Lithography (57 Ergebnisse)

Hardcover. Zustand: Very Good. 1st Edition. Color lithograph paper-over-board, green cloth spine. 48 unpaginated pages. A child's early reader, with longer words separated into sylables. Ad for Good-For-Nothing Polly by Ella Farman on rear board. Binding tight, pages clean. Edges rubbed. P/o name and date (1885) in pencil on ffep. J. H. Bufford, Lithography (illustrator).…

Zustand: Good. Price list of color lithographic prints. Narrow 4to. Wraps. 65 pp. non illustrated.

SOFTCOVER. Zustand: Very Good. 1st Edition. Quarto size (4to) in colour printed stiff card covers, unpaginated, approx. 24pp, illustrated in colour and b/w . [CONDITION: VERY GOOD a clean and tight unmarked copy (covers slightly tanned and faintly dusty, few spots of shelf rub cover edges) ] . __To see more of our books on Theatre and Stage type DbbSTAGE in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Very Good. All First Editions. A collection of fourteen early pieces for the Pianoforte. Hard bound in blue cloth 26 x 35 cms. One ownership inscription dated October 1840 (see image 3, top right). One Catalogue "The Musical Bijou" bound in (see image 2), dated 1841. The various compositions include: Jules Schulhoff "Galop"., Charles Czerny "Brilliant Fantasia"., Henri Lemke "Grand March"., T. Latour "Grand March"., I. Moscheles "Napoleon's Midnight Review"., Sigismond Thalberg "Euryanthe". [ See also our ABE Listing: # 006614 Ernst Pauer "Complete Sonatas"]. More information on request. The full page litho by Guillet "Les Bords de la Neva" is particularly beautiful (see first image). [The Neva, is a river in northwestern Russia flowing from Lake Ladoga through the western part of Leningrad Oblast (historical region of Ingria) to the Neva Bay of the Gulf of Finland. Despite its modest length of 74 kilometres (46 miles), it is the fourth-largest river in Europe in terms of average discharge (after the Volga, the Danube and the Rhine)]. Lithography By Guillet (illustrator).…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. An extremely well looked after copy of the Revised Edition (Nordbok,1978) with clean text & plates throughout, no inscriptions or labels and binding tight. There is just a fractional forward lean to spine and only light hints of foxing to text block edges. The attractive blue cloth boards are in excellent condition overall - just some rubbing to gilt-stamped designs. The unclipped dust wrapper has only very minor hints of edge/surface wear and has clearly been very well cared for. Please see five pictures attached for a closer look. Note: Owing to 2.1kg weight an adjustment to shipping charge will be requested for International ordering.…

Zustand: Very Good. Revised edition hard back binding in publisher's original blue cloth covered boards, blocked and lettered gilt and black to the spine and front cover. 4to. 12'' x 11''. Contains 279 pp with monochrome and colour illustrations, diagrams and plans throughout. Very Good condition book in Very Good condition dust wrapper with small crease lines to the top corners and top of the spine, not price clipped. Heavy volume weighing 2 kg, extra postage will be requested over and above our default setting for destinations outside of the UK. Member of the P.B.F.A. SHIPPING (Liners, Merchant).…

Contemporary green leather spine, light-green paper-covered boards, 4 raised bands & gilt lettering spine, top-edge gilt, 8vo: Vol. 1: coloured original lithography, 316pp., [ij], colophon. Vol. 2: original lithography, 292pp., [[ij], colophon. Printed in 1000 numbered copies - this is nr. 881. Original front- & backcovers preserved and bound along. Very fine copies. …

1st edition. Very good copy in cloth boards, backed in leather. Spine and covers dust-dulled, bumped and rubbed as with age. Internally, bright and clear. Physical description; 14 numbered pages + many plates, some in colour. Subjects; 20th century lithography. 20th century photo-engraving. Photoengraving. London County Council School of Photo-Engraving and Lithography. 1 Kg. …

Hard. Zustand: Fair. Fair. Publishers impressive full morocco embossed leather relievo binding, embellished in gilt. Front hinge cracked. Damp-staining to leaves. Some creasing to rear end-leaves. Half-title detached and dog-eared. Illustrated by 100 engravings on wood, and a series of drawings in chromo-lithography [2 tone], after designs by T. Stothard. (illustrator).…

