Ludwig peter ed (12 Ergebnisse)

hardcover. Zustand: very good. very good(-). Black-and-white illustrations throughout. 238 pages, 4to, cloth, dust wrapper; d.w. edgeworn & yellowing. Dusseldorf: Verlag L. Schwann, (1969). A very good copy in a very good(-) dust wrapper.

Original publisher's sewn paperback, pictorial frontcover, 4to: frontispiece, 342pp. very richly illustrated, contributions, notes & bibliographical notes, biographical notes contributors, table of contents. Volume/Band 38: Aachener Kunstblätter.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st English ed. Brown cloth with gilt sp. lettering. (8 unpag. prelims inc half-title) + 87 double paginated + + 89-94 (German index); no obvious faults being clean, tight and unmarked. Trans from 2nd 'amended' 1978 German ed. Unclipped jacket in protective sleeve as acquired, as new. 15 cm X 22 cm. …

Original publisher's dark-blue paper-covered boards, blind-stamped title spine & frontcover, pictorial dustjacket, thick 4to: 500pp., [2]pp., foreword, portrait / short biography / bibliography publications Hermann Fillitz, tabula gratulatoria, 47 contributions with illustrations - notes & references, table of contents. Very fine copy.Volume 60: Aachner Künstblätter. …

Original publisher's blue cloth hardback, gilt title spine and frontcover, pictorial dustjacket, 4to: frontispiece, 242pp. very richly illustrated, 14 contributions, notes & bliographical notes, biographical notes contributors, table of contents. - as new. Volume/Band 53: Aachener Kunstblätter.

Original publisher's sewn paperback, pictorial frontcover, 1986/87, 4to: frontispiece, 310pp. very richly illustrated, 17 contributions, notes/bibliographical notes, biographical notes contributors, table of contents. Volume/Band 54/55: Aachener Kunstblätter.

Zustand: New. Through a series of interrelated case studies that span the entire continent, this work demonstrates how the everyday experiences of Europeans during these five years shaped the transition of their societies from war to peace. Editor(s): Kott, Sandrine; Romijn, Peter; Hoffmann, Julia; Wieviorka, Olivier. Series: NIOD Studies on War, Holocaust, and Genocide. Num Pages: 396 pages, 1 illustrations. BIC Classification: 1D; 3JJPG; HBJD; HBLW3. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 166 x 241 x 24. Weight in Grams: 688. . 2016. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

Brosschiert, Original - Umschlag illustriert koloriert, 21x30cm, 370pp, illustriert koloriert und s/w. ISBN 9783770133925. Band 59. 777 g.

Zustand: New. Editor(s): Sopp, Peter; Beck, Ulrich (Ludwig-Maximillian University of Munich). Num Pages: black & white illustrations, bibliography. BIC Classification: JF. Category: (G) General (US: Trade). Dimension: 210 x 148 x 11. Weight in Grams: 249. . 1997. Paperback / so. . . . . Books ship from the US and Ireland.…

Softcover. Zustand: g+ to vg. First limited edition. Signed Ludwig Strauß and numbered 160/200 on title page. 20 leaves. Original red half cloth library tape over textured burgundy stiff wraps with framed black lettering on cream label of cover. "This edition, as long as a publication of an extensive collection of my poetry is impossible, is meant to preserve and distribute my poems of the last seven years. For that reason everything already published was disregarded, particularly those poems which were published in my books 'Land Israel' and 'Kleine Nachtwachen,' the private Hamburg edition 'Neue Verse' and those published in the Schocken Verlag Almanachs. Ben Schemen, January 1941." (Ludwig Strauss, title page). Text in German. Wraps with light wear along edges and a half an inch sunned stripe along red library tape of spine on front cover. Block lightly age-toned. Overall in good+ to very good condition. The poems were written after Strauss' departure from Germany, settling in Israel in 1934. Strauss embraces his fate and immerses himself into Jewish culture describing the nature of his new home with affection and respect, alluding to his cultural upbringing metaphorically while coalescing present and past, melancholically and grieving, despair at times, not without discrete cautioning of the danger at hand yet leading the way into the future. The poems are rendered in variant forms. Recommended: the essay by Na'ama Rokem from the Dibur issue 2, Spring 2016, Stanford University, "Form" - The Rhythms of Language Mixing: Ludwig Strauss's Notes for an Impossible German-Hebrew Hymn. Sonnet From our issue: "Schein weckt mich (The glow awakens me) Um Mitternacht. (At midnight.) Aus aufgerissenen Lidern (Wide-eyed) Starr ich ins Funkeln des Messers, (I stare into the glare of the knife,) Mit dem Wahrheit (While cutting) Schneiden wird (The truth) Aus meinem Fleisch (My flesh) Mein Gott. (Turns into God.).…

