louvre museum (31 Ergebnisse)

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: VERY GOOD. Pages are clean, unmarked, and tight; very light shelf and corner wear on cover with some pale spotting and tanning on back.

paperback. Zustand: Very Good. In stock ready to dispatch from the UK.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 01 edition. 44 pages. French language. 11.81x9.53x0.47 inches. In Stock.

paperback. Zustand: Good. minor wear and creasing.

Zustand: New. 2021. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 224 pages. 7.00x4.50x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 224 pages. 7.00x4.50x0.75 inches. In Stock.

Zustand: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 397 pages; Description: xx, 397 p. : ill. ; 24 cm. Subjects: Painting, French --Exhibitions --Painting, Baroque --France --Classicism in art --United States. 4 Kg.

Zustand: Very good.

Paperback. Zustand: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Clean unmarked copy. Secure packaging for safe delivery.

Zustand: NEW.

Zustand: New. Antoine Caro has headed the French publishing house &Eacuteditions Seghers since 2021. Edwin Frank was born in Boulder, Colorado, and educated&#160at&#160Harvard College and Columbia University. He is the editorial director of the N.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Near Fine. Dust Jacket Included. 1st Edition. Metropolitan Museum of Art, New York, Editions de la Reunion des Musees Nationaux, Paris - 1997 - Hardcover in near fine condition - Grey cloth boards lightly discoloured along the edges. Contents are complete, crisp, clean, tight and crisp. The glossy colour pictorial dustjacket also in near fine condition with negligible scratches due to shelfwear and curling to internal fold-overs. This publication is the first major study of the French Neoclassical sculptor Augustin Pajou (1730-1809) in almost a century, and it is the only work about him in English. Here the artist's work is discussed and illustrated in depth, and the artistic, courtly, and aristocratic circles in which he worked are considered in detail. This examination concentrates on the beginnings of Neoclassicism and explores the philosophical and scientific underpinnings of the Enlightenment, in which Pajou played an important part. This publication, which accompanies a major exhibition at the Musee du Louvre, Paris, and The Metropolitan Museum of Art, New York, presents to both the scholar and the general reader a great artist who has at last received his due. The volume is lavishly illustrated and contains a detailed chronology, a short history of the artist's critical reputation, an exhaustive bibliography, and a complete index. Pictures of this item not already displayed here available upon request. Please note, this is a heavy book, additional postage may be requested. from international orders.

Zustand: Good. 4to. 122 pp. Soft cover. Color and black & white plates throughout. Very Good. Text in French.Contains pricing guide. From the Library of Pasquale Iannetti with book loan card.

Zustand: Good. 8vo. 164 pp., Trade Paperback, Very Good, corner bumped. Plates. Exposition du Cabinet des Dessins, Musée du Louvre, Paris, 23 Oct. 1973 - 7 Janvier 1974. En Francais.

First Edition. Paintings, Sculpture, and Decorative Arts from the Musee du Louvre Very good condition. Dust jacket: Very good. Hardback.

Zustand: Used: Acceptable. Intérieur en bon état ; couverture défraîchie, pliure sur la première, dos passé. Réunion des musées nationaux, 1995. 478 pages.

Taschenbuch. Zustand: Neu. At the Louvre: Poems by 100 Contemporary World Poets | Louvre Museum | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | New York Review Books | EAN 9781681379012 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Softcover/Paperback. Zustand: Fair. In redelijk goede staat. Rug beschadigd.

Plus de 200 oeuvres d'art ont ainsi été sélectionnées pour faire partie de cet événement mettant en scène les relations artistiques et culturelles entre deux grandes civilisations, entre les 8e et 18e siècles. Une exposition organisée en partenariat avec le Musée national des arts asiatiques-Guimet. « Elle confirme le rôle joué par le Louvre Abu Dhabi dans la mise en valeur des relations interculturelles, ainsi que le besoin d'adopter de nouvelles approches dans le champ de la recherche historique. Pendant près d'un millénaire, ces deux cultures étaient liées par le commerce, la curiosité scientifique et la production artistique. Elles s'observaient et s'inspiraient mutuellement. Notre histoire d'influences et d'inspirations communes cessa délibérément au début du 18e siècle, lorsque d'autres modèles proposant une esthétique radicalement nouvelle émergèrent » explique le Dr Souraya Noujaim, la directrice scientifique en charge de la conservation et des collections du Louvre Abu Dhabi.