Hardcover. Zustand: Very good. Presumed First Edition, First printing. The format is approximately 8.75 inches by 11.25 inches. iv, 212 pages. Footnotes. Illustrations. Front cover is decorated and had gilt lettering. Front cover clearly states THIS IS NOT A REPRINT. No dust jacket present. Cover has slight wear and soiling. Printed largely in a two-column format. From 1942-44 the 90th Bombardment Group flew Consolidated B-24 Liberators to bomb Japanese targets, operating from Australia and then New Guinea. It was awarded two United States Distinguished Unit Citations and the Philippine Presidential Unit Citation for its combat service in China, the Netherlands East Indies, New Guinea, the Bismarck Archipelago, Leyte, and Luzon. It was inactivated in the Philippines in early 1946. This is the story of the first unit to take the almost untried B-24 into action in the Southwest Pacific. From 1942 until the Japanese surrendered 34 months later, the 90th Bomb Group relentlessly carried the war to the enemy across vast expanses of featureless ocean and trackless jungle and through some of the world's most treacherous weather. Often in their own words, this is the story of the men who flew those missions, and of those who labored below so that they could be flown. The group was first organized as the 90th Bombardment Group at Key Field, Mississippi in April 1942 as a Consolidated B-24 Liberator unit. The group's original squadrons were the 10th Reconnaissance Squadron and the 319th, 320th and 321st Bombardment Squadrons, although within a week of activation the 10th was renamed the 400th Bombardment Squadron. The group trained with Liberators in the southeastern United States under III Bomber Command until August. The group moved to Willow Run Airport, Michigan for conversion training on newly manufactured Ford Liberators. Assigned to VII Bomber Command with B-24Ds, The unit moved to Hickam Field, Hawaii in September. The group arrived in northern Queensland, Australia in November 1942 and began bombardment missions under V Bomber Command almost immediately. The group attacked enemy airfields, troop concentrations, ground installations and shipping in New Guinea, the Bismarck Archipelago, Palau and the southern Philippines. The group was awarded a Distinguished Unit Citation for operations in Papua through January 1943, The unit participated in the Battle of Bismarck Sea in March 1943, and earned another citation for strikes on enemy airfields at Wewak, New Guinea in September 1943 despite heavy flak and fighter opposition. During 1944, the 90th supported the New Guinea Campaign through the end of June, then made long-range raids on oil refineries at Balikpapan, Borneo, in September and October. In January 1945, the group moved to the Philippines and supported ground forces on Luzon, attacked industrial targets on Formosa, and bombed railways, airfields, and harbor facilities on the Asiatic mainland. Shortly before the end of the war in the Pacific, the 90th moved to Okinawa, from which it would be able to strike the Japanese home islands. After VJ Day, the group flew reconnaissance missions over Japan and ferried Allied prisoners of war from Okinawa to Manila. Ceased operations by November 1945. The group was inactivated in the Philippines in early 1946. Lithography by Procolor. (illustrator).…

4to (310 x 215 mm), 9-13, [3]pp., unbound in modern paper wrappers. Offprint from the proceedings of the Real Istituto d'Incoraggiamento alle Scienze naturali e economiche e tecnologiche de Napoli.

12mo, 73 pp. Introduction followed by bibliography (pp.11-19). In original red and black printed wraps. Good tight copy, in lightly-worn and chipped wraps. Unlimited edition, without illustrations. The only copies of this edition at the British Library and University of London.

The Religious Tract Society, London. [1851] Hardback, no wrapper. First edition. Slim 8vo. Original decorated green paper covered boards prnted in blue and gilt, plain blue cloth backstrip. Six glorious Kronheim colour chromolithographs. Boards are rubbed and worn. Inner hinge visible, attractive gift inscription, dated 1852, to front free endpaper and occasional mark to contents o/w a sound copy.…

Hardcover. Zustand: Good. Gilt cloth bit dulled. 4to, c.pp242 uncut, corner of lower cover bit damp-marked affecting top blank corner of final few leaves. Stout copy, mostly unopened. With tipped-in colour litho portrait + 1 plate of machinery. Senefelder's own description of his revolutionary invention & its practical application. First English translation since 1819. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.…

8vo, [2], 40pp., with half-title, lithographed title page, with a vignette crayon-drawing of the Pont Neuf, slightly foxed with light stain to gutter margin, original printed wrappers bound in,nineteenth-century cloth-backed marbled boards, leather spine label, a nice copy.

