magdanz andreas (43 Ergebnisse)

8° gebundene Ausgabe. Zustand: Sehr gut. 35 Seiten Deckel stellenweise altersgemäß angedunkelt B02-03-04D Sprache: Deutsch Gewicht in Gramm: 326.

228 S. Hardcover mit Leinenrücken. 4°quer. Mehsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Ecken minimal berieben. Sonst sehr gut erhalten. Sprache: deu.

Hard Cover. Zustand: Good. oblong 4to. 191 pp, very good in original white paper covered boards, some wear to bottom of spine with small tear to hinge, white boards, blind stamped slightly grubby in the way the white boards often are, good. This book weighs over 2 kilos and additional postage costs will apply (i.r.o an extra £3.50 within the UK) Size: 4to - over 9¾" - 12" tall.

4°. 30 cm. 16 Seiten. Original-Karton. 1. Auflage. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. With many illustrations. Original softcover. Fine copy.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition (Russian), first printing. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (1/8- inch chip on the heel of the spin on dust jacket; minor bump to the crown of the spine; slight wear to the extremities; else fine). This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again.".

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: As New. 105 pp., illustrations. Signed by author on title page. Limited edition of 100 copies in French. "These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened but on the forces of intolerance -- still at work -- that may allow it to happen again." -- The Photobook, Volume II by Martin Parr & Gerry Badger 0.0.

191 S. Hardcover. 4°. Geprägter Buchdeckel. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Sprache: deu.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition (Polish), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Polish) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. From The Photobook, Volume II, by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition (Russian), first printing. Signed in black ink on dedication page by Magdanz. Hardcover. Photographically illustrated paper-covered boards with photographically illustrated dust jacket, with publisher's unprinted card box. Photographs by Andreas Magdanz. Essays (in Russian) by Marceline Loridan-Ivens and Gerhard Shoenberner. 108 pp., with 42 four-color plates. 5-1/4 x 5-1/2 inches. Published in an edition of 1100 copies in German, and only 100 copies each in French, English, Polish and Russian. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket and card box. This small but powerful book is a response to Loridan-Ivens' autobiographically inspired film "The Birch-Tree Meadow," starring Anouk Aimée, which relates the story of a Holocaust survivor who, as a teenaged girl, was imprisoned at Auschwitz. An excerpt from "The Photobook: A History, Volume II" by Martin Parr and Gerry Badger: "The genocide photobook is an important genre within the remit of concerned photographers. Andreas Magdanz has returned to the subject. making a series of quiet, meditative landscapes in colour that by virtue of their lyrical restraint say much about the place as it is today, as a museum, a memorial, a tourist destination or place of pilgrimage, and a graveyard. It was in response to [the predominance of black and white, portentously gloomy and romantic style of photographing concentration camps] that Andreas Magdanz decided to use color photography when he photographed the Auschwitz-Birkenau complex as part of Marceline Loridan-Ivens's autobiographical feature film, La petite prairie aux bouleaux (Little Birch Meadow, 2002). Magdanz's photography makes its effects by means of understatement. Viewing his colour images, one sees clearly that the photographic medium of reality is now colour, where once it was considered to be monochrome. And this is unsettling: Auschwitz is brought into the here and now. These calm, summery pictures remove it from the long ago and far away, a symbol of the past that we can safely leave with an unbelieving shudder. They force us to meditate not only on what happened, but on the forces of intolerance--still at work--that may allow it to happen again." Signed by Author.

( Ohne Erscheinungsjahr - wohl um 2000 herum erschienen ). In einem Pappdeckel mit Aufdruck *geheim - amtlich geheimgehalten* mit geöffneter Siegelmarke. Die Dokumentation hier nur als Faltplan ( ohne die Monographie ). Original-Karton, 4° ( 29,5 x 21 cm ). Von guter Erhaltung. ( Gewicht mit dem Pappdeckel 350 Gramm ) ( Diese Gebäudedokumentation als Faltplan lag wahrscheinlich der Monographie von Andreas Maganz bei ( die hier nicht vorhanden ist !! ). Inwieweit der gestempelte Pappdeckel original ist entzieht sich leider meiner Kenntnis. ( Bitte beachten: Hier nur der Faltplan vorhanden )( Lagerort AZ - Regal )( Weitere Bilder auf Anfrage ) Artikel 21829 /// ( No year of publication - probably published around 2000 ). In a cardboard cover labelled *geheim - amtlich geheimgehalten* with open seal. The documentation here only as a folding plan ( without the monograph ). Original cardboard, 4° ( 29.5 x 21 cm ). In good condition. ( Weight with the cardboard cover 350 grams ) ( This building documentation as a folding plan was probably enclosed with the monograph by Andreas Maganz ( which is not present here !! ). To what extent the stamped cardboard cover is original is unfortunately beyond my knowledge. ( Please note: Only the folding plan is available here ) ( Storage location AZ - shelf ) ( More pictures on request ) Item 21829.

