lightman a (50 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Zustand: Very Good. Zustand des Schutzumschlags: None. Cover story: The Photography of "Patton". Also, very early article on IMAX.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780192627667.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0727912038.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade Paperback. Zustand: Very Good. Zustand des Schutzumschlags: None. Cover story: On Location with The Deep.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Brand New. 40 pages. 11.02x9.84x0.39 inches. In Stock.

Softcover. Zustand: Bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0674644700.

Paperback. Zustand: Brand New. reprint edition. 179 pages. 6.50x4.75x0.75 inches. In Stock.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Fine.

Zustand: Good. Good condition. Volume 56, No. 4. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years. (periodicals, film ).

paperback. Zustand: Good.

Magazine. Zustand: Very Good. (Vol. 48, No. 11). [moderate edgewear to covers, minor deterioration along spine, light discoloration around edges of rear cover]. (B&W and color photographs, ads) Feature articles in this issue include: the cover story, examining "how M-G-M Studios Laboratory and Sound technicians overcame all-but-impossible technical odds to create 'fully dimensional' version" of GWTW for its then-current re-release (which no doubt seemed like an amazing feat at the time, although viewed in a somewhat different light was a desecration); "The Challenges of Filming Commercials for Color TV"; a behind-the-scenes production report on filming puppets for the British TV series THE THUNDERBIRDS; an article about a UCLA film student who got a job filming a kayaking expedition along the coast of Japan; "More Facts About Vidtronics," a color tape-to-film transfer process; "How Cinematography is Used to Monitor the Apollo 4 Moon Shot.

Magazine. Zustand: Very Good+. (Vol. 60, No. 6). [light external wear, original subscriber's mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. This issue features an article on the production of Terrence Malick's DAYS OF HEAVEN (written by its d.p., the great Nestor Almendros) and two articles about the Frank Lagella-starring DRACULA (directed by John Badham, shot by Gilbert Taylor). In the "60th Anniversary" theme, there is a historical survey of the ASC and an additonal article about the history of its distinctive Hollywood clubhouse. Finally, there are articles about the shooting of two documentaries: ROCKY MOUNTAIN REUNION, an ABC-TV special starring John Denver, and THE CHESSIE STEAM SPECIAL, a filmed celebration of the 150th anniversary of the Baltimore & Ohio Railroad. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Magazine. Zustand: Very Good+. (Vol. 59, No. 1). [covers moderately rubbed, a bit of scarring and paper remnants on rear cover (probably from removal of subscriber's mailing label), light soiling to rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. Virtually the entirety of this issue is devoted to the production of the film CLOSE ENCOUNTERS OF THE THIRD KIND, with the magazine's usual "behind the scenes" feature accompanied by articles by cinematographer Vilmos Zsigmond, production designer Joe Alves, supervising sound editor Frank Warner, producers Julia and Michael Phillips, director Steven Spielberg (writing about the production's "unsung heroes"), visual effects supervisor Douglas Trumbull. There's also a lengthy interview with Spielberg, and all of this material is of course profusely illustrated. One of the more sought-after and collectable issues of A.C. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Paperback. Zustand: Good.

Magazine. Zustand: Very Good+. (Vol. 49, No. 3). [modest edgewear to covers, tiny tear and associated horizontal crease at top of front cover, minor scarring and residue on rear cover from removal of mailing label]. (B&W and color photographs) The cover story is "Creating the 'Psychedelic' visual effects for 'THE TRIP'," explaining how "translation into cinematic terms of the far-out hallucinations inducted by LSD required skilled application of intricate 'light show' and optical technology." Also in this issue: an article lauding the achievements of ASC Associate Member Kemp R. Niver in re-photographing the Library of Congress paper prints onto 16mm film, using a process of his own devising, for which he was awarded an Honorary Oscar in 1955. (Ironically, however, with ever-evolving and improving technology in the world of film preservation, Niver's work eventually came to be regarded as substandard, and in the 1990s the Library of Congress began a project to re-photograph the entire Paper Print Collection onto 35mm film.).

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780226276502.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780226276502.

Magazine. Zustand: Very Good+. (Vol. 60, No. 8). [moderate wear along spine, slight bumping to corners, faint rubbing to front cover, subscription mailing label on rear cover]. (B&W & color photographs, ads) Monthly magazine of the American Society of Cinematographers, a very technically-oriented publication with plenty of information (articles and advertisements) related to the latest equipment, technical processes and production techniques then in use in the Hollywood motion picture industry. A substantial part of this issue is devoted to the production of Ridley Scott's ALIEN, with a general "behind the scenes" feature plus separate articles by Scott, cinematographer Derek Vanlint, and production designer Michael Seymour. Also in this issue: an article about the creation of the special visual effects for THE CONCORDE--AIRPORT '79, by Abe Milrad; an interview with director Bob Giraldi and cinematographer Eddie Barnett about their "formula for creating award-winning TV commercials"; an article by Tom Frei about techniques for filming tracking shots inside a moving automobile; an article by Stanley Mindel about filming in London's East End; and an account of a visit paid to the film industry in China by a delegation of American film technicians. (We have numerous other issues of this and other film-related periodicals that are not listed online; please inquire if you have particular needs or wants.).

Zustand: New. pp. 648.

Zustand: NEW.

Zustand: New. In.