First edition, 8vo, [4], 355, [1], xxxiv, [2]pp., 8 lithographed plates (of 14), some light browning and staining to plates, cont. calf calf, rubbed. This journal was created to examine new materials and processes affecting lithographic production as well addressing economic and technical issues confronting printers. The founding members included an elite group, the preliminary leaf listing such names as: the master-printers Joseph Lemercier, Eugene Kaeppelin and Godefroy Engelmann; the professors of Chemistry and members of the Academie de medicine, Chevallier and Gaulthierde Claubry; and members of the Institut de France, Jomard and the Count de Lasteyrie, amongst others. The 38 page appendix is devoted to a list of the lithographic printers in the Departments, in Paris, and abroad. The first volume of this rare and important Journal relating to lithography, it culminated with the issue of the sixth volume, which was issued in 1848. Not in Ulrich & Kup.…

Hardback. Limited. Original binding decorative brickwork gilt tooling Limitied edition copy 88 signed by artist Stained feps corners and spine bmpd. Drawn in Lithography By T. R. Way (illustrator). book.

An attractive card showing a fashionable young lady browsing a portfolio of lithographs and advertising 'Lithographie, Autographie, Taille-Douce'. The Rançon firm sold all manner of lithographic supplies, advertising them in the brochure Fabrique spéciale de produits pour la lithographie, autographie, taille-douce (1894) as well as teaching lithography. Lithograph card (183 × 126). Traces of old mounts on verso, slight browning. …

Third Edition, corrected, xix,117,[3]pp., 2 fold-out lithographed plates, the first containing twelve figures of tools and implements, the second nine figures of printing presses and parts, both plates are lightly water-marked affecting the image, & with 1" marginal tear to vertical fold of each, final leaf includes publisher's advertisements for two additional titles by Hullmandel; front & back endpapers soiled, with early owner's signature (L. Stilson) & date on front pastedown, final two blank leaves bit stained, half calf with early marbled paper over boards, red leather label (3x2") with gilt border & title, "A Manual of Lithography", & the name "L. Stilson" added to front board; spine worn & rubbed with 1-1/4" piece missing at head & small label with black "C" at foot; 3" split in front joint; corners, edges & joints worn, paper boards chipped, edges of cover label chipped. Hullmandel's best know work and most influential publication is his book 'The art of drawing on stone' which was first published in 1824. But in terms of establishing lithography in Britain, his translation from the French of this treatise by Raucourt de Charleville was probably just as important. This third and final edition contains some important new additions. Colonel Antoine Raucourt was chief engineer at the Ecole des Ponts et Chaussées in Paris and ran its in-plant lithographic press. His book was originally published in Toulon in 1819. Hullmandel thought highly of Raucourt's treatise and wrote in the preface: "The books which have hitherto been published on lithography are very imperfect, and are much more adapted to persons who already understand the art than those who wish to learn it. I have repeatedly wished for a guide to explain the new accidents which occur every instant, and which. appear each time so new and intricate, that the beginner is consequently tempted to give up all hopes of ever succeeding. I am consequently better enabled to appreciate the value of this excellent treatise on lithography, and hesitate not an instant to pronounce it the best work which has ever been published on the art." Bigmore & Wyman II, p.240; Twyman, pp.110-14. …

Hardcover. Zustand: Fair. No Jacket. Ex library hardback with illustrated boards; usual stamps/markings. C/w 21 lithographs with original tissue guards - all intact. Number 103 of limited edition of 310 published in 1907 by The Bodley Head, London. . Litho no 12 partially loose. Front/rear hinges partially split. Binding open in a couple of places but intact. Text/lithos clean. Ready for immediate despatch from UK. 16E*.…

