lin bloomfield (35 Ergebnisse)

22.0 x 17.0cms 150pp b/w & some colour illusts. paperback. Bloomfield's introduction states: "this book while briefly discussing every aspect of [Lindsay's] work and endeavouring to indicate the scope and breadth of his genius is also very much a 'family' book; 'family' in the sense that while many of the contributors were his friends relatives or associates all of them in fact relate in that capacity to either the Lindsay family or myself.My aim has been to reveal as much as possible of the man himself: down to earth shunning hypocrisy and humbug impatient with pretension.

23.0 x 17.0cms 150pp b/w & Some Colour Illusts fine paperback Bloomfield's introduction states: "this book while briefly discussing every aspect of [Lindsay's] work and endeavouring to indicate the scope and breadth of his genius is also very much a 'family' book; 'family' in the sense that while many of the contributors were his friends relatives or associates all of them in fact relate in that capacity to either the Lindsay family or myself.My aim has been to reveal as much as possible of the man himself: down to earth shunning hypocrisy and humbug impatient with pretension.

23.0 x 17.0cms 150pp b/w & Some Colour Illusts fine paperback Bloomfield's introduction states: "this book while briefly discussing every aspect of [Lindsay's] work and endeavouring to indicate the scope and breadth of his genius is also very much a 'family' book; 'family' in the sense that while many of the contributors were his friends relatives or associates all of them in fact relate in that capacity to either the Lindsay family or myself.My aim has been to reveal as much as possible of the man himself: down to earth shunning hypocrisy and humbug impatient with pretension.

23.0 x 17.0cms 150pp b/w & Some Colour Illusts fine paperback Bloomfield's introduction states: "this book while briefly discussing every aspect of [Lindsay's] work and endeavouring to indicate the scope and breadth of his genius is also very much a 'family' book; 'family' in the sense that while many of the contributors were his friends relatives or associates all of them in fact relate in that capacity to either the Lindsay family or myself.My aim has been to reveal as much as possible of the man himself: down to earth shunning hypocrisy and humbug impatient with pretension.

23.0 x 17.5cms 224pp b/w illusts. (author's signature) This book has two parts: Part I covers Lindsay's work at Creswick Melbourne Sydney Europe Springwood and the Bridge Street studio. Part II has the single figure nudes portraits drawings for works on paper; drawings for etchings; drawings for watercolours and drawings for compositions in oil.

30.0 x 21.0cms 80pp b/w & colour illusts very good+ hardcover & dustwrapper (no 184 of a trade ediiton of 840 copies) Born in 1901 Brown was Queensland's 'first modern painter'. He studied at the Slade and at the Ruskin School of Drawing taught In Queensland England and Wales exhibited in Sydney & Brisbane.

30.0 x 21.0cms 80pp b/w & colour illusts very good+ hardcover & dustwrapper (no 791 of a trade ediiton of 840 copies) Born in 1901 Brown was Queensland's 'first modern painter'. He studied at the Slade and at the Ruskin School of Drawing taught In Queensland England and Wales exhibited in Sydney & Brisbane.

30.0 x 21.0cms 80pp b/w & colour illusts very good+ hardcover & dustwrapper (no 888 of a trade ediiton of 840 copies) Born in 1901 Brown was Queensland's 'first modern painter'. He studied at the Slade and at the Ruskin School of Drawing taught In Queensland England and Wales exhibited in Sydney & Brisbane.

Hard Cover. Zustand: VG+. Zustand des Schutzumschlags: VG. First Edition. VG+/VG. 4to. original brown cloth gilt (a trifle rubbed & marked, slight spotting to outer leaves) in dustwrapper (a little rubbed and sunned, slightly nickedl); pp. 80, with illustrations. No. 387 of a limited edition of 1000 numbered copies. A very good copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Limited Edition. This signed limited edition copy is in very good condition with a good unclipped dust jacket. Creasing to the edge of the jacket and a small nick. This is copy 477 of 1000 printed. Signed with an inscription by the author on the title page. A very good clean copy. Signed by Author(s).

224pp. 4to. Original boards in dustwrapper. B/w reproductions. A fine copy. . First edition.

Soft cover. Zustand: Very Good. 2nd Edition. A very good unmarked copy. **PLEASE NOTE** that there may be a surcharge to pay for international postage (at cost) on this item: we'll advise you of the amount when you order, and you will have the option of accepting or cancelling at that point.

