Lotte h eisner (115 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Taschenbuch. Zustand: Gut. 361 Seiten Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 220.

Paperback. Zustand: New. First Edition. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Zustand: Fair. Text is free of marks, binding is still strong. Some light foxing to pages and page edges. Moderate exterior wear. Musty. An owner's name on page edges. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Very Good. First Paperback Edition. [modest external wear, soft diagonal crease at upper right corner of front cover, small bookseller's rubber-stamp (Larry Edmund Cinema Bookshop) on front endpaper]. Trade PB (B&W photographs) Classic critical/historical work on German cinema of the silent era and its theatrical roots. "The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F.W. Murnau, but also the contribution of their writers, cameramen and designers." Originally published in France in 1952 (as "L'Ecran Demonaique"), it was revised and reissued in 1965; this translation (also published in England, by Thames & Hudson) incorporated some new material.…

Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780520257900.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. 2008. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Soft Cover. Zustand: Good. 2025 octoberfiled behind desk.

Zustand: MOLTO BUONO. London, Secker & Warburg cm.14,5x21, pp.360, illustrato. brossura con copertina figurata. Coll.Cinema Two.

Hardcover. Zustand: Good.

Zustand: New. In English.

Hardcover. Zustand: Very Good.

Soft cover. 8vo. pp 54. Black and white illustrated covers. Illustrated in black and white throughout. Some texts in English, some in French. Shelfwear and yellowing at edges and rear cover. Page 28 copiously annotated. Overall good.

Paperback. Zustand: Good. 1st. A 1st ed. good paperback, signs of wear on cov. as in image, text/block tight clean (image_2), FON. 362p. 18x11cm. 300gr.

Zustand: Very Good. First edition. Hardback. Octavo. 416pp. Original blue boards with silver spine titles. Light wear otherwise very good indeed in a slightly faded and edge torn, very good dust jacket.

Paperback. Zustand: Brand New. 2nd edition. 360 pages. 8.50x6.00x0.75 inches. In Stock.

Broschiert. Zustand: Gut. 360 Seiten, Einband leicht berieben, Besitzvermerk auf dem Vorsatz, in gutem Zustand, LI-9503 3423108488 Sprache: Deutsch Gewicht in Gramm: 360.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First English Edition. Name of the previous owner on the front free end page. First English edition. Very heavy book extra postage may be required. Frontispiece. The dust jacket is a little shelf rubbed and foxing on the inner part of the jacket, as well as on the block. The boards are in very good condition. Internally there are no other markings or inscriptions. Presented in cellophane. The binding is secure. GK. Our orders are shipped using tracked courier delivery services.…

Hardcover. Zustand: Very Good. used very good. 2021 sept/very small tear on jacket, but no paper missing.