First edition, 8vo, [4], 355, [1], xxxiv, [2]pp., 13 lithographed plates 14 (lacking the trade card plate as usual), cont. boards. This journal was created to examine new materials and processes affecting lithographic production as well addressing economic and technical issues confronting printers. The founding members included an elite group, the preliminary leaf listing such names as: the master-printers Joseph Lemercier, Eugene Kaeppelin and Godefroy Engelmann; the professors of Chemistry and members of the Academie de medicine, Chevallier and Gaulthierde Claubry; and members of the Institut de France, Jomard and the Count de Lasteyrie, amongst others. The 38 page appendix is devoted to a list of the lithographic printers in the Departments, in Paris, and abroad. The first volume of this rare and important Journal relating to lithography, it culminated with the issue of the sixth volume, which was issued in 1848. Not in Ulrich & Kup. …

Zustand: Good. Large 4to. 26 x 33cm. Original gilt textured binding, discolored with small crack. on spine. Light foxing;,OCLC Number / Unique Identifier:74119221.First edition of one of Salvator's rarest works. Contains 87 unnumbered color chromolithographic plates depicting the folk costumes of the Croatian Littoral, Dalmatia, the Dalmatian Hinterland, the Bay of Kotor, and Montenegro. Each illustration is accompanied by text. The chromolithographs were created based on paintings by Franz Bohumil Doubek, Paul Janowitz, Emil Lauffer, Peter Maixner, and Guido Manes, which were in turn based on the author's watercolors and photographs by Antonio Vives. A list of illustrations (plates) appears at the beginning of the book, following the preface. Like most of the author's works, this one was published anonymously. In 1870, the author began publishing the series *Die Serben an der Adria. Ihre Typen und Trachten* (The Serbs on the Adriatic: Their Types and Costumes), which, according to the original subscription prospectus, was intended to comprise 100 plates and accompanying text. The author was not named; only the artists commissioned to create the paintings under his supervision?Emil Lauffer, Guido Manes, and Petr Maixner?were listed. By 1878, nine fascicles containing a total of 45 plates (without accompanying text) had been published, after which printing ceased. These 45 plates, along with another 42 plates, an introductory text, and brief descriptions, were republished in the present volume.Regions: Croatian Littoral, Dalmatia, Bay of Kotor, MontenegroLudwig Salvator von Habsburg (Florence, August 4, 1847 - Brandýs nad Labem, October 12, 1915) was an Austrian archduke, scholar, and explorer, and a member of the Tuscan branch of the Habsburg-Lorraine dynasty. After leaving Tuscany due to political circumstances, his family settled in Bohemia in 1859. He studied philosophy, law, natural sciences, and art in Prague. As was customary for members of the ruling dynasty, he received private tutoring. The harsher climate of Bohemia did not suit his health, so he would often spend several months in Venice to stabilize his condition. As early as age 14, during his first stay in Venice, he began recording his travel impressions. During his time in Venice, he undertook his first trips to Trieste and Istria. His travels grew increasingly extensive, taking him as far as Heligoland, Norway, Sweden, Denmark, and England, as well as Spain, Gibraltar, and Tunisia. He dedicated his life to scientific research in the Mediterranean, sailing the region for decades aboard his steam yachts *Nixe I* and *Nixe II*, usually accompanied by an entourage of about twenty people. He published more than fifty works. He was an honorary member of six academies of sciences and some thirty scientific institutions, and a patron of scientific and artistic projects.Prvo izdanje jednog od najrje?ih Salvatorovih djela. 87 nenumeriranih kromolitografskih plo?a u boji s prikazom narodnih no?nji Hrvatskog primorja, Dalmacije, Dalmatinske zagore, Boke Kotorske, Crne Gore. Svaka je ilustracija popra?ena tekstom. Kromolitografije su nastale na temelju slika slikara Franza Bohumila Doubeka, Paula Janowitsa, Emila Lauffera, Petera Maixnera i Guida Manesa, koja su nastala prema autorovim akvarelima i fotografijama Antonija Vivesa. Popis ilustracija (plo?a) na po?etku knjige, iza predgovora. Kao i ve?ina autorovih djela, i ovo je djelo objavljeno anonimno. Godine 1870. autor po?inje izdavati seriju Die Serben an der Adria. Ihre Typen und Trachten, koja je, prema tada?njem pozivu za pretplatu, trebala imati 100 tabli i popratni tekst. Autor djela nije naveden, ve? samo umjetnici koji su pod njegovim nadzorom trebali izraditi slike - Emil Lauffer, Giudo Manes i Petr Maixner. Do 1878. godine objavljeno je devet sve??i?a s ukupno 45 tabli bez popratnog teksta te je nakon toga tiskanje prekinuto. Tih je 45 tabli, uz druge 42 table, uvodni tekst i kratke opise, ponovno objavljeno u predmetnoj kn.…