Zustand: Very good.

Hartkartoneinband mit Leinenrücken. 34 Seiten mit zahlreichen, ganzseitigen S/W- und Farbfotoabbildungen. Format 21 x 29,5 cm. Guter Zustand. Künstlerische Fotodokumentation über die Instandsetzung des neuen Suermondt Ludwig Museum in Aachen. Von Andreas Magdanz auf dem Vorsatz signiert.

hardcover. Zustand: Wie neu. 192 Seiten; Noch originalverschweiþt und total unbenutzt! Sprache: Deutsch Gewicht in Gramm: 4.

4°, OKart. 1. Aufl. Mit zahlr. Abbild. auf Tafeln, unpaginiert. Einband berieben. Im Inneren schönes Ex Sprache: Deutsch Gewicht in Gramm: 0.

Weißer Hartkartoneinband mit geprägtem Deckblatt. (Bundesadler). 191 Seiten mit zahlreichen Fotoabbildungen in Duotone, einige in Farbe. Format 34,7 x 29 cm. Sehr guter Zustand. Bilder aus der ehemaligen Zentrale des Geheimdienstes. Sprache: deutsch.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 300 copies, stamped, numbered, and signed in black ink on the title page by Magdanz. Hardcover. White paper-covered boards, with German eagle design blind-stamped on front cover, and debossed title in black on the spine. White laminated dust jacket embossed with German eagle design on front and title on spine. Photographs and text (in German and English) by Andreas Magdanz. Additional text by Christoph Schaden. English text is printed on dust jacket overleaf. 192 pp., with 13 four-color and 93 black-and-white plates, printed on heavy stock paper. 11-3/8 x 13-3/4 inches. New in New dust jacket. From the artist: "The relocation of the German intelligence service BND from Pullach near Munich to Berlin marks a turning point in the history of the Federal Republic of Germany. The move, which is scheduled to be completed by 2011, will allow the first exclusive photographic documentation ever of the area in Pullach, which until now was strictly off-limits. In August of 2005, after a period of preparation that lasted more than 1 1/2 years and following extensive vetting procedures, the photographic work on the project BND - Standort Pullach began. The access to the site has been granted without limitations and no attempt to exert any influence upon the artistic work was made, apart from constant supervision by the department." As Christoph Schaden notes in his essay, Magdanz's restrained imagery belies the historical force of his subject: "The strict ban on taking pictures of the employees, who always introduced themselves to [Magdanz] in a friendly manner, but invariably gave false names, serves as his intellectual starting point. Atmospherically, that desertedness grows to become and all-pervading moment of absence that lays itself, leadenly and ubiquitously, over the sequence of images. Its mute plea is unambiguous and, in changing from color to black and white, suggests a latent menace. Any detailed information, it seems, is pointless." Signed by Author.

Quer-4°. 28 x 33 cm. [221] Seiten. Illustrierter Original-Pappband. 1. Auflage. Mehrsprachige Ausgabe in Deutsch, Französisch, Englisch und Niederländisch. Von Andreas Magdanz auf erstem leeren Blatt signiert. Mit zahlreichen Schwarz-Weiß-Fotografien. Sehr gutes Exemplar. First edition. Multilingual edition in German, English, French and Dutch. Signed by Andreas Magdanz on half title. With many photographs in b/w. Original hardcover. Fine copy. Sprache: Deutsch, Englisch, Französisch und Niederländisch.

Leinen. Zustand des Schutzumschlags: mit Schutzumschlag. 32 cm x 38 cm. unpag. Leinen mit Schutzumschlag. Mit zahlr. farb. und schw.-w. Abb. Umschlag etwas lichtrandig, sehr gutes Exemplar. auf dem Vorsatz mit dem Stempel und der handschriftlichen Signatur von A. Magdanz. Signatur des Verfassers.