Hardcover. Zustand: Fine. No Jacket. 1st Edition. This scarce first edition is in fine condition without dust jacket as issued. An excellent clean copy.

30.0 x 22.0cms 176pp 36 b/w & 9 Colour Illusts very good+ hardback & dustwrapper Hinder was a pioneer of Australian abstractionism and modern art. This book covers the lithographs he produced between 1939-1961 and includes Hinder's own essay: 'My Experiences In Lithography'.

Hardcover. Zustand: As New. 1st Edition. By Lin Bloomfield. 306 pages, 423 illustrations, Quarto (4to), hardcover, decorative boards. This is the catalogue raisonne of the Australian artist Norman Lindsay's etchings, an extensive biography coving the published and unpublished etchings. Very good condition, unsold inventory of an old bookstore. Inventory #12632.

Hardcover. Zustand: Very good +. First edition. SIGNED. 335pp. Quarto [30.5 cm] Shiny pictorial paper over boards. The front board is just a little bit dinged along the bottom edge. May require extra postage due to weight. With 367 pencil drawings dating from 1889 to 1969. A collection which traces Lindsay's artistic development through his pencil drawings, the only medium in which it is possible to do this. The artist's love affair with the pencil lasted from early childhood until a year or so prior to his death. Signed by Lin Bloomfield on the title page.

Zustand des Schutzumschlags: Near Fine. 32.0 x 25.0cms 480pp b/w & colour illusts hardback & dustwrapper The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography.

32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper (author's inscription: Helen Glad's signature) The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography.

32.0 x 25.0cms 480pp b/w & colour illusts fine hardback & dustwrapper The contents cover: the Mitchell Library folios & copper plates; Norman & Rose; unpublished etchings; etched bookpltes; books illustrated with original etchings; notes on the unpublished etchings catalogue raisonne; unpublished etchings catalogue raisonne; published etchings; notes on the published etchings catalogue raisonne; published etchings catalogue raisonne; galleies exhibitions & reviews; sales & marketing; facsimile etchings; glossary of etching terms; selected exhibitions; private collections; selected bibliography.

hardcover. Zustand: Very Good.

Norman Lindsay (illustrator). A rare volume in highly collectable condition. Limited First edition, signed and numbered by author to front limitation page, 107 of 550. Bungendore: Odana Editions, 2003. Large 4to. Original full slate Morocco hardcover in like slipcase. Pages: [vi], 312. Bound in fine full slate Morocco. Housed in like slipcase. Lettering on cover and spine stamped in silver. Fine in fine slipcase. Extremely well preserved. Some very minor rubbing at edges of slipcase. Otherwise, book is in fine condition. All contents present, bright, clean, and fresh. The definitive volume on Lindsay's watercolour paintings. A comprehensive volume showcasing 135 watercolour illustrations by Norman Lindsay. Provides a chronological survey of Norman Lindsay's watercolour works from 1897 to 1969. The watercolours are drawn from multiple public galleries and private collections across the states and territories of Australia. They reflect Lindsay's diverse sources of inspiration, from Greek and Roman mythology, to the bible, piracy, and his own imagination. Lin Bloomfield is a renowned expert on Lindsay's works, with a long association with the Lindsay family going back to the 1960s. This deluxe edition was limited to 550 signed and numbered copies. Of this, only 500 copies were made available for sale.

Sydney : The Bloomfield Galleries, 1987. Folio, illustrated wrappers, light handling marks, pp. 24, illustrated.

, 156 pages, signed by the artist on the title page, black and white and coloured illlustrations throughout First Edition , light rubbing to top and tail of boards, some foxing to boards and top edge, pages clean, book in good condition , sunning to spine and margins of dustwrapper, very good condition , cream cloth, gilt titles to spine, coloured endpapers , 30 cm x 23 cm Hardback SIGNED by the artist ISBN:

30.0 x 22.0cms 176pp 36 b/w & 9 Colour Illusts very good+ hardback & dustwrapper (artist's signature) Hinder was a pioneer of Australian abstractionism and modern art. This book covers the lithographs he produced between 1939-1961 and includes Hinder's own essay: 'My Experiences In Lithography'.

Zustand: Very good. First Edition. This is the standard work on the artist by the well-known Sydney gallery owner. Limited edition of 184 copies, inscribed 'artists copy' and signed by Davies on the limitation page. Quarto, original burnt umber cloth with matching slipcase, illustrated throughout, with an original signed wood engraving by Davies titled 'Forest Lovers' - 32/50 - as frontispiece.

