makavejev dusan (6 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Couverture rigide. Zustand: Très bon état. Maquette par Martinovic Milan. Photographies par Elisabeth Campion, Luc Joubert, Dusko Jovanovic, Marion Valentine et Roger-Viollet. In-4, pleine toile noire, sous jaquette illustrée, 18 reproductions pleines pages en couleurs et 150 reproductions pleines pages en n. & b., 224 pp. Bon état d'occasion. Retrace le déroulement de l'oeuvre, des premiers tableaux en Yougoslavie au compositions fantomatiques d'aujourd'hui. in-4°.

Paperback. Zustand: Good+. Zustand des Schutzumschlags: No Dust Jacket. Spine creased. Light shelfwear. Pages yellowing.; An interview with the director and the script of the film, a cinematic testament to the life and teachings of Wilhelm Reich. Scarce!; 12mo; 144 pages.

Soft cover. Zustand: Good. 1st Edition. 1st printing (February 1972). 144pp. GOOD+ copy, covers bright, slight crease to spine, pages tanned.

Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French, with French, German, Russian, Spanish, and English text inside. Taking on the trappings of American crime and film noir, about a woman who is murdered by her lover after her infidelity is discovered, the plot unfolds in non-chronological order, with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera, creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel, Film as a Subversive Art.

Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau, but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order, with imaginative digressions and frequent interruptions, creating a critique of communist society and censorship. Two photographs 7 x 5 inches, one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel, Film as a Subversive Art.