Lord leigh (31 Ergebnisse)

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His Talk With Lincoln Being a Letter Written By James M. Stradling
James M. Stradling With A Preface By Lord Charnwood And An Introduction By Leigh Mitchell Hodges
Verlag: THE RIVERSIDE PRESS, 1922
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In den Warenkorb0 33 p. Fine. No dust jacket. lightest of shelfwear, #88 of 500.

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Sprache: Englisch
Verlag: John Lane, London, 1921
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In den WarenkorbHardcover. Zustand: Good. 1st Edition. 224 [4]pp hardback, pale blue cloth spine gilt over brown boards, spine faded, bw plates including frontispiece, folding map, contemporary gift inscription to ffep, untrimmed edges.

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Zustand: New. In English.

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ROMANTIC POETS: William Blake to Edgar Allen Poe
AUDEN, W.H. and Norman Holmes Pearson (editors) William Blake; Robert Burns; George Crabbe; Philip Freneau; Fitz-Green Halleck; Sir Walter Scott; Samuel Talor Coleridge; William Wordsworth; Hartley Coleridge; Walter Savage Landor; Thomas Moore, Gerorge Gordon, Lord Byron; Percy Bysshe Shelley; George Darley; John Keates; Leigh Hunt; Thomas Hood; John Clare; Ralph Waldo Emerson; Henry David Thoreau; William Barnes; John Greenleaf Whittier; Jones Very; Thomas Lovell Beddoes; Edgar Allen Poe.
Sprache: Englisch
Verlag: Oxford University Press / The Franklin Library, London, New York, 1983
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In den WarenkorbHardcover. Zustand: Fine. 1st thus. Fine condition, octavo, quarter brown leather, brown cloth boards, gilt decorated front and rear, four raised bands and gilt title and decoration to spine, all edges gilt, silk ribbon marker, decorated end paper, xxv plus 461 pages including index of first lines. [QP]. KARLIN, Eugene (illustrator). …

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Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Sprache: Englisch
Verlag: Rizzoli International Publications, New York, 1997, 1997
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. x, 358 p. : ill. ; 27 cm. ; LCCN 95050472 ; LC Z2014.P7 B39 1997 ; ISBN 9780847819584, 0847819582 ; OCLC 33818867 ; black and tan cloth in photographic dustjacket ; The Cushing Library/Women & Gender Studies copy was acquired as part of The Don Kelly Research Collection of Gay Literature and Culture ; Contents: Foreword / by Paul LeClerc -- Introduction / by Rodney Phillips -- The magical value of manuscripts / Dana Gioia -- Poems and papers. John Donne -- Alexander Pope -- William Blake -- Robert Burns -- William Wordsworth -- Samuel Taylor Coleridge -- Leigh Hunt -- George Gordon Byron, Lord Byron -- Percy Bysshe Shelley -- John Keats -- Emily Bronte? -- William Cullen Bryant -- Ralph Waldo Emerson -- Henry David Thoreau -- Henry Wadsworth Longfellow -- Oliver Wendell Holmes -- James Russell Lowell -- Walt Whitman -- Emily Dickinson -- Elizabeth Barrett Browning -- Alfred Lord Tennyson -- William Makepeace Thackeray -- Lewis Carroll -- Robert Louis Stevenson -- Rudyard Kipling -- Thomas Hardy -- Charlotte Mew -- Hilaire Belloc -- Oscar Wilde -- Ernest Dowson -- William Butler Yeats -- James Stephens -- Robert Frost -- Edward Thomas -- Siegfried Sassoon -- Rupert Brooke -- Issac Rosenberg -- Humbert Wolfe -- Anna Wickham -- D.H. Lawrence -- Robert Graves -- Elinor Wylie -- Edna St. Vincent Millay -- Robinson Jeffers -- William Faulkner -- Wallace Stevens -- William Carlos Williams -- Ezra Pound -- T.S. Eliot -- Marianne Moore -- E.E. Cummings -- Vladimir Nabokov -- W.H. Auden -- Louise Bogan -- Kay Boyle -- Lorine Niedecker -- Louis Zukofsky -- Charles Olson -- Stanley Kunitz -- Jean Garrigue -- May Sarton -- Muriel Rukeyser -- Delmore Schwartz -- Dylan Thomas -- Randall Jarrell -- John Berryman -- Robert Lowell -- Elizabeth Bishop -- Howard Moss -- Richard Wilbur -- Jack Kerouac -- Allen Ginsberg -- Gary Snyder -- Robert Duncan -- Denise Levertov -- Robert Creeley -- James Schuyler -- Frank O'Hara -- Kenneth Koch -- Ted Berrigan -- Ron Padgett -- Anne Waldman -- Donald Justice -- Samuel Menashe -- James Merrill -- Amy Clampitt -- James Wright -- W.S. Merwin -- Anne Sexton -- Sylvia Plath -- Philip Levine -- Jean Valentine -- Adrienne Rich -- Imamu Amiri Baraka -- Mark Strand -- Louise Glu?ck -- Charles Simic -- Ai -- Dana Gioia -- Julia Alvarez -- The Prado of poetry : a history of the Berg Collection / Dana Gioia -- Suggestions for further reading -- Checklist of illustrations/permissions -- Acknowledgments -- Index ; Based on an enormously successful exhibition at The New York Public Library, The Hand of the Poet draws the reader into the real world of the poet - ink spots, tobacco stains, and all - by presenting a wide range of working drafts, letters, diary entries, photographs, and memorabilia. One hundred writers from the seventeenth century to the present day are represented. Biographies and portraits of each poet - alongside manuscripts of such legendary works as Yeats's "The Wild Swans at Coole" and W.H. Auden's "Stop All the Clocks"--Make up a mosaic that offers powerful and often surprising revelations of the person behind the poem ; FINE/FINE. Book.…

