lisa milroy (24 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9781854373434.

Softcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

1. Auflage. 50 Seiten. OBr., Quart 28 cm x 23 cm, 50 S.; tadellos erhalten.

Soft cover. Zustand: As New. Like new paperback copy of a fine study. The catalogue produced to accompany an exhibition held at Tate Liverpool in 2001. This appears to be brand new unopened copy. This authoritative work documents the breadth of Milroy's career bringing together a range of her paintings from the 1980s and 90s and a body of new work. Illustrated with works from the retrospective exhibition being held at Tate Liverpool and other sources, the book is organized by subject rather than chronology and provides a visual catalogue that reveals recurrent themes and ideas. Milroy first received attention during the 1980s for her paintings of familiar and quite ordinary objects, often devoid of any specific context, which explored issues around space, repetition, pattern, rhythm, and order. Since the early 1990s, Milroy's subject matter has expanded to include landscapes, cityscapes, architecture, people and animals, revealing her continued interest in objects in relation to space. We pack our books properly and ship daily from the UK.

Paperback. Zustand: Fine. Qto., 52 pages, colour illustrated. Looks unused, a Fine copy.

SOFTCOVER. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (hint of tanning to leaves, minute speck of rub to cover corner tips) in a slightly sunned and very lightly edge rubbed but otherwise VERY GOOD complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Soft cover. Zustand: Near Fine. Milroy, Lisa (illustrator). 1st Edition. Pictorial card covers, large 4to, pp.162. Illustrated. Essays by Lewis Biggs, Fiona Bradley and Jean-Pierre Criqui. Accompanies an exhibition of her work entitled Lisa Milroy at the Tate, Liverpool from January 19 to March 18 2001. Slight bump to upper corner with a little creasing to the cover corner and minor creasing to text corners. Previous owners inscription to title page. Near fine. Heavy book weighing c1300g when parcelled, exceeding the postage quotation default weight of 1000g and thus incurring extra postage over the default for orders from overseas and those sent by 1st class post in the UK ( 2nd class UK not affected ).

SOFTCOVER. Zustand: Fine. 1st Edition. Large tall 4to. in colour printed stiff card covers, unpaginated, approx. 48pp on stiff art paper, colour plates, etc. Dual text in English and German . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (minute speck of shelf rub to cover corner tips) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Zustand: Near Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards quarter-bound in beige cloth; no dust jacket as issued. Paintings by Lisa Milroy. Essay by Elisabeth Levovici. Includes an exhibition history. Unpaginated, with 25 four-color plates. 13-1/4 x 9-3/8 inches. Published on the occasion of an exhibition at Waddington Galleries. Near Fine (moderate surface wear, light soiling, boards slightly bowed, and a few bumps at the extremities, else Fine).

SOFTCOVER. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. Large Quarto size (4to). in plain white stiff card covers with plain yellow stiff card jacket. Unpaginated, approx. 60pp, colour plates, b/w illustrations in text, etc . [CONDITION: An AS NEW copy in a slightly sunned and very lightly edge rubbed but otherwise FINE complete Dust Jacket ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. q03437 Ex-library with Stamp and Library-Signature in Good Condition, Some Traces of Use Sprache: Englisch Gewicht in Gramm: 550.

Original brochure, 27*21,5 cm. Zustand: Gut. Unpaginated [23 p.], 8 ill. Bumped, otherwise clean. - From the text by Ian Jeffrey: Lisa Milroy paints light-fittings, quite a lot of light-fittings. There might be around twenty different kinds of bulbs and strips arranged in that large painting, with, for instance, an opaque mushroom cropping up in three or four different places in a varied company of cones and tubes. It asks to be worked out, and appears to have proceeded to a plan, although appearances can be deceptive. If there is a scheme there it will probably never be reduced to a formula, but the fathoming itself is straightforward enough, for the units are restricted to a few appearances, which might be taken in at a glance or two. Search, note, and repeat the performance, and become conscious of the time it takes. What sort of time? A time of looking and naming: cone whirl, green domestic, silver-based, grey globe. Find the unit, and then remember it via both a look and a name. Anyone intrigued here for long will, inevitably, become conscious of procedure, of routine, of a pattern in consciousness, just as anyone in front of a Judd piece must become aware of movement in relation to perception. Sprache: Englisch Gewicht in Gramm: 550.

