Maddy j e (26 Ergebnisse)

hardcover. Zustand: very good. Musical examples. viii + 267pp., 8vo, cloth. Cincinnati: The Willis Music Company, 1926. A very good copy.

paperback. Zustand: Good. Writting on the title page from the past owner.

Zustand: New.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Published by The Willis Music Company, 1926. Octavo. Hardcover. Book is very good. No dust jacket. Previous owner name on flyleaf. Covers have shelf wear.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization. …

Zustand: New.

Paperback. Zustand: Brand New. 169 pages. 8.25x5.50x0.50 inches. In Stock.

Zustand: New. pp. 232.

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization. …

Zustand: New.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - 'Instrumental Technique for Orchestra and Band' is a comprehensive and practical guide designed for educators and conductors focused on the development of school and community ensembles. Written by pioneers in the field of music education, J. E. Maddy and T. P. Giddings, this work serves as an essential manual for building and maintaining successful instrumental programs. The text provides detailed instruction on the technical aspects of various instruments, while also addressing the broader challenges of ensemble balance, intonation, and rhythmic precision.The work delves into effective rehearsal strategies, the organization of rehearsals, and the selection of appropriate repertoire for developing musicians. Beyond pure technique, it offers insights into the pedagogical methods necessary for teaching diverse groups of students, from beginners to more advanced players in both orchestral and band settings. By emphasizing the importance of both individual proficiency and group cohesion, 'Instrumental Technique for Orchestra and Band' remains a foundational text in the history of music pedagogy. It is an invaluable resource for music directors, students of conducting, and anyone interested in the methodologies that shaped early 20th-century music education in America.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Hardcover. Zustand: Brand New. 232 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New.

Zustand: New. Staging the Amistad collects for the first time plays about the Amistad slave revolt by three of Sierra Leone s most influential playwrights of the latter decades of the 20th century. Written and staged before and after the start of Sierra Leone s decade-lo.

Zustand: As New. Unread book in perfect condition.

Buch. Zustand: Neu. Neuware - 'Instrumental Technique for Orchestra and Band' is a comprehensive and practical guide designed for educators and conductors focused on the development of school and community ensembles. Written by pioneers in the field of music education, J. E. Maddy and T. P. Giddings, this work serves as an essential manual for building and maintaining successful instrumental programs. The text provides detailed instruction on the technical aspects of various instruments, while also addressing the broader challenges of ensemble balance, intonation, and rhythmic precision.The work delves into effective rehearsal strategies, the organization of rehearsals, and the selection of appropriate repertoire for developing musicians. Beyond pure technique, it offers insights into the pedagogical methods necessary for teaching diverse groups of students, from beginners to more advanced players in both orchestral and band settings. By emphasizing the importance of both individual proficiency and group cohesion, 'Instrumental Technique for Orchestra and Band' remains a foundational text in the history of music pedagogy. It is an invaluable resource for music directors, students of conducting, and anyone interested in the methodologies that shaped early 20th-century music education in America.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Zustand: New. Staging the Amistad collects for the first time plays about the Amistad slave revolt by three of Sierra Leone s most influential playwrights of the latter decades of the 20th century. Written and staged before and after the start of Sierra Leone s decade-lo.

Paperback. Zustand: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization. …

Hardback. Zustand: New. Staging the Amistad collects in print for the first time plays about the Amistad slave revolt by three of Sierra Leone's most influential playwrights of the latter decades of the twentieth century: Charlie Haffner, Yulisa Amadu "Pat" Maddy, and Raymond E. D. de'Souza George. Until the late 1980s, when the first of these plays was performed, the 1839 shipboard slave rebellion and the return of its victors to their homes in what is modern-day Sierra Leone had been an unrecognized chapter in the country's history. The plays recast the tale of heroism, survival, and resistance to tyranny as a distinctly Sierra Leonean story, emphasizing the agency of its African protagonists. For this reason, Haffner, Maddy, and de'Souza George counterbalance the better-known American representations of the rebellion, which center on American characters and American political and cultural concerns. The first public performances of these plays constituted a watershed moment. Written and staged immediately before and after the start of Sierra Leone's decade-long conflict, they brought the Amistad rebellion to public consciousness. Furthermore, their turn to a uniquely Sierra Leonean history of heroic resistance to tyranny highlights the persistent faith in nation-state nationalism and the dreams of decolonization. …

Zustand: New.

Zustand: As New. Unread book in perfect condition.