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Taschenbuch. Zustand: Neu. Neuware.

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Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

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Gebunden. Zustand: New. KlappentextrnrnExcerpt from Poems, Now First CollectedSurely every real friend to freedom must desire the perfect re-establishment of Poland as an independent kingdom, the renovation of Italy, and fervently hope for the abolition of slav.

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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 428 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 426 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Weitere BilderVerlag: Edward Moxon,, London,, 1839
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In den WarenkorbHardcover. Zustand: Very Good. First Edition. Hardback. 8vo. pp xvii, 402. Original publisher's illustrated brown cloth, lettered gilt at the spine. Presentation from the author on the half title page, 'From the author.' A sound, clean, very good copy; slight splitting at spine hinges but holding. Signedes. …
Verlag: Friends of the Soviet Union, London, 1934
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In den WarenkorbSoftcover. Zustand: vg- to vg. First edition. octavo. 21pp. [1]. Staple-bound photo-illustrated b/w wrappers with black lettering on the front and back covers. This scarce publication takes the form of a report by British politician and diplomat, Dudley Leigh Aman (Lord Marley) on his experiences in Birobidzhan, also known as the "Jewish Autonomous Oblast" of the Soviet Union. In reality, the Jewish Autonomous Oblast was established by Stalin in 1928 in the the remote Russian Far East region, as a means to promote increased settlement in the area and sure up the border region with China. As a side-effect it was to generate good will with the country's Jewish population, who had in recent years faces large amounts of discrimination and violence at the hand of local and Soviet authorities. Although designated as an official home for the Jews, it was nowhere near the areas of the Soviet Union where Jews lived, necessitating large scale immigration across vast distances. In this publication Lord Marley discusses the region with praise for efforts to improve the lives of Soviet Jews and the sense of frontier living, recounting the activities and daily lives of the residents. Illustrated throughout with b/w photographic reproductions. Wrappers with some light water stains and smudges to the covers. Wrappers in very good-, interior in near fine condition.…
Verlag: London: printed by G. Sidney Northumberland-street; for F. Benedict 4 Great May's Buildings St Martin's Lane, 1815
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In den Warenkorb8vo, pp. 72; contemporary green straight-grain morocco, neatly rebacked; gilt edges, blue-grey endpapers. First and only edition: this is a collection of Leigh's juvenile poetry, 'written at a very early age', as he claims in his prefatory advertisement. He also asks that his friends should 'remember that these verses are not published' - this despite the full imprint, which rather suggests that he wanted them to be known. Leigh had been at Harrow with Byron, who was three years his senior, and he seems always to have lived his life in the greater poet's shadow, either as a writer to aspire to or a moral example to avoid: Byron's portrait hung over the mantelpiece at Stoneleigh Abbey, the stately home in Warwickshire he had inherited. He had the compensating benefit of enormous wealth (inherited on his father's death in 1823) and a benevolent and generous disposition which led Leigh Hunt to compare him with Fielding's Squire Allworthy. As is still the case, such wealth and charitable behaviour resulted in his being raised to the peerage, and in 1839 he was created Lord Leigh of Stoneleigh. This book is, nonethelss, quite rare: Copac locates only four copies, at the British Library, Bodleian, Birmingham and Durham. (The BL's catalogue record needs correcting: it ascribes this to 'Chandos Lees'.) WorldCat adds copies in the US at: Minnesota, Texas, Harvard, NYPL, Indiana and Folger.…