Quer-4° 155 S. (ungezählt) überwiegend m. s/w u. wenigen farbigen Fototafeln u. 1 gefalteten Plan verso mit Abbildungen. Orig.-Leinen m. Orig.-Umschlag. Erste Ausgabe.- Umschlag etwas lichtrandig u. m. kleinen Läsuren.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 300 copies, stamped, numbered, and signed in black ink on the title page by Magdanz, with an original Type-C print (image and paper size 10-3/4 x 13-1/2 inches), signed and numbered verso by Magdanz. The print ("MINOX C," reproduced on page 75), is not among the original 5 variants for the edition, and may have been done later. Hardcover. White paper-covered boards, with German eagle design blind-stamped on front cover, and debossed title in black on the spine. White laminated dust jacket embossed with German eagle design on front and title on spine. Photographs and text (in German and English) by Andreas Magdanz. Additional text by Christoph Schaden. English text is printed on dust jacket overleaf. 192 pp., with 13 four-color and 93 black-and-white plates, printed on heavy stock paper. 11-3/8 x 13-3/4 inches. New in New dust jacket. From the artist: "The relocation of the German intelligence service BND from Pullach near Munich to Berlin marks a turning point in the history of the Federal Republic of Germany. The move, which is scheduled to be completed by 2011, will allow the first exclusive photographic documentation ever of the area in Pullach, which until now was strictly off-limits. In August of 2005, after a period of preparation that lasted more than 1 1/2 years and following extensive vetting procedures, the photographic work on the project BND - Standort Pullach began. The access to the site has been granted without limitations and no attempt to exert any influence upon the artistic work was made, apart from constant supervision by the department." As Christoph Schaden notes in his essay, Magdanz's restrained imagery belies the historical force of his subject: "The strict ban on taking pictures of the employees, who always introduced themselves to [Magdanz] in a friendly manner, but invariably gave false names, serves as his intellectual starting point. Atmospherically, that desertedness grows to become and all-pervading moment of absence that lays itself, leadenly and ubiquitously, over the sequence of images. Its mute plea is unambiguous and, in changing from color to black and white, suggests a latent menace. Any detailed information, it seems, is pointless." Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 75 copies, including an original 14-1/2 x 11-3/8 inch gelatin silver print (image size 12-1/8 x 9-1/8 inches), stamped, signed, titled, dated and numbered in black marker on verso, titled "Gasmaskenprüfgerät" (reproduced in the book), and laid in the book (presented in a protective archival Mylar sleeve). The book is also stamped, signed, titled and numbered in black ink on the title page by Magdanz. Hardcover. Gray cloth-like covered boards, with graphic cartoon-like image of a B-52 debossed on front cover, with orange and black printed dust jacket. Photographs and text (in German and English) by Andreas Magdanz. Additional text (in German and English) by Christoph Schaden. 160 pp., with 19 four-color and 77 black and white plates, beautifully printed on heavy stock paper by Salto, Belgien. Includes a folded broadsheet laid in (with black and white reproductions and titles of the photographs and a diagram of the enormous bunker facility, numbered to reference locations where the photographs were made). 12-7/8 x 15-1/9 inches. Out of print. Scarce [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket (opened only for signature). An excerpt from a New York Times review by Richard B. Woodward (January 11, 2004): "The Dienstelle Marienthal (or Marienthal Office) is among the most ambitious but least-known monuments to "thinking the unthinkable" ever conceived. This vast underground tunnel complex, built from 1960 to 1972 outside Bonn, was once so secret that to acknowledge its existence could bring charges of treason in West Germany. Designed to house 3,000 of that government's essential personnel in case of nuclear attack, it represented one of the most exclusive fraternities in the world. [Magdanz] was the first person authorized to photograph there. With a precise and clinical eye, Mr. Magdanz shows the 25-ton doors, the miles of cable and the air ducts that connected the underground denizens, through a series of filters, with the upper atmosphere. The décor is spare, the furniture uniformly modern. There are no gymnasiums or libraries. Fluorescent light and gray airlessness are pervasive." Signed by Author.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Limited edition of 75 copies, including a light blue ceramic ashtray from the Marienthal facility (6 1/2 inches in diameter and 2 inches high, titled "M'Thal" and reproduced in the book). The book is also stamped, signed, titled and numbered in black ink on the title page by Magdanz. THIS LAST COPY IS LACKING SMALL CARDBOARD BOX FOR ASHTRAY. Hardcover. Gray cloth-like covered boards, with graphic cartoon-like image of a B-52 debossed on front cover, with orange and black printed dust jacket. Photographs and text (in German and English) by Andreas Magdanz. Additional text (in German and English) by Christoph Schaden. 160 pp., with 19 four-color and 77 black and white plates, beautifully printed on heavy stock paper by Salto, Belgien. Includes a folded broadsheet laid in (with black and white reproductions and titles of the photographs and a diagram of the enormous bunker facility, numbered to reference locations where the photographs were made). 12-7/8 x 15-1/9 inches. Out of print. Scarce. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. New in New dust jacket (opened only for signature). An excerpt from a New York Times review by Richard B. Woodward (January 11, 2004): "The Dienstelle Marienthal (or Marienthal Office) is among the most ambitious but least-known monuments to "thinking the unthinkable" ever conceived. This vast underground tunnel complex, built from 1960 to 1972 outside Bonn, was once so secret that to acknowledge its existence could bring charges of treason in West Germany. Designed to house 3,000 of that government's essential personnel in case of nuclear attack, it represented one of the most exclusive fraternities in the world. [Magdanz] was the first person authorized to photograph there. With a precise and clinical eye, Mr. Magdanz shows the 25-ton doors, the miles of cable and the air ducts that connected the underground denizens, through a series of filters, with the upper atmosphere. The décor is spare, the furniture uniformly modern. There are no gymnasiums or libraries. Fluorescent light and gray airlessness are pervasive." Signed by Author.

