Sprache: Englisch
Verlag: The Museum of Contemporary Art, Los Angeles, 2001
ISBN 10: 0914357808 ISBN 13: 9780914357803
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Museum of Contemporary Art, Los Angeles, Los Angeles, 2001
ISBN 10: 0914357808 ISBN 13: 9780914357803
Anbieter: Raritan River Books, Philadelphia, PA, USA
Hardcover. Zustand: Very Good. No Jacket. Hardcover without jacket (as issued, picture cover). Binding sound, text clean, light shelfwear. 128-page, oversize, color-illustrated exhibition catalogue. Heavy book: priority or international shipping may be extra. Book.
Soft cover. Zustand: Near Fine. Exhibition catalog for show at Aspen Art Museum, February 26 to June 5, 2016. Paperback. Binding sound, text clean, mild shelfwear.168 pages, illustrated. Edition of 1500 copies. Oversize paperback, heavy book: priority or international shipping will require extra charges. Book.
Sprache: Englisch
Verlag: Museum of Contemporary Art, Los Angeles, CA, 2001
ISBN 10: 0914357808 ISBN 13: 9780914357803
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First Edition. First edition. Hardcover. 127 pages. Exhibition catalog for a show that ran December 2, 2001 through March 10, 2002. Features text by Russell Ferguson. Includes numerous color and black and white illustrations, a checklist, list of previous exhibitions, and a bibliography. A near fine copy in illustrated boards with some light bumping to the bottom corners. No dust jacket as issued.
Sprache: Englisch
Verlag: Independent Curators International New York, NY, 2004
ISBN 10: 0916365689 ISBN 13: 9780916365684
Anbieter: Specific Object / David Platzker, New York, NY, USA
136 pp.; 27.8 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004 and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. Curated and with an introduction by John Baldessari and Meg Cranston. Essay by Thomas McEvilley. Artists included: Reverend Ethan Acres, Jo Harvey Allen, Terry Allen, Eleanor Antin, Brienne Arrington, David Askevold, Lillian Ball, Cindy Bernard, Andrea Bowers, Delia Brown, Edgar Bryan, Angela Bulloch, Chris Burden, Mary Ellen Carroll, Erin Cosgrove, Michael Craig-Martin, Jeremy Deller, Sam Durrant, Jimmie Durham, Nicole Eisenman, Katharina Fritsch, Jonathan Furmanski, Jeremy Gilbert-Rolfe, Liam Gillick, James Gobel, Jack Goldstein, Scott Grieger, Andreas Gursky, James Hayward, Micol Hebron, Damien Hirst, Rebecca Horn, Darcy Huebler, Christian Jankowski, Larry Johnson, Mike Kelley, Marky Kelly, Martin Kersels, Nicholas Kersulis, Martin Kippenberger, Rachel Lachowicz, Norm Laich, Liz Larner, Louise Lawler, Barry Le Va, William Leavitt, Roy Lichtenstein, Jen Liu, Thomas Locher, Daria Martin, T. Kelly Mason, Rita McBride, Paul McCarthy, Carlos Mollura, JP Munro, Jennifer Nelson, Eric Niebuhr, Leonard Nimoy, Albert Oehlen, Catherine Opie, Tony Oursler, Jorge Pardo, Simon Patterson, Hirsch Perlman, Luciano Perna, Renée Petropoulos, Raymond Pettibon, Paul Pfeiffer, Nicolette Pot, Richard Prince, Rob Pruitt and Jonathan Horowitz, David Reed, Victoria Reynolds, Gerhard Richter, Susan Rothenberg, Nancy Rubins, Glen Walter Rubsamen, Allen Ruppersberg, Ed Ruscha, Pauline Stella Sanchez, Kim Schoenstadt, Jim Shaw, Gary Simmons, Alexis Smith, Yutaka Sone, Thaddeus Strode, Diana Thater, Mungo Thomson, Thorvaldur Thorsteinsson in collaboration with Helena Jonsdottir, Jeffrey Vallance, John Waters, Marner Weber, William Wegman, Lawrence Weiner, Benjamin Weissman, James Welling, Eric Wesley, John Wesley, Franz West, and Chris Wilder. Includes an index of artists. Very Good / Fine. Light rubbing of cover corners and dust soiling to text block edge. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 11,26
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Parkett-Verlag Zürich, Switzerland, 1991
ISBN 10: 3907509781 ISBN 13: 9783907509784
Anbieter: Specific Object / David Platzker, New York, NY, USA
172 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. Michael Danoff; "How Can You Tell A Franz Gertsch From A Chuck Close?," by Amei Wallach; "Engraver: A Process Of Purification," by Rainer Michael Mason; "Lack Of Faith," by Mac Freidus; "Street And Interior," by Jörg Johnen; "Thomas Ruff: Spectacle And Surveillance," by Trevor Fairbrother / Norman Bryson; "The Invisible Dragon," by Dave Hickey; "Interview James Rosenquist," by Paul Taylor; "Les Infos Du Paradis: Inquiry," by David Lynch; "Cumulus From America," by Martin Guttmann / Michael Clegg "Cumulus Aus Europa," by Claude Ritschard. Insert by Liz Larner. Text in German and English. Very Good / Fine. Small prrinter's blemish to bottom center of front cover as seen in image. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Sprache: Englisch
Verlag: Los Angeles, CA : Museum of Contemporary Art, 2001
ISBN 10: 0914357808 ISBN 13: 9780914357803
Anbieter: Klondyke, Almere, Niederlande
Zustand: Good. Original pictorial boards, illustrated with numerous (full page) colour photographs, 4to.; Board very slightly discoloured.
