ludwig proescholdt (18 Ergebnisse)

Zustand: New. In.

Zustand: New. In.

86 Seiten, Gr.-8°, kartoniert. Lieferungswerk, sehr gut erhalten.

VI, 480 S. Brauner Halblederband der Zeit. Mit Register im Anhang. Buchrücken berieben, Kapitale leicht lädiert, Deckelbezüge mit Abschabungen; Seiten durchweg gebräunt.

1st ed., 4 Vols. in 1. XV, 63, XVII, 61, XXXIV, 92, XI, 86 p. Within: The comedie of Faire Em, Merry devil of Edmonton, The Raigne of King Edward the Third, The Birth of Merlin: or, The Childe hath found his father. Shelfmark, stamps, otherwise fine copy. Sprache: Englisch Gewicht in Gramm: 0 Gr.-8°, contemporary half cloth-binding.

Zustand: New. KlappentextThe Merry Devil of Edmonton is a play written by Thomas Dekker, which was first published in 1608. This book, published in 1884, is a critical edition of the play, edited by Karl Warnke. The play tells the story of a man named.

Zustand: New. &Uumlber den AutorJames Anthony is an award-winning, multi-genre author from London, England. With a keen eye, sharp wit, and poetic irreverence, he retold all 154 of Shakespeare s sonnets in modern verse, published by Penguin Random Ho.

Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - The Merry Devil of Edmonton is a play written by Thomas Dekker, which was first published in 1608. This book, published in 1884, is a critical edition of the play, edited by Karl Warnke. The play tells the story of a man named Peter Fabell, who makes a deal with the devil to gain wealth and power. However, the devil tricks Fabell and makes him do his bidding. The play is a comedy and features a range of colorful characters, including a group of witches who help Fabell in his quest for power. The critical edition includes an introduction, notes on the text, and a glossary of terms to help readers understand the language and context of the play. The book is a valuable resource for scholars and students of English literature and Renaissance drama.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Buch. Zustand: Neu. Neuware - 'The Shoemaker's Holiday' is a classic play, first performed in the early 17th century. It tells the story of a group of shoemakers who are able to take a holiday from their work, thanks to the efforts of their benevolent master. The play is a classic piece of Elizabethan theatre, combining wit, humor, and romance in equal measure.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Taschenbuch. Zustand: Neu. Neuware - This collection, 'Pseudo-Shakespearian Plays, Volumes 1-5', edited by Karl Warnke and Ludwig Proescholdt, delves into the fascinating world of plays often attributed to, or associated with, William Shakespeare, but of uncertain or contested authorship. Published in 1883, this work offers a comprehensive examination of several dramatic works, providing detailed analysis and scholarly commentary. These volumes explore the historical context, textual variations, and literary merits of plays that have, at times, been included in the Shakespearean canon. By critically assessing the evidence for and against Shakespeare's authorship, Warnke and Proescholdt contribute to a deeper understanding of the complexities surrounding literary attribution and the challenges of establishing authenticity in dramatic literature. This collection remains a valuable resource for Shakespearean scholars and anyone interested in the intriguing question of what truly constitutes a Shakespeare play.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

XV/63 S., br. 2, Rücken leicht berieben. (Pseudo-Shakespearian Plays, 1).

fester Einband. 5 Bände in einem (vol. 1-5 bound in one). XV, 63; XVII, 61; XXXIV, 92; XI, 86; XXVII, 86 S. (23 cm) OLn. 1. Aufl. Obere Ecke leicht gestaucht; Papier teils etwas gebräunt; der Vorsatz von Teil II trägt - wahrscheinlich vom 1. Hg. - die Widmung "Herrn Dr. Wagner hochachtungsvoll W. (Coburg . (18)84; sonst guter Zustand. Auflage: 1 I. The Comedie of Faire Em; II. The Merry Devil of Edmonton; III. (The Raigne of) King Edward III. (Third); IV. The Birth of Merlin (or, The Childe hath found his Father); V. Arden of Feversham. Sprache / Language: Englisch.