Zustand: Good. Oblong folio. 54 x 34.5cm. 30 lithographed plates. Half tooled calf with original green cloth. Light foxing. A few plates with a cream coloured stain in the margins.OCLC Number / Unique Identifier:1148430587: [Published by E. Gambart & Co.]..Plates 1-6 carry the title at the head of the plate: Sydney Cooper's Cattle Subjects. No. 1( -6). Plates 7-30, the title: Thomas Sydney Cooper's Cattle subjects. No. 7( -30)Some of the plate are signed: Lith. by J. West GilesPublisher and place of publication from plate 3Date of publication from SartinCover titlePlates 5 is misnumbered '6'.…

Hardcover. Zustand: Goo to very good condition. First American edition. Small Folio. (4)pp, 64 plates with tissue guards. Original brown cloth with gilt-stamped lettering, decor and blind-stamped decorative ruling on cover, gilt lettering on spine. Red edges. Dark green endpaper. Title page printed in red and black. Architecture erected from the designs of G. G. Scott, G. E. Street, J. P. Seddon, E. G. Paley, R. J. Withers, J. K. Colling, E. L. Blackburne, G. F. Bodley, E. B. Lamb, J. Johnson, E. I'Anson and other eminent architects. The designs presented in this volume are considered unfamiliar designs by mostly well-known English architects. They were redrawn for this publication by the the architectural draughtsman John Richard Jobbins, rendered in lithography. The first thirty-eight plates show designs for ecclesiastical buildings, the plates following show town halls, the Peabody Trust Building, railway stations, schools and colleges, the Masonic Hall in Manchester, Brill's Bath and other designs, including stucco. Many of the designs with ground plans of the respective buildings, some are double-page. Contains list of drawings at front. Binding with some scuffing along edges. Closed tear of two and a half inches at bottom gutter of inside front cover. Some light foxing of free endpapers.…