Hardcover. Zustand: Fine. 1st Edition. Quarto, profusely illustrated; original burgundy leather in matching slipcase. De Luxe Edition limited to 550 copies signed by the editor Lin Bloomfield and the artist's daughter Helen Glad, and with a facsimile etching tipped-in. We will advise postage costs and delivery times, which will vary from those quoted by ABE. Signed by Author(s).

Hardcover. Zustand: Near fine. First Edition. Bungendore, Odana Editions, 2003. Large quarto, [xii], 315 pages with numerous illustrations ('over 160 watercolours in all and over 120 works in other media') with a tipped-in frontispiece (a large colour photographic print of 'The Presentation', 269 × 206 mm). Full grey calf lettered in silver on the spine and front cover; short crease to the inside bottom corner of the frontispiece; trifling production flaw to one opening (pages 200-201); a near-fine copy with the plain cloth slipcase (the cloth now a little mottled). The 135 watercolours featured 'in this volume are a chronological survey of Norman Lindsay's work in the medium from 1897 when he was eighteen years old to 1969 when he died at the age of ninety. Where my research has found other works relating in any way to the 135 featured watercolours . they have also been reproduced, and in some cases works in other media with the same title but unrelated to the watercolour have been reproduced for clarification purposes. There are over 160 watercolours in all and over 120 works in other media' (Author's Notes). 'This De Luxe Edition, limited to 550 signed and numbered copies of which 500 are for sale, contains a photograph of the watercolour "The Presentation"'; this is copy number 104, signed by Lin Bloomfield.

Bungendore: Odana Editions, 2008. Quarto, pictorial boards, 335 pages, profusely illustrated; a fine second hand copy with previous owner's blind stamp to front free endpaper. During his long creative life Norman Lindsay produced works in many media, but pencil was the only one he used continuously from childhood to old age. The earliest drawing reproduced in this book was done in 1889, when he was ten years old; the latest, in 1969, the year he died at the age of ninety. These drawings, spanning eighty years of creative development, enable the reader to trace the evolution of Lindsay?s style throughout his life.

Bungendore: Odana Editions, 2008. Quarto, pictorial boards, 335 pages, profusely illustrated; new copy. During his long creative life Norman Lindsay produced works in many media, but pencil was the only one he used continuously from childhood to old age. The earliest drawing reproduced in this book was done in 1889, when he was ten years old; the latest, in 1969, the year he died at the age of ninety. These drawings, spanning eighty years of creative development, enable the reader to trace the evolution of Lindsay?s style throughout his life.

Bungendore : Odana Editions, 2001. Quarto, laminated boards (spine slightly faded), pp. x; 380, illustrated, collector's blind stamp to endpaper. Edition of 1000 copies. Rose Lindsay's memoirs Ma and Pa: My Childhood Memories and Model Wife: My Life with Norman Lindsay were first published in 1963 and 1967 respectively and both are now rare books Here for the first time they are published in one volume, Rose Lindsay: A Model Life.In Ma and Pa, Rose, in effect, writes a history of the Sydney suburb of Longueville during the 1890s and early 1900s. The book is peopled with unforgettable real-life characters and illustrated with Rose's own quirky pen and ink illustrations. Funny and touching, Ma and Pa is the warm-hearted story of one family's life in Sydney, the constant struggle for survival and the resilience of Ma who kept an ever watchful eye on her brood of nine children. Model Wife traces Rose through her early modelling days, her meeting with Norman Lindsay, their life together in Sydney and Springwood and their travels to England and America. Apart from the intimate details of Rose's life with Norman, this book is peppered with the artistic and literary figures of the day: among others Dame Nellie Melba, Anna Pavlova, Fritz Kreisler, Julian Ashton, Elioth Gruner, Hans Heysen, Miles Franklin, H. G. Wells, Fanny Hurst, Edna Ferber and Frank Lloyd Wright. Rose emerged from humble beginnings to become a woman of style and substance with enormous strength of character. She was model and wife of Norman Lindsay (one of Australia's most controversial and best known artists), master printmaker, business woman and mother of two. Rose Lindsay should rightfully be regarded as one of the outstanding female personalities of twentieth century Australia. A Model Life is packed with wonderful stories from the past, richly illustrated and written with Rose's dry sense of humour and irrepressible joie de vivre.