mann judy (30 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Signed Copy . Good dust jacket. Signed/Inscribed by author on front endpage. Slightly dampstained.

Zustand: Very Good. Signed Copy . Very Good dust jacket. Inscribed by author on front endpage.

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. Minor rubbing.

Zustand: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Signed Copy . Very Good dust jacket. Signed/Inscribed by author on half title page.

Zustand: Very Good. Signed Copy . Very Good dust jacket. Inscribed by author on front endpage.

Zustand: New. In.

Zustand: Very Good. Used, cover has light scratches, some outer edges have minor scuffs, outer pages have shelf wear, book content is in very good readable condition.

Trade Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped ($9.95 price intact). Published by MasterMedia, 1990. Octavo. Paperback. Book is very good with small sticker on back cover, partially covering price. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Zustand: Brand New. reprint edition. 317 pages. 8.25x5.25x1.00 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: very good. First Printing. 306 pages. Index, large piece cut off of front endpaper (right above author's signature). Signed by the author. From her house in suburban Washington to the White House, Judy Mann is a keen observer of modern life. This collection of columns includes a number of her favorite subjects--the battle of the sexes, media's treatment of women, memorable people she has interviewed, divorce, technology, and family ties.

Paperback. Inscription. Very Good.

Vintage studio still photograph of Maximilian Schell from the 1961 film. A dramatization of the 1947 Judges' Trial, one of twelve US Nuremberg Military Tribunals held from 1946 to 1949 to decide the fate of individuals accused of crimes against humanity for their involvement in Nazi atrocities. The film was nominated for twelve Academy Awards, winning three, including Best Adapted Screenplay and Best Actor for Maximilian Schell. 10 x 8 inches. Very Good plus. National Film Registry. Twilight Time K1631.

Hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. [10], 306, [4] pages. Index. Inscribed on fep. Judy Mann (December 24, 1943 in Washington, D.C. - July 8, 2005) was a correspondent for the Washington Post where she wrote about women, children, and the politics of the women's movement. Mann spent her childhood in Paris and was able to speak fluent French before returning to the US to go to high school. She graduated from Washington-Lee High School in Arlington. While still in high school, Mann worked for the Northern Virginia Sun where she was an assistant teen editor. Mann later obtained her degree from Barnard College. During her time here, she joined a group and students and they traveled to Cuba, disobeying US law. In 1966, Mann worked as a sales representative for Avon products. From 1968-1972, she worked as a reporter and editor for the Washington Daily News. Mann was known for her liberal and feminist outlook and writings. She truly wanted to expand the women's rights, which is why she put so much passion into her writing on this subject. She began working for The Post in 1972 as a city reporter and worked there for almost 30 years. She eventually worked her way up to becoming day city editor and finally a columnist in 1978. Mann won many awards for her work on women's rights, population control, and child welfare. Arguing that the feminist movement strenuously promoted women's rights while neglecting the issue of individual choice, Mann, in her Washington Post columns, reviews the role and treatment of women in the workplace, politics, courts and the media, and assess the condition of the American family. Drawing on her experience as a single working mother, her writing covers a range of topics, from national issues--drugs, child abuse--to profiles of memorable though little- known people. Among her suggestions for improvements: persuading men to make women full partners; lengthening school days; and involving the state and business in family and health support systems that will provide adjustable work schedules and options for tending young and elderly dependents. Presumed First Edition, First printing [stated].

Hardcover. First edition. First printing [stated]. xv, 317 p. Notes. Resources for Girls. Bibliography. Index. An award-winning columnist for the Washington Post sets out to discover why we, as a culture, continue to raise girls to feel inferior to boys. The result is a brilliant, challenging, and heartfelt book that demonstrates, consructively and compassionately, what we can do to change the way we think about the the difference between boys and girls. Very good in very good dust jacket. Signed by author.

Hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. Second Printing. [10], 306, [4] pages. Index. Inscribed on fep. Judy Mann (December 24, 1943 in Washington, D.C. - July 8, 2005) was a correspondent for the Washington Post where she wrote about women, children, and the politics of the women's movement. Mann spent her childhood in Paris and was able to speak fluent French before returning to the US to go to high school. She graduated from Washington-Lee High School in Arlington. While still in high school, Mann worked for the Northern Virginia Sun where she was an assistant teen editor. Mann later obtained her degree from Barnard College. During her time here, she joined a group and students and they traveled to Cuba, disobeying US law. In 1966, Mann worked as a sales representative for Avon products. From 1968-1972, she worked as a reporter and editor for the Washington Daily News. Mann was known for her liberal and feminist outlook and writings. She truly wanted to expand the women's rights, which is why she put so much passion into her writing on this subject. She began working for The Post in 1972 as a city reporter and worked there for almost 30 years. She eventually worked her way up to becoming day city editor and finally a columnist in 1978. Mann won many awards for her work on women's rights, population control, and child welfare. Arguing that the feminist movement strenuously promoted women's rights while neglecting the issue of individual choice, Mann, in her Washington Post columns, reviews the role and treatment of women in the workplace, politics, courts and the media, and assess the condition of the American family. Drawing on her experience as a single working mother, her writing covers a range of topics, from national issues--drugs, child abuse--to profiles of memorable though little- known people. Among her suggestions for improvements: persuading men to make women full partners; lengthening school days; and involving the state and business in family and health support systems that will provide adjustable work schedules and options for tending young and elderly dependents.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Second Printing. [10], 306 pages. Index. Small tear at bottom of title page. Inscribed by the author on the half-title page. to Ann Kolker! Active in women''s political and health issues, Ann Kolker was an early member of the National Women''s Political Caucus, and was present at the creation of EMILY''s List. She worked at the National Women''s Law Center on health policy and women''s equality issues and related legislation, advocating for the passage of the Family Medical Leave Act. Judy Mann (December 24, 1943 in Washington, D.C. - July 8, 2005) was a correspondent for the Washington Post where she wrote about women, children, and the politics of the women's movement. Mann spent her childhood in Paris and was able to speak fluent French before returning to the US to go to high school. She graduated from Washington-Lee High School in Arlington. While still in high school, Mann worked for the Northern Virginia Sun where she was an assistant teen editor. Mann later obtained her degree from Barnard College. During her time here, she joined a group and students and they traveled to Cuba, disobeying US law. In 1966, Mann worked as a sales representative for Avon products. From 1968-1972, she worked as a reporter and editor for the Washington Daily News. Mann was known for her liberal and feminist outlook and writings. She truly wanted to expand the women's rights, which is why she put so much passion into her writing on this subject. She began working for The Post in 1972 as a city reporter and worked there for almost 30 years. She eventually worked her way up to becoming day city editor and finally a columnist in 1978. Mann won many awards for her work on women's rights, population control, and child welfare. From her house in suburban Washington to the White House, Judy Mann is a keen observer of modern life. This collection of columns includes a number of her favorite subjects--the battle of the sexes, media's treatment of women, memorable people she has interviewed, divorce, technology, and family ties. Arguing that the feminist movement strenuously promoted women's rights while neglecting the issue of individual choice, Mann, in her Washington Post columns, reviews the role and treatment of women in the workplace, politics, courts and the media, and assess the condition of the American family. Drawing on her experience as a single working mother, her writing covers a range of topics, from national issues--drugs, child abuse--to profiles of memorable though little- known people. Among her suggestions for improvements: persuading men to make women full partners; lengthening school days; and involving the state and business in family and health support systems that will provide adjustable work schedules and options for tending young and elderly dependents.

Hardcover. First Edition, First Printing. Octavo, 306 pages. In Very Good condition with a Very Good dust jacket. Spine green with white and black lettering. Dust jacket protected in mylar covering, with price uncut: "$19.95." Minor shelf wear. Light creasing along edges of dust jacket. Foxing to edges of textblock, as well as endpapers and pastedowns. Interior pages clean. Inscribed by Mann to Dorothy Gilliam on front free endpaper, dated Sept. 12, 1990. Shelved in Journalism. Dorothy Gilliam is an American journalist, who was the first female African American reporter to work for the Washington Post. 1383145. Shelved Dupont Bookstore.

DVD. Zustand: Sehr gut. Standard Version. B3456-136 4010324022387 Sprache: Deutsch Gewicht in Gramm: 150.

