Lose friedrich (4 Ergebnisse)
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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright ref…erences, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Weitere BilderVerlag: Milan, Francesco Bernucca, 1818., 1818
- Hardcover
- Kunst / Grafik / Poster
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In den WarenkorbOblong folio (332 x 258 mm). 50 hand-coloured aquatint plates printed in grisaille, many heightened in gum arabic, mostly by Caroline Lose after her husband Friedrich, but several by A. Biasioli, D. K. Bonatti, Fumagalli, and others; some plates on paper watermarked "J Whatman 1816". Each with a letterpress text-leaf in Italian.… Bound with an ink manuscript facsimile title-page with dedication to Conte Enrico di Bellegarde. Bound to style in green straight-grained morocco gilt. A splendid album of hand-coloured views of Lago di Como, Lago Maggiore, and Lago di Lugano, all in the Lombardy region of Northern Italy. This collection is an example of the Picturesque Journey, a genre in vogue at the beginning of the 19th century, equal parts tourist guidebook and fine art portfolio. The volumes typically comprised plates and extensive descriptive commentary, as if a plein air painter met a local tourist guide. The plates were issued uncoloured and printed in grisaille, but could be coloured by request, as are all 50 plates in this copy. - The plates were prepared in Milan by a married artist couple named Friedrich and Caroline Lose. A native of Görlitz in Saxony, Friedrich Lose studied in Leipzig with Adam Friedrich Oeser (1717-99) before relocating to Paris. His wife Caroline was a student of Moritz Retzsch (1779-1857) and the daughter of the Dresden jurist Seyfried von Schlieben. Friedrich executed his landscapes in watercolour and Caroline carried out the aquatint engravings after them, and they both supervised and participated in the graceful hand-colouring of the plates. - Because these plates were frequently dispersed, albums like this are rare. According to Brunet, the work was first published in 1815, though most copies are dated 1818, and intended to have 50 colour plates. The plates in this copy are numbered up to 56 (skipping 5, 17, 20, 24, 44, 45) and bound out of order, as in the Bobins copy. While some sources have suggested that 60 plates are called for, the actual counts in existing copies offered at auction in the post-war period have invariably been lower, and the Bobins copy has 46 plates only. The present copy, with 50 coloured plates, is matched only by that in the Victoria and Albert Museum (erroneously attributed to Carlo Amoretti), which boasts of 53. - Occasional very light fingerstaining, strictly confined to the blank margins. A magnificent album. - Bobins 1026. Brunet V, 1168. OCLC 77187562. Cf. Nagler VIII, 74f. Thieme/B. XXIII, 402.