[Laurence Olivier and Vivien Leigh in Rattigan's 'Sleeping Prince'.] Duplicated typescript of article by W. Macqueen-Pope: 'This is Real Theatre / The Oliviers Return to Town', with carbon of covering TL, and commissioning ALS by Barbara Beauchamp.
[Laurence Olivier [Lord Olivier] and Vivien Leigh] W. J. Macqueen-Pope [Walter James Macqueen-Pope] (1888-1960), theatre historian; Barbara Proctor Beauchamp (1909-74), journalist and novelist
Verlag: Beauchamp's commissioning TLS: 15 September ; on letterhead of publishers Newnes & Pearson's London. Carbon of MP's covering TL: 24 September 1953. MP's article undated but contemporaneous, 1953
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In den WarenkorbFrom the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan's play 'The Sleeping Prince', Olivier's production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as 'The Prince and the Showgirl', with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp's novels has grown in recent years. All three of the present items are lightly-aged and in fair condition; the first two somewhat creased at extremities, the third less so. Item One with rust spots to one corner from paperclip. ONE: ALS from 'Barbara Beauchamp / Fiction Editor', Newnes & Pearson's, London, 15 September 1953. 1p, 12mo. Sheila Gould has informed her that MP 'will be able to write us a 1,500 word feature article on the new Terence Rattigan play, which the Oliviers are appearing in'. The publishers are planning the feature 'as a double spread in our issue of the 5th November, which is, incidentally, both the opening night, and, I believe, Vivien Leigh's birthday'. She asks for the article before the end of the month, and suggests 'a payment of forty guineas for British Empire serial rights'. The following two items are typed on 4to leaves of cartridge paper. TWO: Carbon of MP's covering TL to Beauchamp, 24 September 1953. 1p, 4to. With short autograph pencil filing note by MP. Begins: 'Here you are - the Olivier and Leigh First Night story - not critical naturally as being written before the event - but an attempt to show the whys and wherefores of the importance of this occasion and a little of the Theatre atmosphere.' He asks her to excuse his typing: 'being in the middle of hectic rehearsals at Drury Lane and without a secretary throws it all on me'. In a postscript he suggests a future article on 'the inside story of a first night'. THREE: Duplicated Typescript of MP's article, 'This is Real Theatre / The Oliviers Return to Town / by / W. Macqueen-Pope'. It does not seem to have been published in book form, nor does it appear to have left a digital footprint. 6pp, 4to, with each page on its own leaf. Double-spaced. MP begins in anticipation of a first night 'providing a thrill which no other type of entertainment can give, a thrill beyond anything which the Films, the Circus, Radio or Television can compass, and which even Grand Opera never reaches in general appeal', when 'the Leader of his Profession and his Leading Lady take the stage again'. He places the occasion within a wide context, with historical references beginning with 'the first true Theatre in Europe - that playhouse so rightly called The Theatre, in Shoreditch, where it arose in 1576'. After mentioning a number of notables in the history of the London stage, he praises Rattigan's play, of which he gives a synopsis. He continues in fulsome terms: 'Everybody who is Anybody - and a sprinkling of those who are not - will be there. [.] It will be like one of the great days of old. [.] an Occasion of Occasions'.…