Vintage studio still photograph from the 1961 film. Mimeo snipe on the verso. A dramatization of the 1947 Judges' Trial, one of twelve US Nuremberg Military Tribunals held from 1946 to 1949 to decide the fate of individuals accused of crimes against humanity for their involvement in Nazi atrocities. Nominated for twelve Academy Awards, winning three, including Best Adapted Screenplay and Best Actor for Maximilian Schell. Set in Nuremberg, shot on location in Nuremberg and Berlin. 10 x 8 inches. Very Good plus. National Film Registry. Twilight Time 1631.

Vintage studio still photograph of producer Stanley Kramer and director John Cassavetes on the set of the 1962 film. Kramer and Cassavetes clashed throught the production, disagreeing on technique as well as the overall message of the film, leading Kramer to fire Cassavetes during the editing of the film. Dr. Matthew Clark (Burt Lancaster), the director of the Crawthorne State Mental Hospital for mentally handicapped and emotionally disturbed children, clashes with newly arrived teacher Jean Hanson (Judy Garland) over the best methods in which to teach the children. Many of the students in the film were portrayed by actual intellectually disabled children from Pacific State Hospital in Pomona, California. Shot on location at the Lanterman Development Center in Pomona, California. 8 x 10 inches. Very Good plus, with large bruise to upper right corner, creasing on right side and two small closed tears on right margin repaired with paper tape on verso.

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st American edition, [1st printing] ; 496 p. : col. ill. ; 30 cm. ; ISBN: 0756613434; 9780756613433 ; LC: SB434; Dewey: 635.9/3203 ; OCLC: 71846503 ; green color photographic boards in similarly patterned dustjacket ; "Over 5,000 plants with full cultivation details and planting ideas with full color photos.".; "Describes the physical characteristics and hardiness of more than five thousand alphabetized perennials, provides guidance on their cultivation and propagation, and includes over a thousand color photos, sidebars on pests and other topics, and an index of common names." ; tiny dig on front endpaper, else FINE/FINE. Book.

Zustand: New. William Buhler is an independent agricultural researcher. Stephan Morse is a reader in development studies at the University of Reading. Eddie Arthur is a senior agricultural researcher based at the John Innes Centre, Norwich. Susannah Bolton.

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100, Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs; 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street; 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle, Mirta Gómez, Four Sections of Time; 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes; 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki; 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Girl; 71) Steve Fitch: Motel Signs; 72) Liz Steketee: Dystopia; 73) Stephen Shore: Pet Pictures; 74) Martin Parr: Seven Cups of Tea; 75) Stu Levy: Honk If You Love Stieglitz: Jerry Uelsmann, A Grid-Portrait; 76) Leon Borensztein: Portraits ii; 77) Carol E. Richards: Birds Have Wings; 78) Melanie. Signed by Author(s).