Sprache: Englisch
Verlag: Los Angeles: The Museum of Contemporary Art., 2001
ISBN 10: 0914357808 ISBN 13: 9780914357803
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. 127 pp., illus. Near fine, red hardcover. This publication accompanied the exhibition LIz Larner organized by Russell Ferguson and presented at The Museum of Contemporary Art, L. A. 2 Dec. 2001 - 10 March, 2002.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 32,62
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 96 pages. 11.00x9.50x0.60 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 40,56
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 96 pages. 11.00x9.50x0.60 inches. In Stock.
EUR 45,00
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 168 pages. 12.00x9.00x0.40 inches. In Stock.
Verlag: Parkett-Verlag AG, Zürich (Zurich), 1991
Anbieter: Vincent Borrelli, Bookseller, Albuquerque, NM, USA
Erstausgabe
Soft cover. Zustand: Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. 208 pp., illustrated throughout. 10 x 8-1/4 inches. Near Fine (moderate surface wear, else Fine).
An excellent copy of this complete monograph on British sculptor Sir Anthony Caro. Hardcover, 464 pages richly illustrated with color and black and white photographs of his sculptures and process. Contains preview insert from publisher. Binding solid and square. Interior clean and unmarked. Glossy boards are sturdy and clean, light rubbing and scratches and some shelf wear to edges and corners, most noticeably the top edge of front board gutter, which has a small tear. Small crease to head of spine panel, which has been lightly bumped, though integrity of binding unaffected. Includes a collection of texts by leading contemporary artists, including Antony Gormley, Liz Larner, Joel Shapiro, Simon Starling, Frank Stella, Rebecca Warren and Richard Wentworth. Overall an attractive copy of this comprehensive monograph.
Verlag: Christopher Middendorf Washington, DC, 1992
Anbieter: Specific Object / David Platzker, New York, NY, USA
[10] pp.; 21.5 x 9.5 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Accordion fold exhibition brochure published in conjunction with show organized by Susan Inglett held at Christopher Middendorf, Washing, DC, October 24 - Noember 14, 1992. Traveled to Thea Westraich, New York, December 1 - December 19, 1992; Van Straaten Gallery, Chicago, January 8 - 30, 1993; Center for Contemporary Art, St. Louis, February 12 - March 6, 1993; Davis / McClain, Houston, March 19 - April 10, 1993; Richard Green, Santa Monica, April 23 - May 15, 1993 and Ellen Miller / Katie Block, Boston, June 4 - 26, 1993. Essay by Kirby Gookin. Artists included Ashley Bickerton, Barbara Ess, Victoria Gil, Felix Gonzalez-Torres, Federico Guzman, Ronald Jones, Robin Kahn, Liz Larner, Annette Lemieux, Richard Prince, Meg Webster and Christopher Wool. Fine. As issued, clean and unmarked.
Anbieter: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, Frankreich
Couverture souple. Zustand: Bon état. Livre en anglais, allemand. In-4 broché 28 cm sur 22. 192 pages. Bon état d'occasion. in-4°.