Cartonné. Zustand: Sehr gut. 143 p. : Ill. Exemplar aus dem Vorbesitz des libertären Dokumentaristen H.D. Heilmann, daher mit vereinzelten Bleistift-Anstreichungen im Buch sowie Notizzetteln. Der Einband ist leicht berieben, ansonsten ein sehr gutes Exemplar. / Exemplaire provenant de l'ancienne possession du documentaliste libertaire H.D. Heilmann, donc avec quelques annotations au crayon dans le livre ainsi que des notes. La reliure est légèrement frottée, sinon un très bon exemplaire. -- Sommaire -- 1 Tableau synoptique 1913-1933, par Jean-Loup Passek (p.6) -- Evénements politiques, sociaux et économiques en Allemagne et dans le monde. -- Repères artistiques et littéraires en Allemagne. -- Les principaux films allemands. -- Les principaux films tournés dans le monde. -- 2 Images du cinéma allemand, par Henri Langlois (p.14) -- 3 Le cinéma allemand de 1913 à 1933, par Lotte H. Eisner (p.20) -- Le cinéma allemand avant Caligari (p.20) -- L'Etudiant de Prague (p.21), L'Autre (p.21), Le Golem (p.22), Homunculus (p.22), Le Joueur de flûte de Hamelin (p.23), Rübezahls Hochzeit (p.24), Hilde Warren et la mort (p.24), Journal d'une fille perdue (p.25), La Maîtresse du monde (p.25). -- Ernst Lubitsch, l'influence de Max Reinhardt et les "Kostumfilme" (p.26) -- Les Yeux de la momie (p.27)/ Carmen (p.27), La Princesse aux huitres (p.28), Madame du Barry (p.29), La Poupée (p.29), Anne de Boleyn (p.30), Les Filles de Kohlhiesel (p.31), Sumurun (p.31), La Femme du pharaon (p.32), La Peste à Florence (p.33), Hamlet (p.33), L'Alcade de Zalamea (p.34), Danton (p.34), Fridericus Rex (p.34), Vanina (p.35). Lucrèce Borgia (p.36), Monna Vanna (p.37), Othello (p.37), .N.R.I. (p.37), Sous l'inquisition (p.38), Manon Lescaut (p.38), Les Frères Schellenberg (p.39), Dona Juana (p.39), La Reine Louise (p.40), Les Maîtres-Chanteurs de Nuremberg (p.40). -- Les films expressionnistes (p.41) -- Le Cabinet du Dr. Caligari (p.42), De L'Aube à minuit (p.45), Algol (p.45), Torgus (p.46), Genuine (p.46), Le Montreur d'ombres (p.47), Raskolnikov (p.48), Les Mains d'Orlac (p.49), Le Cabinet des figures de cire (p.50). -- Les films démoniaques (p.51). -- Le Golem (p.52), L'Etudiant de Prague (p.53), La Mandragore (p.54), Narcose (p.55). -- Kammerspielfilme et tragédies psychologiques (p.56) le Kammerspiel -- L'Escalier de service (p.57), Le Rail (p.58), La Tragédie de l'amour (p.59), La Rue (p.60), La Nuit de la Saint-Sylvestre (p.60), A qui la faute? (p.61), La Tragédie de la rue (p.62), Asphalte (p.63). -- Autour du Kammerspiel -- Loulou (p.64), Baruch (p.65), Les Buddenbrooks (p.66), Les Déshérítés de la vie (p.66), Variétés (p.67), Le Violoniste de Florence (p. 69), Le Dernier fiacre de Berlin (p.69), Le Chant du prisonnier (p.70), Mademoiselle Else (p.71), Modèle de Montparnasse (p.71), Le Mensonge de Nina Petrovna (p.71). -- Fritz Lang et Thea Von Harbou (p. 72). -- Les Araignées (p.33), Les Trois lumières (p.73), Le Tombeau hindou (p.75), Dr. Mabuse (p.76), Le Cavalier de pierre (p.77), Les Nibelungen (p. 78), La Chronique de Grieshuus (p. 81), Metropolis (p. 82), Les Espions (p. 86), La Femme sur la lune (p. 87), M. le Maudit (p. 89), Le Testament du Dr. Mabuse (p. 90). -- Friedrich - Wilhelm Murnau (p. 91) -- Der Gang in die Nacht (p. 92), Schloss Vogelöd (p. 93), Nosferatu le vampire (p. 93), Le Fantôme (p. 95), La Terre qui flambe (p. 96), L'Expulsion (p. 96), Le Dernier des hommes (p. 97), Tartuffe (p. 100), Faust (p. 101). -- Georg- Wilhelm Pabst (p. 104). -- Le Trésor (p. 105), La Rue sans joie (p. 105), Les Secrets d'une âme (p. 106), L'Amour de Jeanne Ney (p. 107), Loulou (p. 108), Journal d'une fille perdue (p.110), Crise (p.111), Quatre de L'Infanterie (page 112), L'Opéra de quat'sous (p. 113), La Tragédie de la mine (p. 115), L'Atlantide (p.116). -- Le Film sort du studio. La Nouvelle objectivité (p. 117). -- Kulturfilm: Force et beauté (p. 118) -- L'appel des cîmes: La Montagne sacrée (p. 118), L'Enfer blanc du Piz-Palü (p. 119). -- Vers le réalisme populaire: Les Tisse.…