Marc lafargue (31 Ergebnisse)

Hardcover. Zustand: Used - Very Good. None. 1st Edition. Plus 40 plates. Spine, binding and covers all fine; contents clean and no inscription though some tanning on endpapers. 62 pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Light wear to boards. Bumping. Content is aged toned. Gift message to ffep. No DJ.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series: Mai?tres de l'art moderne. Physical description: 63p., 40 plates ; 20cm. Subjects: Corot, Jean-Baptiste-Camille (1796-1875). Painting -- French -- 19th century. 1 Kg. …

Hardcover. Zustand: Very Good. First Edition. Pages clean, no markings, wear to edges. Complete with 40 plates. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

8° , Broschur. Zustand: Sehr gut. 60 Seiten, 40 Tafeln Buch ist in einem sehr guten Zustand, Einband berieben/lichtrandig, Rough Cut, Ecken berieben, Papier in altersgemäßem sehr gutem Zustand, leicht gegilbt. B02-03-05A Sprache: Deutsch Gewicht in Gramm: 270.

First edition, first printing. French text. Many uncut pages. Extensively illustrated. Good paperback but with foxing and front cover detached.

Soft cover. Zustand: Very Good. 1st Edition. 231 pages : illustrations (some colour) ; 28 cm. Exhibition catalogue of the great Parisian hotels of the 19th century.

Zustand: Neuf.

Taschenbuch. Zustand: Neu. Neuware - 'Corot' by Marc Lafargue offers an insightful exploration into the life and artistic evolution of Jean-Baptiste-Camille Corot, one of the most significant figures in nineteenth-century French painting. As a central volume in the 'Masters of Modern Art' series, this work examines Corot's unique position as a bridge between the neo-classical tradition and the burgeoning Impressionist movement. Lafargue delves into Corot's mastery of light and atmosphere, highlighting how his poetic landscapes and delicate figure studies redefined the boundaries of naturalism.The book traces Corot's journey from his early studies in Italy to his later years as a mentor to younger generations of artists. It provides a detailed analysis of his technique, characterized by a silvery palette and a profound sensitivity to the nuances of the natural world. By situating Corot within the broader context of European art history, Lafargue illuminates the artist's enduring influence on the Barbizon School and his role in shaping the modern aesthetic. This volume serves as an essential resource for art historians and enthusiasts seeking to understand the legacy of a painter whose work continues to evoke a sense of timeless serenity and lyrical beauty.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

broché. Zustand: Bon état. Toulouse, 1936. In-4 broché, portrait en frontispice-57 pages. Poèmes inédits de Marc Lafargue, hommages poétiques de Jean Lebrau, Touny-Lerys, Pierre CAMO, Emile POUVILLON. Le monument , oeuvre du maître HENRY PARAYRE, a été érigé dans le jardin extérieur du Musée des Augustins. Livres.…

Zustand: BUONO USATO. Maitres de l' art moderne Francese 63 pagine di testo pià 40 tavole in nero fuori testo, pagine brunite attorno ai testi da fattore tempo e traccia di umidità ai bordi superiori, brossura editoriale scolorita, con alcune macchie, tracce di umidità e con bordi stanchi Numero Pagine 63.…

P., Librairie de France, Les Poètes Français, 1922, petit in-12, br., 31 p. Edition originale. 1/100 ex. num. sur vergé antique (seul tirage) paraphé par l'éditeur.

63 + 40 S. OHLdr. Schönes Exemplar dieser Monografie.

Buch. Zustand: Neu. Neuware - 'Corot' by Marc Lafargue offers an insightful exploration into the life and artistic evolution of Jean-Baptiste-Camille Corot, one of the most significant figures in nineteenth-century French painting. As a central volume in the 'Masters of Modern Art' series, this work examines Corot's unique position as a bridge between the neo-classical tradition and the burgeoning Impressionist movement. Lafargue delves into Corot's mastery of light and atmosphere, highlighting how his poetic landscapes and delicate figure studies redefined the boundaries of naturalism.The book traces Corot's journey from his early studies in Italy to his later years as a mentor to younger generations of artists. It provides a detailed analysis of his technique, characterized by a silvery palette and a profound sensitivity to the nuances of the natural world. By situating Corot within the broader context of European art history, Lafargue illuminates the artist's enduring influence on the Barbizon School and his role in shaping the modern aesthetic. This volume serves as an essential resource for art historians and enthusiasts seeking to understand the legacy of a painter whose work continues to evoke a sense of timeless serenity and lyrical beauty.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Couverture souple. Zustand: bon. RO40163891: 1925. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 63 pages de texte + 40 planches de photos héligravées en noir et blanc. Etiquette de code sur le dos. Tampons et annotation de bibliothèque en page de titre. Signature sur le 1er plat. . . . Classification Dewey : 750-La peinture et les peintres. …

