Verlag: New York: Merrill Chase Galleries, [1980s?]., 1980
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. [ca. 40 pp.]. Hard Cover. Very Good. B&W Plates of Aquatints. From the library of Pasquale Iannetti. Scarce. Note: All pages are B&W reproductions.From the Collection of Steve Reoutt (1938-2008).A longtime California College of the Arts Graphic Design faculty member (41 years to be exact) and professor emeritus, Reoutt also was a book illustrator, curator, painter, and genuinely appreciated and loved member of the CCA community.He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12-years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community." He passed away May 14, 2008.
Verlag: New York: Merrill Chase Galleries, [1980s?]., 1980
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. [ca. 50 pp.]. Hard Cover. Good. B&W Plates of 100 Color Aquatints. From the library of Pasquale Iannetti. Scarce. Note: All pages are B&W reproductions.From the Collection of Steve Reoutt (1938-2008).A longtime California College of the Arts Graphic Design faculty member (41 years to be exact) and professor emeritus, Reoutt also was a book illustrator, curator, painter, and genuinely appreciated and loved member of the CCA community.He was born in 1938 in Shanghai to Russian parents. He came to the United States when he was just 12-years old. He went on to co-found the San Francisco chapter of the AIGA, including serving a nine-year board position as design historian. In 2001 Reoutt received the AIGA Fellowship award for "personal and professional contributions to raising the standards of excellence within our design community." He passed away May 14, 2008.
Verlag: Paris: L'Estampe Moderne, 1898
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Color ithograph 333 x 225 x mm. Tissue guard with descriptive text attached at edge. ).From the L'Estampe Moderne (vol. 2, no. 16, August 1898); printed by L'Imprimerie Champenois, distributed by Masson & Pizza .L'Estampe Moderne was published monthly between 1897 and 1899 at the Imprimerie Champenois of Paris. Each edition cost 3.50 francs and contained four original lithographic prints in wrappers designed by Mucha. Around two thousand of each of the 24 fascicles were produced, bringing affordable prints, largely in an Art Nouveau style, to the masses.It is not to be confused with another publication of the same name which was published over five fascicles between November 1895 and March 1896 by Loÿs Delteil.
Anbieter: Celler Versandantiquariat, Eicklingen, Deutschland
Verbandsmitglied: GIAQ
F. A. Ackermann Kunstverlag, München, 1974. Blattmaß: ca. 44,2 x 61 cm, (Blattrand etwas fleckig)---- Slg. Josef Voggenauer, Archiv für alte und neue Werbegraphik, München / Printed in West Germany by lithographic process - 32 Gramm.
Sprache: Deutsch
Erscheinungsdatum: 1902
Anbieter: Antiquariat Reinhold Pabel, Hamburg, Deutschland
Verbandsmitglied: BOEV
Kunst / Grafik / Poster Signiert
1902. Plattenmaß 33 x 51,5 cm. Links unten in Blei nummeriert u. SIGNIERT ("Manuel-Robbe"). - Französ. Künstler der Belle Epoque u. einer der Protagonisten der "eau-forte en couleurs". Zwischen 1898 und 1914 schuf Robbe eine große Zahl an teils großformatigen Graphiken (Aquatinten, Lithographien) von 25 - 65/90 Abzügen je Motiv, wobei er einen malerischen Stil mit ungewöhnlichen Farbtönen anwandte: volles samtiges Schwarz, cremefarbenem Weiß gegenübergestellt, fahles Rosa oder (wie hier) verwaschenes Braun, Ocker u. nebliges Silbergrau. - Gebräunt (durch Trägerpappe), etwas verblasst.