SOFTCOVER. Zustand: As New. 1st Edition. Large heavy 4to. in colour printed stiff card covers, 163pp on thick glossy art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hörbuch (DVD). Zustand: Sehr gut. 1. Auflage. Z : 15 x 21,5 cm, Box with a DVD (103 min.) and a 64 pages booklet. - With films by Francis Alÿs, Robert Breer, Paul Bush/Lisa Milroy, Michael Dudok de Wit, Brent Green, Takashi Ishida, Susanne Jirkuff, William Kentridge, Avish Khebrehzadeh, Jochen Kuhn, Zilla Leutenegger, Arthur de Pins, Qubo Gas, Christine Rebet, Robin Rhode, Georges Schwizgebel, David Shrigley, Tabaimo, Naoyuki Tsuji, and Kara Walker.

SOFTCOVER. Zustand: As New. 1st Edition. Slim, large Quarto size (4to). in stiff card covers, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Large 4to. in stiff card covers, with glossy paper dust jacket, unpaginated, approx. 32pp on thick art paper, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (hint of tanning to leaves) in an almost AS NEW complete Dust Jacket (two very small chips to bottom edge of rear panel) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in colour printed stiff card covers, 50pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

softcover. Zustand: Sehr gut. 1.,. (48) S. Dt. / En. ISBN: 9783906163062 Sprache: Deutsch Gewicht in Gramm: 330.

First Edition. 27.5 x 23.5cm. Oblong paperback, unpaginated [approx. 60pp]. Includes original limited edition (out of 100) silkscreen print on card - a minimalist artwork of shades of grey and black - in rear pocket. The print consists on handmade printing ink from the five black pigments in the Slade Print Studios (details of its production are provided in a dedicated chapter). Inscribed on title page by contributor Jo Volley. Published to coincide with the artist Lisa Milroy's exhibition 'Ivory Lamp Mars Vine Bone' and its symposium in March and April 2012. A full colour showcase of the artist's work embracing paintings, the materiality of art, and conceptual fashion in the 'Wearable Paintings' series of dresses, shoes, etc. Covers chemistry of pigments, etc. - and associated themes incorporated in these artworks. Contents include the illustrated texts: 'A Single Colour' by Helen Baker (Professor of Fine Art, Northumbria University, Director of Gallery North), 'The Slade Material Research Project' by Jo Volley (Senior Lecturer, Slade School of Fine Art), 'Black and White Earth' by Onya McCausland (Honorary Research Assistant, Slade Material Research Project in Graduate Painting, UCL), 'Dark Matter Workshop' by Onya McCauseland & Jo Volley, 'Slade Silkscreen Print' by Onya McCauseland & Jo Volley, 'Black to Brown' by Jean E Brown (Senior Lecturer in Conservation, Northumbria University), 'Ideas in Touch with Matter: About graduate student Tiina Pyykkinen's Dark Matters' by Tarja Pitkanen-Walter (Professor of Painting, Finnish Academy of Fine Arts), 'The Chemistry of Production: The Curriculum of Painting Material Studies at the Finnish Academy of Fine Arts' by Malla Tallgren (Lecturer of Material Studies), 'A Very Short History of Shadow' by Riikka Stewen (Professor of Art History and Theory, Finnish Academy of Fine Arts), 'Ivory Lamp Mars Vine Bone' by Lisa Milroy (Head of Graduate Painting, Slade School of Fine Art, UCL). Very good condition.

202 pagina's, Hardcover, Nederlands/Engels, in goede staat, ill. in kleur / z/w., ISBN 9789077193266. De in Mechelen geboren kunstenaar Narcisse Tordoir ( 1954) herdenkt permanent de betekenis van schilderkunst. Al van de start van zijn artistieke carri re in 1976 kiest Tordoir voor een scherpe bevraging en een doorgedreven onderzoek van de schilderkunst. Deze zoektocht resulteert in een complex maar consequent oeuvre. Zijn werk laat zich niet terugvoeren tot een onveranderende en statische beeldtaal, maar is integendeel steeds op zoek naar nieuwe bronnen, andere mogelijkheden. Zijn recent werk bestaat uit composities, vaak op zeer groot formaat, waarin allerlei elementen en figuren samenkomen. Meestal ontstaan ze uit foto?s, tekeningen en zelfgemaakte ensceneringen in het atelier. In zijn schilderijen maakt hij ook onder meer gebruik van zeefdruktechnieken, airbrush en drippings, die samen een complex visueel spel cre ren. 1620 g.