Couverture rigide. Zustand: Très bon. 1 volume reliure demi percaline verte de l'époque, dos lisse orné d'un fleuron doré, pièce de titre de cuir beige, couverture conservée, 268 pages [1], cachet ex-libris Louis Rimbaud. mention de deuxième édition. Achevé d'imprimer à la date du 20 mai 1903. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).…

Couverture souple. Zustand: bon. RO20171027: 1922. In-16. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 28 pages. . . . Classification Dewey : 841-Poésie.

Hardcover. Zustand: Gut. n/a. 20x16 cm Original-Karton, 1. Auflage Buchrücken mit Fehlstellen,Einband mit etwas stärkeren Gebrauchspuren,einige Seiten etwas geknickt und lichtrandig,Eigentumsvermerk auf dem Vorsatz,sonst GUTES EXEMPLAR.--- Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 63 Seiten. nein.…

BROCHE.

The Cranach Press Virgil, With Woodcuts by Aristide Maillol CRANACH PRESS. GILL, Eric, [illustrator]. KESSLER, Count Harry. LAFARGUE, Marc, [translator]. MAILLOL, Aristide, [illustrator]. VIRGIL. Eclogae. [The Eclogues of Vergil]. Les Eclogues de Virgile, Texte Latin et Traduction Francaise de Marc Lafargue. Illustrations D'Aristide Maillol. Weimar: Cranach Presse, 1926. Full Description: [CRANACH PRESS]. VIRGIL. KESSLER, Count Harry. LAFARGUE, Marc, [translator]. MAILLOL, Aristide, [illustrator]. GILL, Eric, [illustrator]. Eclogae. [The Eclogues of Vergil]. [Les Eclogues de Virgile, Texte Latin et Traduction Francaise de Marc Lafargue. Illustrations D'Aristide Maillol (taken from front wrapper text)]. Weimar: Cranach Presse, 1926. One of 250 numbered copies on Kessler-Maillol handmade rag Montval paper (of 292 copies in the total French edition), this being number 43. Quarto (12 7/8 x 10 inches; 328 x 255 mm.) [6], 110, [8] pp. Uncut. Forty-three original woodcuts by Maillol (including the cut on the front wrapper). Title-page and initials designed by Eric Gill. A German and an English version were printed simultaneously Loose as issued in original tan printed wrappers. All edges uncut. Housed in a quarter vellum portfolio. Portfolio with silk ties. Some minor foxing throughout. Portfolio with some wear; vellum and boards a bit soiled and some of the edges splitting. Still a very good copy. Kessler founded the Cranach Press in 1913. Influenced by the English private presses, Kessler achieved distinction in his books by employing experienced artists and craftsmen. Under the supervision of Emery Walker, Edwin Prince cut the punches for the roman type after Nicolas Jenson's 1470 Venetian type, Edward Johnston developed the italics and Eric Gill cut the initials. Maillol and his nephew developed a special handmade paper in a workshop at Montaval, France. A classical spirit pervades the Eclogae, with the harmonious composition of the type playing counterpoint to the slightly archaic grace of the figures. The Artist & the Book 172. HBS 69568. $4,500. CRANACH PRESS; LAFARGUE, Marc|MAILLOL, Aristide|KESSLER, Count Harry|GILL, Eric (illustrator).…

