Lorenz gail (14 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Zustand: Very Good. 1st Printing. Small wrinkle on outside edge of front cover.

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

First Edition. First edition. Softcover. 236 pages. Published in conjunction with a traveling show that started in Washington, D.C. for a run of September 19 through November 29, 1992 and then went on to Dayton, OH, Chicago, IL, and Fort Worth, TX for additional dates. Text by Gail Levin and Marianne Lorenz. Includes 125 illustrations with 82 in color. A fine copy in wrappers.…

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. Very good condition. This is a 4to size softcover exhibition catalogue. Bottom of spine is bumped and has a 1/2 inch tear in paper covering. Cover corners are lightly bumped. Two light spine creases. 236 pages. Illustrated.

Hardcover. Zustand: Very Good. 1st Edition. Pristine copy. Tight and crisp. BP/ Art by L.

Soft cover. Zustand: Fine. 1st Edition. Catalog for an Exhibition Organized by the Dayton Art Institute, 1993. 236pp. Bright, clean & tight copy, unread, in FINE condition. "Vassily Kandinsky (1866-1944) was a seminal figure in the art and thought of the twentieth century. His paintings and theories about art delved into spirituality and music, all the while providing the world with some of the earliest abstract images ever seen. [] Only in recent years, however, has Kandinsky's enormous impact on American painting come to be recognized and studied. THEME & IMPROVISATION is both a tribute to Kandinsky and an examination of the exquisite works of American art that demonstrate his influence. [] This country's major introduction to the Russian's work had come through the 1913 Armory Show and by means of Alfred Stieglitz's 291 Gallery, which was devoted to the work of avant-garde artists. Subsequently, several artists who spent time in France and Germany were fortunate to get to know this master, seeing his work and discussing his theories firsthand, among them Marsden Hartley, Albert Bloch, and Konrad Cramer. But an even more persuasive argument for the extent of his influence is found in the work of those Americans who never met this innovator but nonetheless began to experiment with non-objective painting. Documentary evidence demonstrates how deeply influenced were such New York-based artists as Georgia O'Keeffe, Arthur Dove, and Ilya Bolotowsky as well as artists working far from Manhattan, including Emil Bisttram, Ed Garman, Raymond Jonson, and Agnes Pelton. An important final chapter explores the impact of Kandinsky's ideas and art on such Abstract Expressionists as Jackson Pollock, Arshile Gorky, and Hans Hofmann. [] Resulting from a groundbreaking, four-venue exhibition, THEME & IMPROVISATION features exquisite color reproductions of works from Kandinsky's abstract oeuvre as well as of works by thirty-eight remarkable American artists--some world-renowned, others less well known. Based on important new research into the art of the American avant-garde, and illustrated with many beautiful, often revelatory works of art, this book points the way to a new interpretation of the art of the first half of the twentieth century." [publisher copy] Pristine paperback w/brilliant corners & crisp edges, a square & tight binding w/no creases in spine. Quite presentable.…

First Edition.. zahlreiche sehr gute Abb., 236 Seiten, Zustand: erstklassiges, neuwertiges Exemplar! Sprache: Englisch Gewicht in Gramm: 1600 28,0 x 23,0 cm, Broschiert, Softcover/Paperback.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. Original publisher's red cloth, lettered black at the spine. Copiously illustrated in colour and black and white throughout. This book is heavy, and delivery costs may be a consideration especially outside Britain. ISBN: 0821219219 Pages: 236 Very good indeed in very good indeed dust jacket. …

Zustand: Very Good.

Bulfinch Press, (no place) 1992. 236 pages. Richly illustrated in b/w and colour. Publisher's original softcover. Spine with slight signs of wear. Very good+ condition.