maclaren edward (8 Ergebnisse)

Zustand: New. In.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Zustand: Fine. First Edition. Hardback. No Dust Jacket. Large 8vo. pp lii, 195. Original publisher's illustrated forest green cloth. This edition is limited to 500 copies, this being no. 311. Copiously illustrated in black and white throughout. ISBN: 0950730157 Fine. The slipcase is not present.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Good. No Jacket. Burne-Jones, Edward (illustrator). First Edition. 12mo - over 6¾" - 7¾" tall. Contemporary green cloth binding quarter bound with rebacked spine. xv, 283 p.p., 4 p.p. ads. First appearence of illustrations by engraver Edward Burne-Jones work on frontis and tailpiece. Rubbed edges and extremities, boards slightly stained, corners of edges have been chipped. Deckled edges, small tear to xiii, xv but text unaffected, loose thread on p.p. 152. Otherwise in good condition.Edward Burne-Jones (1833-1898) was an influential Victorian artist during the Pre-Raphelite movement, and worked together with William Morris.The book includes ballads of Trolls, Fairies, Elf-Folk, Pixies, and other enchantments.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

First edition of this collection of European fairy tales, which includes the first appearance in book form of Edward Burne-Jones's illustrations. The book was put together by the Oxford educator Archibald MacLaren, at whose gymnasium in North Oxford Burne-Jones and William Morris used, as students, to practice swordplay and boxing. Octavo. Illustrated frontispiece and extra illustrated title, and an illustrated vignette tailpiece, all by Edward Burne-Jones though unsigned. Four pages of publisher's advertisements at the rear. Original purple cloth, titles gilt to spine, spine and sides decorated in gilt and blind, light brown coated endpapers. Cloth generally somewhat worn and mottled, though sound and internally clean, better than usually encountered and overall a good copy.