No Binding. Zustand: Very Good. Original exhibition poster of London artists' collective. 32 x 67 cm , in very good condition. Lisa Milroy (born 16 January 1959 in Vancouver, British Columbia)[1] is an Anglo-Canadian artist known for her still life paintings of everyday objects. In the 1980s Milroy s paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of different series including landscapes, buildings and portraits.[1] As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting. ----- Zebedee Jones was born in London. He attended Camberwell College of Arts, Norwich University of the Arts and Chelsea School of Art and Design graduating in 1993. The following year Jones's paintings appeared in Unbound: possibilities in painting at the Hayward Gallery. His work is in several public collections including Tate, National Galleries of Scotland and the Arts Council of Great Britain Collection. Jones's work consists of monochrome abstracts, which have been described as adjacent to Neo-conceptual art or belonging to the Process Art tradition. However, above Jones is called one of a generation of artists who spearheaded a move away from conceptual, installation and video art in favour of a return to painting . His canvases are stretched over deep frames. The paint appears scraped on in layers, usually horizontal. The dragged surface of the canvas rather than being smooth has varying degrees of surface incident. Zebedee Jones lives and works in London. ------Michael Davis is a Los Angeles-based artist, working in the fields of drawings, sculptures, installation art and public art. He maintains a studio in San Pedro, California. He received a Masters in Fine Art from California State University, Fullerton, and he is a grant recipient from the National Endowment for the Arts, among others. His work is in museums, galleries across the United States. His significant body of public art is found in rail stations, public parks and civic buildings across the United States and in Japan. He is the co-author and subject of PROGRESS: In Search of the American Esthetic, an exhibition that features photographs, video projections, audio and ephemera documenting artists Michael Davis and Stephen Moore s cross-country trip by car from California to New York in 1970 and their subsequent trip traveling the same route in reversing, from New York to California.

No Binding. Zustand: Very Good. Original exhibition poster by Lisa Milroy. 31 x 66 cm, in very good condition. Lisa Milroy (born 16 January 1959 in Vancouver, British Columbia)[1] is an Anglo-Canadian artist known for her still life paintings of everyday objects. In the 1980s Milroy s paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded, which led to a number of different series including landscapes, buildings and portraits.[1] As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting. In 1977, aged 18, Milroy travelled to Paris and studied at the Paris-Sorbonne University.[2] In 1978 she moved to London for a foundation course at Saint Martin's School of Art and gained her BFA at Goldsmiths College, University of London in 1982.[2] Her first solo exhibition in 1984 was based on still life. In 1989 she won the John Moores Painting Prize.[3] Milroy has taught at the Slade School of Fine Art, London since 2009.[4] She gained election to membership of the Royal Academy of Arts in 2005. Milroy was appointed Artist Trustee of Tate from 2013-2017 and Liaison Trustee to the National Gallery from 2015 - 2017.[5] In 2015 Milroy set up Hands On Art Workshops, contributing to Vodafone Foundation and UNHCR s Instant Network Schools digital learning programme. Hands On Art Workshops engages primary and secondary school students in Kakuma Refugee Camp, Kenya in practical art workshops, which Milroy delivers from London through live interactive video conference sessions. Milroy travels to Kakuma Refugee Camp annually to deliver Hands On Art Workshops, working with UNHCR Kakuma.

[28] pp.; 21.7 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Periodical / zine published in conjunction with Amy Sillman exhibition titled "Transformer - or, how many lightbulbs does it take to change a painting?" held at Sikkema Jenkins Gallery, April 15 - May 15, 2010. Includes reproductions of work by Amy Sillman, Velimir Khlebnikov, Dieter Roth, Charles Peirce, Mike Smith, Picasso, Jasper Johns, Philip Guston, George Grosz, R.H. Quaytman, David Salle, Lisa Milroy, Claes Oldenburg, James Rosenquist, Palmer Hayden, Francis Picabia, George Clinton / P-Funk, and Christina Ramberg. Second printing does not include the Audio CD that was included in the first printing. Fine. As issued. Does not include folded poster, it is unclear if the second edition included the folder poster or not.