Weißer Hartkartoneinband mit geprägter Vorderseite (Bundesadler). 191 Seiten mit zahlreichen Fotoabbildungen in Duotone, einige in Farbe. Format/size 34,7 x 29 cm. Tadelloser Zustand. Embossed hardcover. 191 pp. with numerous illustrations. Mint condition. Fotodokumentation der ehemaligen Zentrale des Geheimdienstes in Pullach. In deutscher Sprache. Vorliegendes Exemplar von Andreas Magdanz signiert. Signed by Andreas Magdanz.

Zeitung. 50 Seiten mit zahlreichen s/w Fotoabbildungen. Format 35,0 x 51,5 cm. Gefaltet auf 35,0 x 26,5 cm. In grauem Kartonschuber. Signiert. Fotografien vom Braunkohletagebau Garzweiler, Landschaft und Menschen. Texte in deutscher, russischer, französischer, englischer, niederländischer und japanischer Sprache. Rückseite vom Künstler gestempelt und handschriftlich signiert. Von bester Erhaltung!

Koln, Dumont, 2006. 191 pp., ills, boards, oblong folio,

Hochglanzbroschur, geheftet mit 16 Seiten. 11 s/w Fotoabbildungen. Format 22 x 30 cm. Kanten stellenweise gering berieben. Sonst gut erhalten. Ausstellungskatalog hrsg. von der Sparkasse Aachen. Von Andreas Magdanz auf dem Vorsatz signiert.

Geprägter Hartkartoneinband mit geprägtem OSchutzumschlag in OPappschuber. 191 (1) Seiten mit zahlreichen, teils farbigen, ganzseitigen Fotoabbildungen. Querformat 35,0 x 29,0 cm. Bilder aus der ehemaligen Zentrale des Geheimdienstes mit einem Text von Christoph Schaden. Limitierte Sonderedition (300 Exemplare) mit eigens angefertigtem Schutzumschlag mit Bundesadler-Prägung. Im Inneren des Schutzumschlages befindet sich die englische Übersetzung des deutschen Textes. Von Andreas Magdanz gestempelt, handschriftlich nummeriert und signiert. Von bester Erhaltung!

Quer Fol. 191 S. mit zahlr. teils farb. Bildtafeln. OPb mit blindgeprägtem Adler. kaum bestaubt. EA mit der eigenhändigen Signatur des Fotografen auf Titeslseite.

Hartkartoneinband mit OSchutzumschlag. 105 Seiten mit zahlreichen ganz- und doppelseitigen Farbfotoabbildungen. Format/size 14,2 x 13,3 cm. In einer grauen Kartonschachtel. Guter Zustand. Hardcover with dj. 105 pp. with numerous colour illustrations. In grey card board box. Good condition. In dem autobiographischen Spielfim >Birkenau und Rosenfeld< kehrt Marceline Loridan-Ivens als überlebende des Konzentrationslagers Auschwitz-Birkenau nach 50 Jahren an diesen Ort zurück. Andreas Magdanz war mit der Kamera dabei. Die Bildauswahl folgt dem Weg, den M. Loridan-Ivens gegangen ist. Siehe auch Parr/The Photobook/Vol. II/Seite 244, 245. In deutscher Sprache. German language. Von Andreas Magdanz signiert. Signed by Andreas Magdanz.

Leineneinband mit illustriertem OSchutzumschlag. Ca. 160 nn Seiten. Ganzseitige Fototafeln überwiegend in S/W, einige in Farbe. Format 38,7 x 32,8 cm. Dem Buch liegt ein Grundriss-Plan bei. Das Buch liegt in einer grauen Kartonschachtel mit dem Aufdruck "Geheim, amtlich geheimhalten". Tadelloser Zustand. Beeindruckende Gebäudemonographie über den geheimnisvollen Regierungsbunker bei Bonn. Von Andreas Magdanz auf dem Titelblatt signiert und datiert. Der Klappentext, sowie der Beitrag von Christoph Schaden, sind in deutscher und englischer Sprache. Siehe auch Martin Parr: The Photobook. A History. Volume II. Seite 282/283. - Weiterer Titel von Andreas Magdanz: BND-Standort Pullach.