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Zustand: New.

Zustand: New.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features: Defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate.Traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending' Reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.…

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Zustand: New. pp. 224.

Paperback. Zustand: New. The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features: Defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate.Traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending' Reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.…

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Paperback. Zustand: New. In defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today's romantic comedies ponder the realities and complexities of intimacy, fortifying the genre's gift for imagining human connection through love and laughter. It has often been observed that the rom-com's "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume's contributors confront how recent rom-coms contend with a "post-romantic age" of romantic disillusionment and seismically shifting emotional and relational bonds. Fifteen chapters contemplate the resurgence of the "radical romantic comedy" and uncoupling comedy, new approaches in genre hybridity and serial narrative, and how recent rom-coms deal with divisive topical issues and contemporary sexual mores from reproductive politics and marriage equality to hook-up culture and technology-enabled sex. Rom-coms remain underappreciated and underexamined-and still largely defined within Hollywood's parameters of culturally normative coupling and its persistent marginalization of racial and sexual minorities. Making the case for taking romantic comedy seriously, this volume employs critical perspectives drawn from feminist, queer, postcolonial, and race studies to critique the genre's homogeneity and social and sexual conservatism, recognizing innovative works inclusive of LGBTQ people, people of color, and the differently aged and abled. Encompassing a rich range of screen media from the last decade, After "Happily Ever After" celebrates works that disrupt and subvert rom-com fantasy and formula so as to open audience's eyes along with our hearts. This volume is intended for all readers with an interest in film, media, and gender studies. …

super octavo softcover (VG+) : all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and reasonable condition, but usually secondhand ; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

tapa dura. Zustand: Bien. Sociedad Y Cultura: (JF) Edipresse Hymsa S.A. Barcelona. 1991. 24x28 cm. 232 p. Encuadernación en tela de editorial con sobrecubierta. Colección 'Grandes temas'. Traducido del Inglés. Traducido por Tremoleda, Marta . Sobrecubierta deslucida. ISBN: 9788471835055; 8471835053 (=3430095=) PD153.…

Zustand: New. Offers a critical study of the 'happy ending' in classical and contemporary Hollywood cinema. This book encourages students and scholars of film to reconsider some tenacious critical preconceptions, inviting them to approach afresh their understandings of perhaps the most infamous narrative convention in Hollywood cinema. Num Pages: 224 pages. BIC Classification: 1KBB; APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 13. Weight in Grams: 350. . 2014. Reprint. Paperback. . . . .…

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Zustand: New. pp. 224 Acknowledgements.

Zustand: New. Offers a critical study of the 'happy ending' in classical and contemporary Hollywood cinema. This book encourages students and scholars of film to reconsider some tenacious critical preconceptions, inviting them to approach afresh their understandings of perhaps the most infamous narrative convention in Hollywood cinema. Num Pages: 224 pages. BIC Classification: 1KBB; APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 13. Weight in Grams: 350. . 2014. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

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Paperback. Zustand: Brand New. reprint edition. 218 pages. 9.50x6.50x0.50 inches. In Stock.

Zustand: New.

Paperback. Zustand: new. Paperback. The Hollywood happy ending has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union the final couple this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, unrealism, and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features:Defines key features of the Hollywood happy ending through detailed textual analysis and theoretical debate.Traces the historical development of the scholarly approaches taken towards the cinematic happy ending Reassesses the concept of cinematic closure and its relationship to genre, ideology and unrealism This wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, unrealism, and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: leido. 1ª ed. edición. tela con sobrec, fotos, gran formato. 232.

Taschenbuch. Zustand: Neu. Neuware - The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending' Is it simply a cliché, as commonly supposed Why has it earned such an unenviable reputation What does it, or can it, mean Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features: - Defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate.- Traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending' - Reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.…

Zustand: New. Offers a critical study of the happy ending in classical and contemporary Hollywood cinema. This book encourages students and scholars of film to reconsider some tenacious critical preconceptions, inviting them to approach afresh their understandings of p.

Paperback. Zustand: New. The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features: Defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate.Traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending' Reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.…

Taschenbuch. Zustand: Neu. Irony in Film | James Macdowell | Taschenbuch | Palgrave Close Readings in Film and Television | xii | Englisch | 2018 | Palgrave Macmillan | EAN 9781349673339 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Paperback. Zustand: New. The Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies.This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.Key Features: Defines key features of the Hollywood 'happy ending' through detailed textual analysis and theoretical debate.Traces the historical development of the scholarly approaches taken towards the cinematic 'happy ending' Reassesses the concept of cinematic closure and its relationship to genre, ideology and 'unrealism'.…

Paperback. Zustand: New. In defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com's continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today's romantic comedies ponder the realities and complexities of intimacy, fortifying the genre's gift for imagining human connection through love and laughter. It has often been observed that the rom-com's "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume's contributors confront how recent rom-coms contend with a "post-romantic age" of romantic disillusionment and seismically shifting emotional and relational bonds. Fifteen chapters contemplate the resurgence of the "radical romantic comedy" and uncoupling comedy, new approaches in genre hybridity and serial narrative, and how recent rom-coms deal with divisive topical issues and contemporary sexual mores from reproductive politics and marriage equality to hook-up culture and technology-enabled sex. Rom-coms remain underappreciated and underexamined-and still largely defined within Hollywood's parameters of culturally normative coupling and its persistent marginalization of racial and sexual minorities. Making the case for taking romantic comedy seriously, this volume employs critical perspectives drawn from feminist, queer, postcolonial, and race studies to critique the genre's homogeneity and social and sexual conservatism, recognizing innovative works inclusive of LGBTQ people, people of color, and the differently aged and abled. Encompassing a rich range of screen media from the last decade, After "Happily Ever After" celebrates works that disrupt and subvert rom-com fantasy and formula so as to open audience's eyes along with our hearts. This volume is intended for all readers with an interest in film, media, and gender studies. …

Second Draft script for the 1989 film. Director and screenwriter Steven Soderbergh's directorial debut, and a landmark of independent cinema. A languid, provocative chamber piece exploring intimacy and desire revolving around a husband, John, his wife, Ann, Ann's sister, Cynthia, and John's old drifter friend, Graham, who use Graham's own peculiar fetish, videotape, to mediate their feelings. Nominated for an Academy Award for Best Screenplay. Winner of the Palme d'Or, making Soderbergh the youngest director to receive the prize. Set and shot on location in Baton Rouge, Louisiana. White untitled Outlaw Production wrappers. Title page present, dated 21 FEB 88, noted as second draft, with credits for screenwriter Steven Soderberg. 95 leaves, with last page of text numbered 94. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads. National Film Registry. Criterion Collection 938.…

Vintage reference photograph taken on the set of the 1989 film, showing actors James Spader and Laura San Giacomo talking with director Steven Soderbergh. Director and screenwriter Steven Soderbergh's directorial debut, and a landmark of independent cinema. Nominated for an Academy Award for Best Screenplay. Winner of the Palme d'Or, making Soderbergh the youngest director to receive the prize. Set and shot on location in Baton Rouge, Louisiana. 10 x 8 inches. Very Good plus. National Film Registry. Criterion Collection 938.…