Paperback. Zustand: Very Good. Marque d'appartenance. 605 pages : illustrations (some color) ; 28 cm Egyptian revival (Art)--Exhibitions. Art, Modern--17th-18th centuries--Exhibitions. Art, Modern--19th century--Exhibitions. Art, Modern--20th century--Exhibitions. Egypt--In art--Exhibitions. v Exhibition catalogs. Text French Catalogue of an exhibition held at Musée du Louvre, Paris, Jan. 20- Apr. 18, 1994; Musée des beaux-arts du Canada, Ottawa, June 17-Sept. 18, 1994; Kunsthistorisches Museum, Vienna, Oct. 15, 1994-Jan. 15, 1995. Includes bibliographical references (pages 583-600) and index.

4° 400 S. m. farb. Abb. Orig.-Brosch. Sehr gut erhalten.

Réunion des Musées Nationaux, Paris, 2003. First edition. In-4, 101 pages. Original softcover, a very good copy. Signature of former owner on first page. Language: French/Français. This book ships from Europe, shipping costs will be updated accordingly (BPF). Relevant subjects: Egypt: Catalogue, Religion & Magic.

Folio and 4to. 14½ pp. on bifolia. With autograph envelope. Together with the 62nd issue and the supplement to the 60th issue of the "Monitore di Roma" as original attachments to the letter. Historically significant letter to Joseph-Antoine Florens (1762-1842), commissioner of the Executive Directory of the French Republic in Rome, with Visconti's fervent defence following his dismissal from the government of the short-lived Roman Republic. Visconti had been selected as one of five consuls in March 1798 by the three French commissioners. In September 1798 a successful defamation campaign in the periodical "Monitore di Roma", steered by a fellow consul and members of the civil oversight commission, led to the enactment of a law removing Visconti and Pietro Panazzi from the consulate and barring them from leaving the city. In light of this "cabal" and "calumny", Visconti wrote this detailed apology and rebuttal of all accusations of enrichment through illegal real estate deals that were brought against him. According to Visconti, a legal attempt of the consulate to impede the circulation of the calumnious issues of the "Monitore" was hindered by the civil commission, which "did not seem strange anymore" once he learned that the author of the articles was brought to Rome with the help of police minister Francesco Piranesi and invited to dinner by the commission. The two September 1798 issues of the "Monitore di Roma" in question were attached to the letter. Visconti identifies the consul Librorio Angelucci (1746-1811), the civil commissioner Jean Bassal (1752-1802), and the former interior minister Corona as his main opponents and accuses them of corruption: "Bassal, who wanted to rid himself of an obstacle to his malversations, his venalities, his corruptions of all kinds, and who was extremely shocked by my opposition to his greedy projects concerning the debentures". With respect to the accusation of illegal purchases, Visconti writes: "I thought that a magistrate was not obliged to keep his remunerations locked in a safe, that the acquisition of national goods deriving from abolished ecclesiastical establishments and executed in a legal way should not be considered a crime. It actually becomes a patriotic act in a time, when superstitious prejudice causes all kinds of obstacles to the distribution of such goods". The deals are listed in a separate part of the letter with the comment: "He was so far from hiding these acquisitions that he immediately had the true acquirer declared by public deed". Visconti underscores that he would have preferred "literary work" over his political appointment, reminding Florens of his wish to be placed in the nationalized Vatican library. Copies of the letter were sent to Florens's fellow commissioners Gaspard Monge and Pierre-Claude Daunou, the architects of the Roman Republic: "In my current state I cannot hope for any other help than yours and that of your old colleagues; I rely on your benevolence. I also write to the citizens Daunou and Monge and I entrust you entirely with the care for my reputation, my tranquility, my fate. Use this letter as you consider the most adequate, it contains nothing but the truth". - Following the occupation of Rome by Neapolitan troops on 30 September 1799 and the subsequent restoration of the Papal States, former officials of the Roman Republic were heavily persecuted and forced into exile. Visconti received a warm welcome in Paris, where he was named first curator of antiquities of the Musée Napoléon at the end of 1799 and became professor of archaeology at the Institut de France in 1803. His opponents from the tumultuous times of the Roman Republic are judged harshly by history: both Bassal and Angelucci were repeatedly accused of corruption and died in relative obscurity. Visconti's letter is important testimony to this short and little-researched episode of Italian history. - Traces of folds and minor browning to the folds and borders; envelope with trac.