Zustand: Good. Large 4to. 26 x 33cm. Original gilt textured binding, discolored with small crack. on spine. Light foxing;,OCLC Number / Unique Identifier:74119221.First edition of one of Salvator's rarest works. Contains 87 unnumbered color chromolithographic plates depicting the folk costumes of the Croatian Littoral, Dalmatia, the Dalmatian Hinterland, the Bay of Kotor, and Montenegro. Each illustration is accompanied by text. The chromolithographs were created based on paintings by Franz Bohumil Doubek, Paul Janowitz, Emil Lauffer, Peter Maixner, and Guido Manes, which were in turn based on the author's watercolors and photographs by Antonio Vives. A list of illustrations (plates) appears at the beginning of the book, following the preface. Like most of the author's works, this one was published anonymously. In 1870, the author began publishing the series *Die Serben an der Adria. Ihre Typen und Trachten* (The Serbs on the Adriatic: Their Types and Costumes), which, according to the original subscription prospectus, was intended to comprise 100 plates and accompanying text. The author was not named; only the artists commissioned to create the paintings under his supervision?Emil Lauffer, Guido Manes, and Petr Maixner?were listed. By 1878, nine fascicles containing a total of 45 plates (without accompanying text) had been published, after which printing ceased. These 45 plates, along with another 42 plates, an introductory text, and brief descriptions, were republished in the present volume.Regions: Croatian Littoral, Dalmatia, Bay of Kotor, MontenegroLudwig Salvator von Habsburg (Florence, August 4, 1847 - Brandýs nad Labem, October 12, 1915) was an Austrian archduke, scholar, and explorer, and a member of the Tuscan branch of the Habsburg-Lorraine dynasty. After leaving Tuscany due to political circumstances, his family settled in Bohemia in 1859. He studied philosophy, law, natural sciences, and art in Prague. As was customary for members of the ruling dynasty, he received private tutoring. The harsher climate of Bohemia did not suit his health, so he would often spend several months in Venice to stabilize his condition. As early as age 14, during his first stay in Venice, he began recording his travel impressions. During his time in Venice, he undertook his first trips to Trieste and Istria. His travels grew increasingly extensive, taking him as far as Heligoland, Norway, Sweden, Denmark, and England, as well as Spain, Gibraltar, and Tunisia. He dedicated his life to scientific research in the Mediterranean, sailing the region for decades aboard his steam yachts *Nixe I* and *Nixe II*, usually accompanied by an entourage of about twenty people. He published more than fifty works. He was an honorary member of six academies of sciences and some thirty scientific institutions, and a patron of scientific and artistic projects.Prvo izdanje jednog od najrje?ih Salvatorovih djela. 87 nenumeriranih kromolitografskih plo?a u boji s prikazom narodnih no?nji Hrvatskog primorja, Dalmacije, Dalmatinske zagore, Boke Kotorske, Crne Gore. Svaka je ilustracija popra?ena tekstom. Kromolitografije su nastale na temelju slika slikara Franza Bohumila Doubeka, Paula Janowitsa, Emila Lauffera, Petera Maixnera i Guida Manesa, koja su nastala prema autorovim akvarelima i fotografijama Antonija Vivesa. Popis ilustracija (plo?a) na po?etku knjige, iza predgovora. Kao i ve?ina autorovih djela, i ovo je djelo objavljeno anonimno. Godine 1870. autor po?inje izdavati seriju Die Serben an der Adria. Ihre Typen und Trachten, koja je, prema tada?njem pozivu za pretplatu, trebala imati 100 tabli i popratni tekst. Autor djela nije naveden, ve? samo umjetnici koji su pod njegovim nadzorom trebali izraditi slike - Emil Lauffer, Giudo Manes i Petr Maixner. Do 1878. godine objavljeno je devet sve??i?a s ukupno 45 tabli bez popratnog teksta te je nakon toga tiskanje prekinuto. Tih je 45 tabli, uz druge 42 table, uvodni tekst i kratke opise, ponovno objavljeno u predmetnoj kn.…

Zustand: gut. AACHENER KUNSTBLATTER DES MUSEUMVEREINS. In deutscher Sprache. pages.