ludovico carracci (13 Ergebnisse)

SOFTCOVER. Zustand: As New. 1st Edition. Large Thick, heavy 4to. in colour printed stiff card covers, 160pp on thick art paper, plates in colour and (mainly) b/w, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

original Kupferstich gestochen von Guerin nach einem Gemälde von Carracci von 1786 - Blattmasse: ca. 32 x 49 cm - gut erhalten. -- original copper engraving by Guerin after a painting by Carracci from 1786 - good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

Original-Stahlstich von ca. 1850 - Blatt-Maße: ca. 20 x 26 cm - Bild-Maße: ca. 13 x 18 cm - gut erhalten -- original steel engraving from around 1850 - in good condition. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Contemporary vellum with dentelled and filleted gilt panels with gilt floral designed corners. Spine with six (6) horizontal bands, manuscript black ink title on one and central gilt ornament in remaining compartments; edges marbled. , Text in Italian.The Italian Ludovico (or Lodovico) Carracci (1555 ? 1619) from Bologna was an early-Baroque painter, etcher, and printmaker whose works create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. His studio . propelled a number of Emilian artists to pre-eminence in Rome and elsewhere, and singularly helped encourage the so-called Bolognese School of the late 16th century, which included Reni, one of the authors of this work. Carracci had his apprentices draw studies focused on observation of nature and natural poses, and use a bold scale in drawing figures. Ludovico's pupils included Giacomo Cavedone, also included in the list of authors of this work., Size : folio (407x272mm)., Illustrated title with printer's device, head- and tailpieces, decorative initials, sixteen (16) full-page copper engravings, including one frontispiece, and four (4) oversized folding plates; depicting frescoes - mural paintings and decorations - painted by Ludovico Carracci and his entourage or artists at S. Michele in Bosco in the early 17th century, telling of the life of Saint Benedict. Each engraved plate is signed below with the name of its painter as well as by Giacopo Giovannini as its drawer and engraver: Britio (#1); Garbieri (#2,11); Guido Reni (#3-large folding, 15); Lod. Carracci (#4, 5, 6-large folding, 7, 8, 9, 12 - the last two large folding, 17, 18, [19]; Leonello Sp. (#10); L. Massari (13, 14); Giac. Cavedoni (#16). The frontispiece signed: "Giacomo Giovannini inu. e Scolpi D.D.D. Marc ant.o fabbri forma in Bologa", Upper pasted endpaper with bookplate , References : Berlin Katalog 4084; Cicognara 3472 (re 1776 ed., also refers to the first ed.), Ll: [1f bl.], [5ff], 33ff., ill: 19ff; [1f. bl.]; collation: Frontispiece; Illustrated Title; Serenissima Altezza/Dedication; Lettore Gentilissimo/ Al Sig. Giacomo Giovannini; Innocentius PP. XII.; 33 ff. of descriptive text plus 19 copper-engraved plates. Repairs to slightly worn extremities; notations on upper endpaper; plates 7 and 8 with spill staining; generally text and plates are clean and crisp.

Zustand: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing and soiling in the margin areas."Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze." OCLC no. 83041262.

Bologna, Editrice Compositori, 2005, small in-4°, (28 cm), 477 pp. fully indexed. Original softcover.

Zustand: ACEPTABLE. Grabado basado en la pintura de Ludovico Carracci (1555-1619) y realizada por Traballesi Giuliano (1731-1812). La Fragellazione del Signore. Quadro di Ludovico Caracci alto palmi 10. e largo 6. Esistente nella Chiesa della Certosa di Bologna. [J. Traballesi del. et scul.] . Formato (cm): 51x30.

Incisione originale eseguita all`acquaforte su lastra di rame, tratto da un soggetto di Ludovico Carracci (datato e firmato in basso a sinistra). Bellissima prova su carta vergellata senza filigrana, rifilata lungo l`impronta del rame. Dedica riportata al fondo della stampa \"Al molto Ill.re Sig.re et Pron Oss.mo il Sig.r Bartolomeo Bazi. Vero delle Virtù amatore. Di sua Signoria devotissimo servitore Iacomo Antonio Stefanoni Dona e Dedica. 1632.\" Buonostato di conservazione, carta leggermente ingiallita, tracce di collatura al verso, piccolo restauro integrativo agli angoli inferiori.

Zustand: ACEPTABLE. Grabado basado en la pintura de Ludovico Carracci (1555-1619) y realizada por Traballesi Giuliano (1731-1812). La Fragellazione del Signore. Quadro di Ludovico Caracci alto palmi 10. e largo 6. Esistente nella Chiesa della Certosa di Bologna. [J. Traballesi del. et scul.] . Formato (cm): 47x26,5.

Zustand: ACEPTABLE. Grabado basado en la pintura de Ludovico Carracci (1555-1619) y realizada por Joseph Wagner (1706-1780). - Navidad - Formato (cm): 55x35.

Landscape, high trees on the left, a village on the left background, trees and some figures in the middle, a pond in the center foreground. A man on a horse seen from behind riding towards the right background. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach (1618-1695) was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis, Pietro da Cortona, Titian, Campagnola turned into print by Macé, Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'Lud. Carache delin:', numbered '16.E', signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 284 x 406 mm, total: 297 x 422 mm; in good conditions. Attached to a steel engraving by Jean-Baptiste-Marie Bury (1808-ca.1881) after Jean Arnould Leveil (1806-1866) with Roman ruines.

Roma, 1740, incisione originale di cm. 20 x 30 n° 16 , inc. da S. Guillain e A. Algardi.

Roma, 1740, incisione originale di cm. 20 x 30 n° 39 , inc. da S. Guillain e A. Algardi.