Mabellini teodulo (36 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Neu. Partitur Besetzung: Orchester ISMN: M-2020-3302-9.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: Neu. Partitur, Stimme Besetzung: Streichquartett ISMN: M-2020-3661-7.

Taschenbuch. Zustand: Neu. Neuware - Le Feste fiorentine delle potenze e degli omaggi all'usanza del secolo XIV, written by Stefano Fioretti and Teodulo Mabellini, documents the Florentine festivals and tributes in the style of the 14th century. This historical record details the solemn national honors paid to His Majesty King Vittorio Emanuele II. Published in 1859, the book provides a glimpse into the cultural and ceremonial practices of Florence during a pivotal period in Italian history. It offers valuable insights into the social customs, musical traditions, and the veneration of national leaders prevalent in mid-19th century Italy. This work is an important resource for understanding Florentine history and the evolution of Italian national identity.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Size: Small 8vo. 181 x 106mm. Single sheet folio with address panel from envelope attached. "Pregiatissimo Signore Giunto Giunti Direttore del Giornale 'Scaramuccia', Gentiliss.mo Signr Giunti. Le urgenti spese di famiglia, e quelle non meno gravi per acquisti di opera inerenti alla mia professione, non mi permettono assoggettarmi a spese ulteriori per cui sono dolentissimo di non poter continuare l'abbonamento al di lei accreditato giornale 'Scaramuccia'. L'anno scorso, quando ella gentilmente mi offerse . ho detto che avrei pagato l'abbonamento per un anno". …

Zustand: Neu. Klavierauszug Besetzung: Soli, Chor, Klavier (Orgel) ISMN: M-2020-3625-9.

Size: 8vo. 210 x 134mm. [2]ff. Folded single sheet bifolium. "Caro dottore, Ti siamo gratissimi mia moglie ed io come anche la Nunziata per averci domandate le nostre senove[?]. Oggi il chirurgo sciogliera' il cilizio alla Nunziata per farle una fasciatura più blanda. Sembra che tutto vada bene per ora. Si spera di vederti presto, e godere della tua amabile compagnia. Ti salutiamo insieme con Paolo; ed io stringendoti al seno, Mabellini".…

Buch. Zustand: Neu. Neuware.

Zustand: Neu. Partitur Besetzung: Singstimme, Klavier ISMN: M-2020-4013-3.

In 16, pp. 39 + (1) + 82b). Lievi bruniture ai p. Br. ed. con decorazioni tipografiche ai p. Libretto dell'opera andata per la prima volta in scena al Teatro della Pergola di Firenze nel giugno dello stesso anno. Catalogo dei libretti del Conservatorio Benedetto Marcello, I, p. 350. ITA.

Zustand: Neu. Partitur Besetzung: Singstimme, Klavier ISMN: M-2020-4015-7.

Large oblong folio. Full modern green cloth, marbled endpapers. 1f. (recto title within decorative border, verso blank), 1f. (recto table of contents, verso named cast list), 5-267 pp. Engraved. Uncut. Several leaves partially unopened. Each number with its own secondary pagination to upper margin. Named cast includes Cesare Badiali, Giuseppe Mori, Marietta Gazzaniga, Mazzarrini, Faustina Piombanti, Agostino Susini and Luigi Sanesi. Occasional light foxing, staining, and soiling; title and several leaves with minor tears and slight loss to blank margins; early tape repairs to verso of title; some leaves without primary pagination. An attractive, clean, and wide-margined copy overall. First Edition. Scarce. Schmidl, Vol. II, p. 1. Eudossia e Paolo, the first of Mabellini's two oratorios, was first performed in Florence at the Palazzo Vecchio on [?]24 June 1845, "for the benefit of a children's home, according to its printed libretto. The two-part oratorio makes extensive use of chorus, far more so than does the typical Italian oratorio . The work received several additional performances in Florence and Livorno." Smither: A History of the Oratorio, Vol. 4, p. 620. "As a composer Mabellini had many strong qualities, notably an ability to work successfully in different genres, a mastery of counterpoint and orchestration, a solid musical grounding, a sure technique and a conscious adherence to the great Classical tradition . His fame today rests on his promotion of Italian musical culture." Francesco Bussi in Grove Music Online. …