Hardcover. Zustand: Very good+. First edition. Four volumes, folio, 36 by 27 cm (text volumes), 36.2 by 28.6 cm (atlas). Complete with a total of 99 plates in various media. Text in French; copious transcriptions of Arabic inscriptions in the second volume. [4], IV, 388 pp., in-text illustrations throughout; [6], 222, [6] pp; [4], VI, 326 pp.,14 plates (numbered I-XIV): 2 double-suite chromolithographic maps, 2 double-suite chromolithograpic arrays of geologic sections; 2 steel-engraved arrays of geologic sections; 8 full-page lithographic specimen plates; Atlas: [4] pp; 67 plates documenting the journey of the Duc de Luynes: (3 unnumbered steel-engraved plates) - 1 large folding map (colored), 1 folding itinerary (colored), 1 double-suite plan of the iron sailing vessel; (numbered I-LXIV) - 64 hand-pulled b/w photogravures on steel (1 double-suite) by Charles Nègre after photos by Jardin and Louis Vignes; 18 plates documenting the journey of Christophe Mauss (numbered I-XVIII): 1 double-suite steel-engraved itinerary, 3 steel engraved site plans (1 colored), 14 tinted lithographs by Eugène Ciceri after photographs by Henri Sauvaire (8 mistakenly attributed to Louis Vignes). Later half light brown morocco over marbled boards, gilt spine with raised bands; marbled endleaves; original blue printed wrappers preserved (along with the backstrips the three text volumes). Text leaves intermittently foxed throughout (often in light-moderately toned large blotches). Plates clean and fresh with only occasional touches of soiling or faint foxing almost exclusively confined to the margins; large folding map and folding itinerary in the Atlas with more notable light foxing. A very good set with fine plates. First edition of this comprehensive report on one of the most important scientific and archaeological missions of the nineteenth century, the 1864 expedition to the Dead Sea undertaken by the visionary art collector, archaeologist, and scientist Honoré Paul Joseph d'Albert, duc de Luynes (1802-1867). Along with an atlas containing 78 reproductions of photographs by Louis Vignes (1831-1896), Jardin (fl. 1864), and Henri Joseph Sauvaire (1831-1896), this work documents "the first systematic attempt to survey and photograph the geological features and cities of the Dead Sea basin in present-day Jordan. In addition to mapping the Dead Sea area, the expedition made significant contributions to the geological and paleontological knowledge of the region and also to an understanding of the chemical composition of the lake's waters" (GRI). Louis Vignes, a lieutenent-commander in the French navy and director since 1860 of the port in Beirut, was chosen by de Luynes as photographer for the expedition because of his knowledge of the Levant. "Vignes began to photograph immediately upon arrival in Beirut and continued to do so during the ride south throughout Sidon, Tyre, Nablus, and Jerusalem. From March 14 until May 29 the party sailed the entire Dead Sea on a special iron vessel designed by Vignes to be dismantled for easy trasportation" (Perez). A preliminary account, edited by Vignes, appeared as Extrait des notes d'un voyage d'exploration à la mer Morte, dans le Wady Arabah, sur la rive gauche du Jourdain et dans le désert de Palmyre (Paris: H. Plon, 1865). This work essentially comprised a key to the two maps drawn by Vignes, with assistance from Dr. Gustave Combe. The larger of the two maps charted the Jordan Rift Valley from the southern end of the Dead Sea to the Gulf of Akabah; the second map depicts the Dead Sea and its immediate vicinity. "In addition to tracing the expedition's routes, place names, elevations, vegetation, land conditions, natural features and many other geomorphic and climatic details are recorded on the maps" (GRI). In the Atlas volume of the Voyage, these two maps have been combined into a single map (printed surface: 69.7 by 28.8 cm). In 1866 de Luynes made a second expedition to the region, accompanied by the archaeologist Christophe Edouard Mauss and Henri Sauv.…

Zustand: Very Good. None. 1st. 4to. 254 pp. Original wrappers bound in. 1/4 Morocco with marbled boards and endpaper. T>E>G> Text in French. In good condition. 1/4 red Morocco with marbled boards. TEG. Chromo lithography by Jules Garnier (illustrator).

FIRST AND ONLY EDITION OF THIS SPECTACULAR WORK ON THE LOIRET (the city of Orléans and surroundings), COMPLETE WITH THE RARE SUPPLEMENT. The main work has a lithographed vignette on the title-page and 21 EXTREMELY FINE FULL-PAGE LITHOGRAPHS (of scenery, ruins, towns, and monuments) BY NARCISSE ROMAGNESI AND CHARLES PENSEE, MOST OF WHICH ARE PRINTED ON CHINE APPLIQUE. The supplement (of which the entire text is printed in lithography) has a title-page vignette and two additional full-page lithographs. Printed on very fine wove paper. Large folio (42 cm). Bound in 19th-century pebbled cloth and decorated boards. Traces of wear to binding, INTERNALLY FINE AND BRIGHT, WITH BOTH TEXT PAGES AND LITHOGRAPHS FRESH AND SPOTLESS. A rare book, and extraordinarily rare in such fine condition and complete with the supplement.…

Soft cover. Zustand: Good. (ii), 46, (4) pp., sewn in pictorial paper wrappers. Front cover loose, split in back cover and last page and first four pages, age toning. More than acceptable for the lithographed cover, the 5 lithographed illustrations in colour and an exact copy of the title page of the printed manuscript. 23 x 16 cm.…

Lithography by Emrik & Binger, 22 x 29 cm.

Utrecht, Kemink & Zoon, 1920. 57 x 76 cm. Lithography in colour on card-board. (G.J.van Lummel. Platen II. No.VII. Nieuwe druk).* Plate used for educational purpose.