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Paperback, xii + 272 pages, Size:216 x 280 mm, Illustrations:42 b/w, 79 col., 9 tables b/w., Language: English.*new ISBN 9782503612775. Summary The Ancient Egyptians used it for both the living and the dead, the Greeks and Romans used it to signal their status, and it aided the Vikings in reaching the far shores of Europe and Eurasia. Textiles have surrounded us, literally and figuratively for millennia, but this common thread has long been ignored in scholarly research. With the inception of the Centre for Textile Research at the University of Copenhagen in 2005, however, this approach changed fundamentally, and today, every type of research discipline comes together to begin unravelling the stories told by textiles. How do we understand textiles and how do we talk about them? Who produced textiles, where, and for what purposes? How do we conduct research into the origins of materials? How did cultivating flax or raising sheep change the ancient landscape? How have we researched textiles so far? What can we learn from textiles about society, gender, and production? This volume engages with these questions and explores how the fabric of society has changed through researching textiles in all its facets, from archaeology and history to natural sciences. Taking as its starting point the research interests and career of its honorand, Eva Andersson Strand, this meticulously researched volume consists of three parts, covering the tools and techniques that form the basis of all research explores; how craftspeople made use of tools and techniques; and how textiles have been used over millennia to signify identity and status. TABLE OF CONTENTS Preface 1. In the beginning. Anne Drewsen, Mary Harlow, Ulla Mannering, and Marie-Louise Nosch I. Textile and Tools 2. Ragpickers. Critiquing the Third Science Revolution with Walter Benjamin Tim Flohr Sørensen 3. Textile Analysis in Europe. Current practices and Future Prognosis Margarita Gleba, Susanna Harris, and Jane Malcolm-Davies 4. From Fleece to Thread. Interdisciplinary Evidence for the Origins of Sheep Wool Laura C. Viñas-Caron, Mikkel Nørtoft, Jonas Holm Jæger, Peder Flemestad, and Christina Margariti 5. An Arctic Thread Mikkel Sørensen 6. The Beginnings of Clothing Experiments in Near Eastern Archaeology Catherine Breniquet and Cécile Michel 7. Fløjstrup ? A Viking Age Grave with Early Silk Charlotte Rimstad, Irene Skals, and Ina Vanden Berghe 8. The Importance of Understanding Textile Tools Francesco Meo 9. Making Visible the Invisible. The Case Study of Clay Sealings from Arslantepe (Turkey) Romina Laurito II. Craft and Cratf Traditions 10. Textile Workshops in the Nile Valley? Questioning the Concepts and Sources Chiara Spinazzi-Lucchesi and Elsa Yvanez 11. Sprang Hairnets from Prehistoric Denmark and Byzantine Egypt. Experimental Research Anne Kwaspen, Ida Demant, and Johanne Høgh 12. Spinning Fates and the Fate of Spinning. Towards a Nordic Textile Technical Terminology Morten Grymer-Hansen and Susanne Lervad 13. Teaching and Disseminating Textile Archaeology in University and Museum Contexts Lise Bender Jørgensen and Karina Grömer 14. Weaving Pictures. Evoking a World from Threads Ulrikka Mokdad (with a helpin hand from Mark Schram Christensen) 15. Beyond Traditions. Rethinking Textile Crafts and Heritage Magali-An Berthon III. Identity and Status 16. Stitch and Status. An Analysis of the Expression of Worldviews through Knitted Garments Maj Ringgaard and Tove Engelhardt Mathiassen 17. The Combat Agate and the Tartan-like Textiles of the Aegean Kalliope Sarri 18. Textiles in Etruscan Dance. The Case of the Tomba del Triclinio in Tarquinia Audrey Gouy 19. Reading the Roman Toga from Sculpture Mary Harlow and Lena Larsson Lovén 20. Two Donkey Burials Ulla Lund Hansen and Anne Drewsen 21. Embellished Clothing in the Mesolithic Based on Finds from two Cemeteries in Sweden Lars Larsson 22. Sequins and other 'Bling' in Viking Age Fashion Charlotte Hedenstierna-Jonson, Marianne Vedeler, and Amica Sundström 23. One Silk Textile ? Multiple Histories and Her-Stories Ulla Mannering and Marie-Louise Nosch 0 g.

orig.boards. Textual photo illustrations. (illustrator). 30x21cm, Series: Ancient Textiles Series, vol. 5. Weighs 1500 grams. Contains 49 papers. Includes: Experimental Textile Archaeology by Eva Andersson Strand; The Perfect Picture - A Comparison between Two Preserved Tunics & 13th-century Art by Eva I. Andersson; Loom-Weights, Spindles & Textiles - Textile Production in Central Europe from the Bronze Age to the Iron Age by Tereza Belanova Stolcova & Karina Gromer; Differences in the Elaboration of Dress in Northern Europe during the Middle Bronze Age by Sophie Bergerbrant; Avoiding Nasty Surprises: Decision-Making based on Analytical Data by Lena Bjerregaard, Ute Henniges & Antje Potthast; Archaeological Textiles from Prague Castle, Czech Republic by Milena Bravermanova; Virtual Reconstruction of Archaeological Textiles by Maria Cybulska, Tomasz Florczak & Jerzy Maik; The Use of Terminology in Medieval Scandinavian Costume History: An Approach to Source-based Terminology Methodology by Camilla Luise Dahl; Haberdashery Elements made of Metal Thread: Conservation Problems by Anna Drazkowska; Current Examinations of Organic Remains using Variable Pressure Scanning Electron Microscopy [VP-SEM] by Andrea Fische; Textiles, Wool, Sheep, Soil and Strontium - Studying their Paths: a Pilot Project by Karin Margarita Frei; Not so much Cinderella as the Sleeping Beauty: Neglected Evidence of Forgotten Skill by Ruth Gilbert; Die Rekonstruktion des Vaaler Bandchens - ein archaologisches Kammgewebe aus Dithmarschen: Gemeinschaftsarbeit der Wollgruppe des Museumsdorfes Duppel, Deutschland by Annelies Goldmann & Eva-Maria Pfarr; The Magdalensberg Textile Tools: a Preliminary Assessment; Minor wear. Light rubbing to head of spine. VG.