled pictorial wrappers, with light rubbing along the panels. Quarto, 118 pgs. crisp black-and-white stills thruout. Signed.

Vintage black-and-white glossy photographic French lobby card from the 1945 film. The French classic, centered around the theatrical life of a beautiful courtesan (Arletty) and four men who love her. Nominated for an Academy Award for Best Screenplay. Set in shot on location in France. 11.75 x 9.5 inches. Very Good, with three closed tears (one 3 inches), two repaired on verso with cello tape, pinholes to corners and edgewear. Rosenbaum 1000. Ebert II. Criterion Collection 141.

Vintage borderless reference photograph from the 1945 film, showing actor Jean-Louis Barrault. Mimeo snipe and French Ministère de L'Information stamp on the verso. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 7 x 8.5 inches. Very Good plus, with light wear on the left and right edges. Criterion Collection 141. Ebert II. Rosenbaum 1000.

Vintage borderless double weight reference photograph of Jean Gabin and Jacqueline Laurent from the 1939 film. "C. Comercial Radiolux Amanece" stamp and annotations in manuscriptic red and blue pencil on verso. Francois (Gabin), pursued by the police, has barricaded himself in a room at the top of a building after shooting and killing the Machiavellian Valentin (Jules Berry) over their mutual love interest Francoise (Laurent). Remade in 1947 as "The Long Night," directed by Anatole Litvak, and starring Henry Fonda and Barbara Bel Geddes. 7.75 x 9.75 inches. Very Good plus, with some light creasing. Grant France.

Vintage oversize portrait photograph from the 1938 French film, showing actors Jean Gabin and Michèle Morgan. In his essay for the Criterion Collection release of the film, critic Lucy (formerly Luc) Sante calls the film the "definitive example of the style known as 'poetic realism.' The ragged outlines, the lowdown settings, the romantic fatalism of the protagonists, the movement of the story first upward toward a single moment of happiness and then down to inexorable doom - the hallmarks of the style had germinated in some form or other through the decade, but in Marcel Carne's third feature they came together as archetypes." Winner of the 1939 Prix Louis Delluc. 9 x 11.25 inches. Near Fine. Criterion Collection 245. Grant France. Godard, Histoire(s) du cinema.

Vintage borderless reference photograph from the 1945 film, showing director Marcel Carné on the set. French annotations in manuscript pencil on the verso, along with a Photofest label and a printed mimeo snipe affixed to the bottom edge. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 7.25 x 9.5 inches. Very Good plus. Criterion Collection 141. Ebert II. Rosenbaum 1000.

Two vintage oversize double weight borderless studio still photographs from the 1945 French film, one showing actress Arletty in costume as the courtesan Garance, reclining on a couch, the other showing the interior of the Grand Theatre where actor Pierre Brasseur is performing. An influential classic of French cinema, following a courtesan in nineteenth century Paris who finds her attentions torn between four possible suitors-a mime, an actor, a thief, and an aristocrat. Set and shot on location in France. 11 x 9 inches. Very Good plus, one with pinholes and brief wear to the corners, and one with a small closed tear to the top left corner. Criterion Collection 141. Ebert II. Rosenbaum 1000.

Vintage double weight photograph from the 1939 film. Shot and struck by the film's still photographer Raymond Voinquel, with his name in tiny print at the bottom left corner of the image, and the film title at the bottom right. A striking image, shot from the top of a tall tenement stairwell looking straight down, as all the tenants looking up. A significant image as well, as it is pulled from a location that is at the heart of the story, where Jean Gabin-pursued by the police-has barricaded himself in a room at the top of the building after shooting and killing a fellow foundry working in an argument. 8.5 x 11. 25 inches. In a museum quality frame. Four small discolorations at the corners of the verso from an old non-archival mounting, else about Fine.