Original-Heft (Rückstichbroschur); Gr. 8°; 48 unpaginierte Seiten; ausschließlich Abbildungen. Gutes Exemplar. Sprache: Deutsch 150 gr.
EUR 33,16
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. KlappentextA long-overdue appreciation of the influential sculpture of Liz Larner and its radically adventurous formal and conceptual vocabularyLos Angeles-based sculptor and installation artist Liz Larner (bor.
Sprache: Englisch
Verlag: Holzwarth Publications Gmbh Dez 2016, 2016
ISBN 10: 393556791X ISBN 13: 9783935567916
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Die Keramiken der US-amerikanischen Künstlerin Liz Larner (\*1960) sind vielschichtig: Ihre Form und Schwere erinnert an antike Schrifttafeln, der Farbenreichtum der Glasuren verleiht ihnen die Wirkung eines Gemäldes, während die vielfach eingerissenen und gebrochenen Oberflächen vom Prozess ihrer Herstellung erzählen. Brüche sind als Thema auch aus den Titeln der Werke abzulesen: caesura als ein Innehalten zwischen zwei Hälften, subduction angelehnt an das Übereinanderschieben zweier Erdschichten in der Plattentektonik, calefaction als Erhitzung von beigefügten Mineralien, die im Ton kristallisieren oder sich auflösen, porcelain melt als erneute Strapazierung des bereits gestalteten Materials. Über den Brüchen jedoch liegen die tief schimmernden Oberflächen von Larners genau nuancierten Farbglasuren.Das Buch zeigt dieses Werk im Rahmen einer Ausstellung 2016 in der Galerie Max Hetzler in Berlin. Zwei Stränge fügen sich zusammen: die persönliche Entwicklung Larners, deren konzeptuelles Interesse sie um die Jahrtausendwende zur Keramik führt, und die Rolle, die das Material durch Künstler wie Picasso, Fontana, Asger Jorn und Peter Voulkos in der Geschichte der Moderne spielt. ''Wie bei den besten Werken von Fontana und Jorn', schreibt Peter Pakesch in seinem Text, 'wird die Keramik zu einer besonderen Verbindung von Malerei und Skulptur mit den Qualitäten beider Welten. Aus der konzeptionellen Analyse kommend, hat Larner stets für den Blick auf das Material und seine Eigenschaften plädiert. Nun mag sie dort angekommen sein, wo sie jenseits der Widersprüche, die sonst in ihrem Werk immer eine besondere Bedeutung hatten, eine Selbstverständlichkeit erreicht, aus der ein virtuoses Spiel von Form, Material und Farbe entsteht. Mit welchem anderen Material wäre das sonst möglich gewesen 'In Zusammenarbeit mit Galerie Max Hetzler, Berlin | Paris.
Sprache: Englisch
Verlag: Mimi Somerby New York, NY, 1993
ISBN 10: 1881616169 ISBN 13: 9781881616160
Anbieter: Specific Object / David Platzker, New York, NY, USA
400 pp.; 28 x 21.3 cm; glue bound; black-and-white; edition size 3000; unsigned and unnumbered; offset-printed An anthology of self-promotional works one to two pages in length, featuring a myriad of artists, collaboratives, poets, and writers in alphabetic order. Edited by Robin Kahn. Artists include Barbara Ess, Peter Nadin, Cary Leibowitz / Candy Ass, Buzz Spector, Sue Williams, Laura Parnes, Liz Larner, Robert Blanchon, Rebecca Howland, Lois Nesbitt, Kay Rosen, Jim Goss, Todd Colby, Nene Humphrey, Guerrilla Girls, Polly Apfelbaum, Charles Gaines, Marilyn Minter, Barry Schwabsky, Rob Pruitt, Bern Porter, Geoffrey Hendricks, and Deborah Kass, and many others. Includes numerous black-and-white drawings and photographs in addition to text. The book is designed to resemble a yellow pages telephone directory. Very Good. Light bumping of corners and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Sprache: Englisch
Verlag: MIT List Visual Arts Center / Bank of Boston Art Gallery Cambridge /, MA, 1987
ISBN 10: 0938437208 ISBN 13: 9780938437208
Anbieter: Specific Object / David Platzker, New York, NY, USA
72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.
