makowski zbigniew (7 Ergebnisse)

Softcover. AE-5782 Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Gut. 375 seiten, mit zahlreichen s/w Abbildungen mit Originalem Schutzumschlag, dieser mit kleineren Gebrauchsspuren, Ecken und Kanten etwas berieben, Umschlag an den Rändern etwas rissig, zwei Ecken zudem bestoßen, Fußkante ebenfalls an einer Stelle etwas bestoßen, innen sauber und ordentlich. Sprache: Q13 Sprache: Deutsch Gewicht in Gramm: 600 8°, Leinen mit grün- schwarzem Front- und Rückentitel.

Couverture rigide. Zustand: Bon. Contient un DVD "livres d'artistes de Zbigniew Makowski".

8 Bll., Ill. 4°, OBrosch. Broschüre zur Ausstellung in der Galeria Katowice (29.11. - 20.12.1969). - Guter Zustand. 400 gr.

Zustand: Used: Like New. Cartonnage toilé, comme neuf. 9788361900849.

Warszawa, 1966. Oblong: 16,5 x 23,5 cm. With illustrations in b/w. Text in Polish. 28 pag. [Added: Invititation: Makowksy, Bruxelles, Galerie Contour, 1965] [Art / international artist [Buitenlandse Kunstenaars] ].

[Warsaw], 1963. Octavo (29 × 23 cm). Book, tempera, ink. Original cloth over boards with front cloth modified, and leaves with introductory text removed. The remaining 54 numbered plates of illustrations modified with décollage, cut-out layering technique, ink, and tempera, to create a unique artist book. Sticker from the Polish Foreign Trade Office, dated 1973 to inside rear board. Very good. A unique artist book by the Surrealist painter Zbigniew Makowski (1930-2019), one of the key figures of Polish post-WWII Surrealism and one of the first artists in Poland to make artists' books. Typically working with found books, Makowski "dissected" the book objects and modified them with collage, décollage, cut-out layering technique, ink, and tempera, to create Surrealist art objects. In this object, he also uses original lettering in black and red ink, a mix of poetic statements, mirror image writing, private hieroglyphs, and Latin phrases. The inside of the front wrapper is inscribed by the artist with the words: "And what is there to decide? I write as I walk: always only on one side of the river: *** that is I cannot walk on both sides of the river at the same time, (especially not in the morning)." The hand motif common in Surrealist imagery and referencing tactility, is featured on the cover of the album and reappears throughout, as does the motif of the eye, inserted in unexpected locations, and removed in others. The found book used by Makowski in this case, is an album on French painting from classicism to post-impressionism published in the Soviet Union in Russian, no doubt a reference to the ongoing debates about Socialist Realism both in France and in Poland in the 1950s. He would similarly repurpose Soviet albums on Dürer, Polish albums on classical architecture, as well as French art albums on established Surrealists including on André Breton and Max Ernst (See nos. 118-121 in Surrealism. Other Myths. The National Museum in Warsaw, 2024). A graduate of the Academy of Fine Arts in Warsaw (1950-1956), and a member of the Phases group (which was conversant with both Surrealism and Dada), Makowski would start making Surrealist objects from found books in the late 1950s. Art historian Agnieszka Kuczy?ska writes: "The books that Zbigniew Makowski started making in 1959 can be treated as attempts to manifest the desire to put Surrealist object-books "into circulation," as a way for the artist to bring about the materialization of Breton's "imaginary book.[.] His books being a realization of the surrealist idea and at the same time an explicit rejection of the luxurious character of livre d'artistique, complicate the existing genealogies of artists' books" (See "Surrealist Books in Poland: Zbigniew Makowski, Erna Rosenstein" in Surrealism. Other Myths. Pp. 79 - 91). Makowski would meet André Breton in Paris in 1962 and appear alongside him in the exhibition organized jointly by the Surrealists and the Phases group at the Galerie du Ranelaugh, titled "Greffages: papiers collés, photomontages, reliefs, constructions, poèms-objets, collages, etc.". Makowski would go on to represent Poland at the Venice Biennale in 1972, most recently appearing in a major retrospective of Polish Surrealism at The National Museum in Warsaw in 2024. His work is held by the Stedelijk Museum (Amsterdam), Musee d'Art Moderne (Paris), and MoMA (New York), among many others.