Manwaring elizabeth (9 Ergebnisse)

8° , Leinen. Zustand: Gut. VII, 243 Seiten, mit Bildtafeln in S/W, Ausgetragenes Bibliotheksexemplar des Fachbereichs Anglistik der Universität Bonn mit entsprechenden Kennzeichnungen, Stempeln und Etikettschatten über Rücken, moosgrüner Ganz-Leinen-Einband mit goldgeprägtem Rückentitel altersbedingt etwas lagerspurig, Rücken stärker lichtspurig, Papier innen lediglich leicht nachgedunkelt - daher insgesamt in gutem Zustand B07-02-06J Sprache: Englisch Gewicht in Gramm: 545.…

Taschenbuch. Zustand: Neu. Neuware - 'Italian Landscape in Eighteenth Century England' is a comprehensive study exploring the profound impact of Italian visual arts on British aesthetic sensibilities during the 1700s. Elizabeth Wheeler Manwaring provides a detailed analysis of how the works of master painters, specifically Claude Lorrain and Salvator Rosa, dictated the evolution of English taste in art, literature, and landscape design.The work examines the rise of the 'Picturesque' movement, tracing how the serene, classical vistas of Lorrain and the wild, rugged romanticism of Rosa influenced not only the collection habits of the British aristocracy but also the very landscape of the English countryside. By investigating the intersection of painting and poetry, the author demonstrates how these continental artistic ideals were imported and adapted, eventually leading to the creation of the iconic English landscape garden. This scholarly exploration serves as an essential resource for understanding the cultural exchange between Italy and England, offering insight into how a century of art appreciation redefined the perception of nature and beauty in the British Isles. It remains a foundational text for students of art history, landscape architecture, and 18th-century cultural studies.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: Gut. xi, 243 p Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 1973/4, L16142 Sprache: Englisch Gewicht in Gramm: 700.

Softcover. Zustand: Very Good. First edition. Stapled wrappers. Foreword by Gladys Taber. Preface by Margaret Clapp. 19pp. Rubbing, creasing, and spotting thus very good.

Buch. Zustand: Neu. Neuware - 'Italian Landscape in Eighteenth Century England' is a comprehensive study exploring the profound impact of Italian visual arts on British aesthetic sensibilities during the 1700s. Elizabeth Wheeler Manwaring provides a detailed analysis of how the works of master painters, specifically Claude Lorrain and Salvator Rosa, dictated the evolution of English taste in art, literature, and landscape design.The work examines the rise of the 'Picturesque' movement, tracing how the serene, classical vistas of Lorrain and the wild, rugged romanticism of Rosa influenced not only the collection habits of the British aristocracy but also the very landscape of the English countryside. By investigating the intersection of painting and poetry, the author demonstrates how these continental artistic ideals were imported and adapted, eventually leading to the creation of the iconic English landscape garden. This scholarly exploration serves as an essential resource for understanding the cultural exchange between Italy and England, offering insight into how a century of art appreciation redefined the perception of nature and beauty in the British Isles. It remains a foundational text for students of art history, landscape architecture, and 18th-century cultural studies.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

hardcover. Zustand: Good. First Edition. 1st 1925 HB Oxford; no dust jacket; no stamps or inscriptions.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: good. Cloth/dust jacket Octavo. green cloth, gilt lettering, dust jacket, 243 pp dj lightly worn and spine lightly sunned Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Zustand: Good. 1925. No Edition Remarks. 243 pages. No dust jacket. Blue cloth with gilt titles to spine. From the Wellesley Semi-Centennial Series. Includes illustrated plates. Signed by artist Hesketh Hubbard, who depicted English landscapes in many of his works. Also bookplate of Michael Ernest Sadler. Pages have moderate foxing, slight tanning and minor thumbing. Slight gutter cracking. Binding firm. Foxing and tanning more noticeable towards start and end of book and on text block edges. Several slight annotations to FEP. Sticker 'A' to front pastedown. Text block edges are a little tanned and foxed with minor scratches. Boards have some moderate edge wear, with slight bumping to corners and minor bumping to spine ends. Boards a little rubbed and marked overall, and slightly bowed also. Spine is a little sunned. Gilt is bright. Book has a slight forward lean.…

Zustand: Assez bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.