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: Very Good. Revised Edition. Hardback. No Dust Jacket. 8vo. Rebound in marbled boards and cloth spine with handwritten label on spine. Pseudo-Shakespeare Plays series. pp xvi, 63 & xviii, 61 & xxxiv, 92 & xiv, 89. 1883- 1886. Text clean, cover a little worn with some splitting at lower spine hinge.

Zustand: 0. Sehr ordentlicher, fester, marmorierter Halbleder-/Hartkarton-Einband mit Lederecken und guter Bindung. Buchblock materiell gut, stockfleckig, VI, 484 Seiten mit Register, Fußnoten jeweils zugeordnet. Fragen / Antworten in 4 Abteilungen gegliedert: Gebirge, Berge, Vulkane, Bergwerke, Bohrlöcher und Höhlen. / Seen, Sümpfe, Flüsse, Wasserfälle, Kanäle und Meerstrudel / Länder Provinzen Landschaften / Städte, Flecken und Dörfer in Rücksicht auf Größe, Lage, Bauart, merkwürdige Ereignisse und verschiedenen anderen Beziehungen / Geschichtlich - Geographisches, als Anhang. Die Fragen mit kleinen Markierungen, im Text ( Antworten ) nicht. Eine sorgfältige Zusammenstellung des Wissens der Zeit 339 Fragen und Antworten! 0,4 Kg. 11,5 x 18,5 Cm. Gewicht in Gramm: 400 1. Auflage Goldgeprägter Halblederband Ordentlich.

Softcover. Zustand: g+ to vg. First Dutch edition. Folio (14 x 10 1/2"). Unpaginated. [52]pp. (including wrappers). Original photo-illustrated wrappers with red lettering to front cover, and black lettering to back cover. The photo-credits are listed on back cover, including Heinrich Hoffmann, Hans Retzlaff, Charlotte Rohrbach and other photographers and agencies. Compare to the German edition the credits for Kattwinkel (1) and Saebens-Worpswede (1) do not appear on the Dutch list of credits though only one of the photographs of the German edition is missing and substituted with another photograph. The Dutch edition was produced in cooperation with the Graphic Workshop Jupp Daehler (Graphische Arbeitsgemeinschaft Jupp Daehler) and some shows photographs cropped differently and variant captioning. This Nazi propaganda magazine published under the orders of Reichsführer SS Heinrich Himmler is definitely one of the most gruesome and derogatory anti-Jewish publications of the Third Reich. Beginning with a quote from Himmler, the introduction to the book explains that "certain populations are so biologically inferior to even average humans that they are virtually incapable of understanding how different they are from the remainder of humanity. They know nothing of culture, the plow, factory machinery or even something as basic as a house." Depicting the Russian and the Jewish people as "Untermenschen" (Subhuman), a term used in Nazi Ideology describing Jews, Slavs, Gypsies, and Soviet Bolsheviks, the magazine was published by the SS publishing company Nordland around 1942, after the invasion of Russia. This work is profusely illustrated throughout with numerous annotated photogravures arranged in a way to show the contrast between the Jewish / Untermensch world and the world of Aryan Germanic people. Indeed, photographs of a ghastly group of Soviet children on the left are facing healthy German children on the right; Grotesque Jewish art objects made from cheap materials on the left are opposed to German super realism of the finest materials on the right; Russian churches destroyed and/or pillaged by the "Bolsheviks" on the left are opposed to magnificent German churches, etc. Text in Dutch. Some rubbing along spine and light wear along edges with minor creasing and chips. Cover loose at upper staple and circular white sticker with red ink handwritten indicators (b 23 bis) pasted to lower right corner. Block with minor creasing at foredge corners and some foxing along edges of back cover. Wrappers and interior in overall good+ to very good condition.