The Cranach Press Virgil, With Woodcuts by Aristide Maillol CRANACH PRESS. GILL, Eric, [illustrator]. KESSLER, Count Harry. LAFARGUE, Marc, [translator]. MAILLOL, Aristide, [illustrator]. VIRGIL. Eclogae. [The Eclogues of Vergil]. Les Eclogues de Virgile, Texte Latin et Traduction Francaise de Marc Lafargue. Illustrations D'Aristide Maillol. Weimar: Cranach Presse, 1926. Full Description: [CRANACH PRESS]. VIRGIL. KESSLER, Count Harry. LAFARGUE, Marc, [translator]. MAILLOL, Aristide, [illustrator]. GILL, Eric, [illustrator]. Eclogae. [The Eclogues of Vergil]. [Les Eclogues de Virgile, Texte Latin et Traduction Francaise de Marc Lafargue. Illustrations D'Aristide Maillol (taken from front wrapper text)]. Weimar: Cranach Presse, 1926. One of 250 numbered copies on Kessler-Maillol handmade rag Montval paper (of 292 copies in the total French edition), this being number 141. Quarto (12 7/8 x 10 inches; 328 x 255 mm.) [6], 110, [8] pp. Uncut. Forty-three original woodcuts by Maillol (including the cut on the front wrapper). Title-page and initials designed by Eric Gill. A German and an English version were printed simultaneously Loose in original tan printed wrappers. All edges uncut. Housed in a quarter vellum portfolio. Portfolio with silk ties. Some very light scattered foxing, else a wonderful, near fine copy. Kessler founded the Cranach Press in 1913. Influenced by the English private presses, Kessler achieved distinction in his books by employing experienced artists and craftsmen. Under the supervision of Emery Walker, Edwin Prince cut the punches for the roman type after Nicolas Jenson's 1470 Venetian type, Edward Johnston developed the italics and Eric Gill cut the initials. Maillol and his nephew developed a special handmade paper in a workshop at Montaval, France. A classical spirit pervades the Eclogae, with the harmonious composition of the type playing counterpoint to the slightly archaic grace of the figures. The Artist & the Book 172. HBS 69423. $5,500. CRANACH PRESS; LAFARGUE, Marc|MAILLOL, Aristide|KESSLER, Count Harry|GILL, Eric (illustrator).…

Paris, Musée Carnevalet, 1998, 231 pp, bibliographie, illustrations noir/blanc, broché, couverture souple.

A UNIQUE SET, WITH TWO SUITES AND AN ADDITIONAL LITHOGRAPH. Text by Marc Lafargue in five languages, and FOUR ORIGINAL SIGNED AND NUMBERED LITHOGRAPHS BY MAILLOL, HERE PRESENT IN TWO STATES EACH (the second state in sanguine and the final state in black) plus, exceptionally, ONE OF ONLY FIVE SIGNED TRIAL PROOFS OF THE FIRST STATE OF ONE OF THE LITHOGRAPHS (Guérin 272), printed in sanguine. So nine signed lithographs in all, four in black and five in sanguine, printed on fine Montval laid paper (a kind of paper invented by Gaspard Maillol, the artist's nephew.) From a total edition of 125 copies, this is COPY "B", ONE OF ONLY 25 LETTERED COPIES WITH THE LITHOGRAPHS IN BOTH STATES. Guérin 267, 271, 272, and 274. From the collection of Nelson Rockefeller, onetime U.S. vice-president and owner of a great collection of modern art (his book plate on inside front cover). Rockefeller sold this suite to Sylvan Cole (1918-2005), dean of American print dealers, who kept it in his private collection. The lithographs, of female nudes, are among the artist's largest and most important. Dealers have broken up virtually all copies of this suite, and the present copy is doubtless one of very few deluxe copies surviving intact. Large folio. Loose as issued in printed card portfolio. Portfolio cover in very good condition with some minor wear and creasing. Contents fine. The eight large folio lithographs are all in brilliant condition. An outstanding item.…

Paris, L. Rouart et J. Watelin, (1924). Un vol. au format pt in-8 (208 x 137 mm) de demi-maroquin glacé fauve à coins, filets à froid portés sur les plats, dos à nerfs orné de filets à froid, titre doré, tête dorée, couvertures conservées. Belle impression sur vergé d'édition. ''Toi, ainsi que Cassandre blonde, Dans un moment près de cette onde, Et, que tes tresses dénouant Leur or, roulent sur ton cou blanc, et que tes seins, beauté jumelle Où la jeunesse se révèle, Gonflent, quant tu parais volant''. Marques brunes aux premiers plats. Premier plat de la couverture papier originelle présentant quelques rousseurs; Du reste, belle condition.…