Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Lexington, Kentucky : The University Press of Kentucky, 1999
ISBN 10: 0813121167 ISBN 13: 9780813121161
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 242 p. Subject: English literature 18th century History and criticism. Misogyny in literature. Capitalism and literature Great Britain History 18th century. Women and literature Great Britain History 18th century. 3 Kg.
Sprache: Englisch
Verlag: Detroit, Gale research, 1994
Anbieter: Antiquariat Bookfarm, Löbnitz, Deutschland
Hardcover. 390 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. y19238 810355558 Sprache: Englisch Gewicht in Gramm: 1230.
Sprache: Englisch
Verlag: The University Press of Kentucky, 1999
ISBN 10: 0813121167 ISBN 13: 9780813121161
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Offering a previously unexplored view of derogatory representations of women, this text demonstrates the ways in which a range of authors used misogyny to promote, resist and critique new capitalist forms. The book also reveals how feminist critics could have misunderstood misogyny's function. Num Pages: 256 pages, 4 b&w illustrations. BIC Classification: 1DBK; 2AB; 3JF; DSBD; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 21. Weight in Grams: 549. . 1999. Hardcover. . . . . Books ship from the US and Ireland.
EUR 44,53
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. The eighteenth century saw the birth of the concept of literature as business: literature critiqued and promoted capitalism, and books themselves became highly marketable canonical objects.Über den AutorLaura C. Mandell.
EUR 67,33
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Über den AutorLaura Mandell is Associate Professor of English and Digital Humanities at Miami University of Ohio. She has published articles about women writers and Romantic poetry in journals such as ELH, MLQ, Studies in Romantici.
Sprache: Englisch
Verlag: University Press Of Kentucky Jun 1999, 1999
ISBN 10: 0813121167 ISBN 13: 9780813121161
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - ' The eighteenth century saw the birth of the concept of literature as business: literature critiqued and promoted capitalism, and books themselves became highly marketable canonical objects. During this period, misogynous representations of women often served to advance capitalist desires and to redirect feelings of antagonism toward the emerging capitalist order. Misogynous Economies proposes that oppression of women may not have been the primary goal of these misogynistic depictions. Using psychoanalytic concepts developed by Julia Kristeva, Mandell argues that passionate feelings about the alienating socioeconomic changes brought on by capitalism were displaced onto representations that inspired hatred of women and disgust with the female body. Such displacements also played a role in canon formation. The accepted literary canon resulted not simply from choices made by eighteenth-century critics but also, as Mandell argues, from editorial and production practices designed to stimulate readers' desires to identify with male poets. Mandell considers a range of authors, from Dryden and Pope to Anna Letitia Barbauld, throughout the eighteenth century. She also reconsiders Augustan satire, offering a radically new view that its misogyny is an attempt to resist the commodification of literature. Mandell shows how misogyny was put to use in public discourse by a culture confronting modernization and resisting alienation.