Hardcover. Zustand: New. 1st Edition. 2000-2017. Nazraeli Press One Picture Book Series 1 to 100 (Total of 115 Books, Complete with Five Boxed Sets of four books each), Limited Edition(s) (each title with Print(s)). All of the One Picture Books in this complete set are in the First Edition, first and only printing. Each title is a limited edition of 500 copies hand-numbered and signed by the artist, with one original print tipped in the front or final page (except for #5, which has two Type-C prints mounted recto/verso on a hinged board). All of the titles in the set share the following format: Hardcover. Paper-covered boards (color and printing vary), no dust jacket as issued. 16 pp., with four-color and/or duotone plates. 7-1/2 x 5-3/4 inches. The complete set of 100 titles of this critically acclaimed series is extremely scarce, as the majority of the tittles are out of print and many are very scarce. A complete set including the rare boxed sets is very rare, as few boxed sets were made near the beginning of the Series. New (all books). All books and tipped-in prints are in flawless condition. 1) Terri Weifenbach, Instruction Manual No. 1: 21. May 1995; 2) John Gossage, Four American Photographs (4-Volume Set); 3) Terri Weifenbach, Instruction Manual No. 2: 21. April 1996 ("Bee"); 4) Terri Weifenbach, Instruction Manual No. 3: 25. June 1996 ("Blue Sky"); 5) Chan Chao, Letter from P.L.F. (Burma); 6) Todd Hido, Taft Street (4-Volume Set); 7) Ron van Dongen, Rosa Ferreus; 8) Susan Hornbeak-Ortiz, True; 9) Bill Jay, Bill Brandt; 10) Julien Coulommier, Soleil Cou Coupe; 11) Yuki Onodera, How to Make a Pearl; 12) Robert Adams, Alders; 13) Risaku Suzuki, Fire: February 6; 14) Robert Heinecken, studiesnineteenseventy; 15) Don Kirby, You're not really initiated until your eyes are redder than your lips; 16) Masao Yamamoto, The Path of Green Leaves; 17) Martin Parr, 7 Communist Still Lifes; 18) Andreas Müller-Pohle, Yumiko; 19) Sara Gilbert, Cues; 20) Toshio Shibata, Type 55; 21) Michael Kenna, Boarding School; 22) Eduardo del Valle & Mirta Gómez, Four Sections of Time (4-Volume Set); 23) Weng Fen, Sitting on the Wall & Bird's Eye View; 24) Judy Gelles, Beach Boxes (4-Volume Set); 25) Naoya Hatakeyama, River Series / Shadow; 26) Boomoon Kwon, On the Clouds; 27) Camille Solyagua, Twenty-One Red-Crowned Cranes and One Black Crow; 28) Martin Parr, 7 Colonial Still Lifes; 29) Jim Stone, Why My Photographs are Good; 30) Stu Levy, Cranial Czar, Eh?; 31) Ken Ohara, One; 32) Steve Pyke: Post Partum; 33) Steve Pyke: Post Mortem; 34) Joseph Mills, e mars, Lilly's Waist; 35) Yuichi Hibi, Robert Frank, A Weekend with Mr. Frank; 36) Twinkako Ishiwata-Pichler, Desperately Seeking Twinka; 37) Ron van Dongen, A. angustatum; 38) Junko Takahashi, The Receptionist; 39) Daido Moriyama, Kuchibiru; 40) Emi Anrakuji, e hagaki (4 Volumes Included with 4 Unique Prints); 41) Michael Kenna, Montecito Garden; 42) Tanya Marcuse, Fruitless; 43) Stephen Shore, Merced River; 44) Jesse Diamond, Drum Circle; 45) Nancy Honey, Poodle Parlour; 46) Lars Schwander, Manuel Álvarez Bravo: One Day in April 1999; 47) John Divola, Seven Dogs; 48) Masao Yamamoto, Fujisan; 49) David Maisel, Cascade Effect; 50) Rob McDonald, Birth Place; 51) Netta Madahar, Sustenance; 52) David Tseklenis, Julius Shulman Does His Own House; 53) Joe Deal, Indian Bingo; 54) Raymond Meeks, Doctrine of an Axe; 55) Mayumi Lake, Ex Post Facto; 56) Michael Kenna, Heiden Hotel; 57) Eduardo del Valle & Mirta Gómez, En Vista; 58) Edward Bateman, Mechanical Brides of the Uncanny; 59) Todd Hido: Cracked Trees; 60) Todd Hido: Crooked Cracked Tree in Fog; 61) David H. Gibson: Water Cascade: A Sequence; 62) Eiji Ina: Wacht; 63) Alec Soth: One Mississippi; 64) Mark Steinmetz: Italia: Cronaca di un Amore; 65) Pine & Woods: For Constance; 66) Hiroshi Watanabe: Love Point; 67) Terri Weifenbach: Some Insects; 68) Sally Mann, Rob McDonald and Even Rogers: Cy's Rollei; 69) Corey Arnold: Fishing with My Dad 1978-1995; 70) Joni Harbeck & Neil Krug: Indian Gi. Signed by Author(s).

Vintage borderless reference photograph from the 1961 film, showing actors Marlene Dietrich and Spencer Tracy with director Stanley Kramer and other crew members on the set. Annotations in manuscript pencil on the verso. A dramatization of the 1947 Judges' Trial, one of twelve US Nuremberg Military Tribunals held from 1946 to 1949 to decide the fate of individuals accused of crimes against humanity for their involvement in Nazi atrocities. Nominated for twelve Academy Awards, winning three, including Best Adapted Screenplay and Best Actor for Maximilian Schell. Set in Nuremberg, shot on location in Nuremberg and Berlin. 9.5 x 7.5 inches. Neat pinhole at each corner, else Near Fine. National Film Registry. Twilight Time 1631.