Sprache: Englisch
Verlag: Holzwarth Publications GmbH, 2016
ISBN 10: 393556791X ISBN 13: 9783935567916
Anbieter: preigu, Osnabrück, Deutschland
Buch. Zustand: Neu. Liz Larner | Katalog zur Ausstellung Berlin-Charlottenburg 2016, Dt/engl | Liz/Pakesch, Peter Larner | Buch | 54 S. | Deutsch | 2016 | Holzwarth Publications GmbH | EAN 9783935567916 | Verantwortliche Person für die EU: Holzwarth Publications GmbH, Ursula Stricker, Motzstr. 30, 10777 Berlin, vertrieb[at]holzwarth-publications[dot]de | Anbieter: preigu.
Verlag: Deste Foundation for Contemporary Art Athens, Greece, 1990
Anbieter: Specific Object / David Platzker, New York, NY, USA
152 pp.; 28.9 x 20.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at The House of Cyprus, Athens, Greece, June 20 - September 15, 1990. Curated and with an essay by Jeffrey Deitch. Edited by Jeffrey Deitch and Dan Friedman. Artists include Ashley Bickerton, Clegg & Guttmann, Walter de Maria, Laura Grisi, Martin Kippenberger, Jeff Koons, Liz Larner, Tatsuo Miyajima, Peter Nagy, Pino Pascali, Edward Ruscha, Manuel Saiz, Robert Smithson, William Stone, Thanassis Totsikas, Meg Webster, and Andy Warhol. Includes exhibition checklist. Text in English and Greek. Very Good. Light rubbing of cover edges and light cover wear. Cover and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Verlag: Walther König, Köln, 2006
Anbieter: Antikvariat Röde Orm, Göteborg, Schweden
Soft covers. 192 pages. Illustrated. Nice copy in very fine condition. Bi-lingual edition: German & English.
Verlag: Köln: König, 2006
Anbieter: Antiquariat Gallus / Dr. P. Adelsberger, Innsbruck, A, Österreich
OKart. m. OU. 4°, 191 S., m. zahlr. Abb., Zweisprachig: Deutsch und Englisch, - Tadellos.
Verlag: Enrico R Comi, 1988
Anbieter: castlebooksbcn, Barcelona, B, Spanien
Magazin / Zeitschrift
Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. NDEX4/6 Enrico R. Comi: Una poesia / A poem8 Joseph Kosuth: Works / Lavori10/16 Alexandre Melo:Interview with Joseph Kosuth / Intervista con Joseph Kosuth47/49 Phyllis Janowitz:Two poems / Due poesie52 Tony Cragg:Works / Lavori54/56 Paul Vangelisti:From "Perfect Stranger" / Da "Perfect Stranger"59/66 Serge Gavronsky:Night Passages (English) / Night Passages (Italiano)72 Ettore Spalletti:Lavori / Works75/78 Carla Mazzarello:Tre poesie / Three poems81/82 William Wegman:A text / Un testo87/95 Lisa Davida Marmon:Creamed Love (English) / Creamed Love (Italiano)103 Federico Guzmán:Obras / Lavori104/107 Pedro G: Romero:Un texto para Federico Guzmán / Un testo per Federico Guzmán110 Leon Golub:Works / Lavori112/113 Bodo Buhll:Ein Text / Un testo118/119 Pedro Cabrita Reis:Um texto / Un testo122 Enrico R. Comi:España "Artisti spagnoli contemporanei"130/131 Peter Pakesch:Ein Text / Un testo132 Enrico R. Comi:"Graz 1988" (Una selezione di lavori) / "Graz 1988" (A selection of works)144 Jannis Kounellis:Works / Lavori146 Hidetoshi Nagasawa:Works / Lavori157/161 William Allen:Three poems / Tre poesie.
Verlag: Blum Helman, New York, 1991
Anbieter: Capitol Hill Books, ABAA, Washington, DC, USA
Erstausgabe
Zustand: Very Good +. First Edition. New York: Blum Helman, 1991. First Edition. Octavo (23cm); 48pp. Publisher?s stiff spiral-bound wrappers; shimmery cellophane endsheet. Black-and-white photographs throughout. Wraps lightly bumped. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. Scarce in retail. Exhibition catalog for a show composed entirely of rising female artists of the early 90s. Catherine Liu?s curatorial project attempted to dispel the myth of the male genius, macho artist, or ?Master.? Drawing upon history and pop culture alike, her introduction asserts ?The woman artist has had to not only negotiate with hysteria as a functional position, she has had to deal with the moralizing ethic that would have her be the perfect exemplar, a careful technical, or a political pedagogue.? Striking design.