Lyn kienholz (10 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Wrappers. Zustand: Near Fine. 166 pp., many illustrations some in color. Adhesive label residue on inside cover, top left-hand side as well as the reverse cover, lower right-hand side. a touch of discoloring to the grey spine. Published on the occasion of the exhibition from the Fisher Gallery, University of Southern California Los Angeles CA June 2-August 12, 1984, C.A.P.C. Musée d'Art Contemporain de Bordeaux, Bordeaux France October 1984, Städtiche Kunsthalle, Mannheim, West Germany February 1985, Yorkshire Sculpture Park, West Britton, England May 1985 and the Sonja Henies og Niels Onstads Stiftelser Hovikodden, Norway September 1985. Artists included in the exhibition: Robert Arneson, Charles Arnoldi, Bruce Beasley, Fletcher Benton, Guy Dill, Jud Fine, Tom Holland, Robert Hudson, Manuel Neri, Sam Richardson, Michael Todd and DeWain Valentine. …

Hardcover. Zustand: Near Fine. 1st Edition. A NEAR FINE FIRST EDITION HARDCOVER.

Hardcover. Zustand: Very Good. Signed and dedicated by author.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

111 S. Oktn 4°. KMEX Fotografie.

Softcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut.

Soft cover. Zustand: Very Good. 111 pages : chiefly illustrations ; 29 cm. Ephemera (newspaper articles) loosely inserted.

Hardcover. Zustand: As new. 509 p. 31 cm. Mainly colour illustrations with some b&w. Hardcover. Preface by Barbara Isenberg. Contributing editors Elizabeta Betinski and Corinne Nelson.

Zustand: Very Good. Stockholm: Moderna Museet, 1970. First Edition. Quarto (27x21.5x1.5cm); unpaginated [162pp], including biography, chronology, and bibliography. Twelve photographic gatefold spreads, each followed by numerous full-page B&W photographs. Text in parallel Swedish and English. Deliberately rudimentary stab-stapled binding covered in binder's tape, with coated card front and thick cardboard back, as designed and published. Textblock in repeated sequences, each beginning with a gatefold on coated paper, followed by a textual page on yellow wove paper, followed by a sequence of B&W stills for 12 tableaux. The binder's tape serving as spine is peeling (about 1.5cm) at crown and foot, but this is probably as much a desired outcome for Kienholz and Pontus Hultén as anything. Some rubbing to front surface, but otherwise unmarred and unmarked. Edward Kienholz (1927-1994) was an American installation and sculptural tableau artist, and a sardonic, sometimes gruesome, critic of modern life. Pontus Hultén (1924-2006), curator of this show, would go on to create major shows at the Museum of Modern Art in New York, and to become the first director of the Pompidou Center in Paris. He remains renowned for his funky and eccentric exhibition catalogs, bound in atypical ways, of which this is an early example. This volume is the catalog of the Kienholz exhibition held at the Moderna Museet in Stockholm from 17 January to 1 March 1970, and traveling afterward to Amsterdam, Düsseldorf, Paris, and London. …