Leyton michael (27 Ergebnisse)

Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies--in perception, linguistics, art, and even political subjugation--that support these rules.Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory.Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation.…

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Zustand: New. pp. 93 39 Figures, Illus.

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Zustand: Very Good. : En este libro, Michael Leyton explora la relación psicológica entre la forma y el tiempo, argumentando que la mente utiliza la forma para recuperar el pasado y, por lo tanto, constituye una base para la memoria. El autor presenta un sistema de reglas mediante el cual se lleva a cabo la conversión a la memoria y presenta varios estudios de casos detallados en percepción, lingüística, arte e incluso subyugación política que respaldan estas reglas. Leyton observa que la mente asigna a cualquier forma una historia causal que explica cómo se formó la forma. Al reducir el estudio de la forma al estudio de la simetría, muestra que la simetría es crucial para nuestro procesamiento cognitivo cotidiano. EAN: 9780262621311 Tipo: Libros Categoría: Filosofía|Ciencias Título: Symmetry, Causality, Mind Autor: Michael Leyton Editorial: MIT Press Idioma: en Páginas: 630 Formato: tapa blanda.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. In English.

Zustand: Very Good.

Broschiert. Zustand: Gut. 554 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 840. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Michael Leyton has developed new foundations for geometry in which shape is equivalent to memory storage. A principal argument of these foundations is that artworks are maximal memory stores. The theory of geometry is developed from Leyton's fundamental laws of memory storage, and this book shows that these laws determine the structure of paintings. Furthermore, the book demonstrates that the emotion expressed by a painting is actually the memory extracted by the laws. Therefore, the laws of memory storage allow the systematic and rigorous mapping not only of the compositional structure of a painting, but also of its emotional expression. The argument is supported by detailed analyses of paintings by Picasso, Raphael, Cezanne, Gauguin, Modigliani, Ingres, De Kooning, Memling, Balthus and Holbein.…

Zustand: New. In English.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The purpose of this book is to develop a generative theory of shape that has two properties we regard as fundamental to intelligence -(1) maximization of transfer: whenever possible, new structure should be described as the transfer of existing structure; and (2) maximization of recoverability: the generative operations in the theory must allow maximal inferentiability from data sets. We shall show that, if generativity satis es these two basic criteria of - telligence, then it has a powerful mathematical structure and considerable applicability to the computational disciplines. The requirement of intelligence is particularly important in the gene- tion of complex shape. There are plenty of theories of shape that make the generation of complex shape unintelligible. However, our theory takes the opposite direction: we are concerned with the conversion of complexity into understandability. In this, we will develop a mathematical theory of und- standability. The issue of understandability comes down to the two basic principles of intelligence - maximization of transfer and maximization of recoverability. We shall show how to formulate these conditions group-theoretically. (1) Ma- mization of transfer will be formulated in terms of wreath products. Wreath products are groups in which there is an upper subgroup (which we will call a control group) that transfers a lower subgroup (which we will call a ber group) onto copies of itself. (2) maximization of recoverability is insured when the control group is symmetry-breaking with respect to the ber group.…

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Process Grammar: The Basis of Morphology | Michael Leyton | Taschenbuch | xviii | Englisch | 2014 | Humana | EAN 9781489992611 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Leyton's Process Grammar has been applied by scientists and engineers in many disciplines including medical diagnosis, geology, computer-aided design, meteorology, biological anatomy, neuroscience, chemical engineering, etc. This book demonstrates the following:The Process Grammar invents several entirely new concepts in biological morphology and manufacturing design, and shows that these concepts are fundamentally important. The Process Grammar has process-inference rules that give, to morphological transitions, powerful new causal explanations. Remarkably, the book gives a profound unification of biological morphology and vehicle design. The book invents over 30 new CAD operations that realize fundamentally important functions of a product. A crucial fact is that the Process Grammar is an example of the laws in Leyton's Generative Theory of Shape which give the ability to recover the design intents for which the shape features of a CAD model were created. The book demonstrates that the Process Grammar recovers important design intents in biological morphology and manufacturing design. In large-scale manufacturing systems, the recovery of design intents is important for solving the interoperability problem and product lifecycle management. This book is one of a series of books in Springer that elaborates Leyton's Generative Theory of Shape. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Leyton's Process Grammar has been applied by scientists and engineers in many disciplines including medical diagnosis, geology, computer-aided design, meteorology, biological anatomy, neuroscience, chemical engineering, etc. This book demonstrates the following:The Process Grammar invents several entirely new concepts in biological morphology and manufacturing design, and shows that these concepts are fundamentally important. The Process Grammar has process-inference rules that give, to morphological transitions, powerful new causal explanations. Remarkably, the book gives a profound unification of biological morphology and vehicle design. The book invents over 30 new CAD operations that realize fundamentally important functions of a product. A crucial fact is that the Process Grammar is an example of the laws in Leyton's Generative Theory of Shape which give the ability to recover the design intents for which the shape features of a CAD model were created. The book demonstrates that the Process Grammar recovers important design intents in biological morphology and manufacturing design. In large-scale manufacturing systems, the recovery of design intents is important for solving the interoperability problem and product lifecycle management. This book is one of a series of books in Springer that elaborates Leyton's Generative Theory of Shape. …

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 564 | Sprache: Englisch | Produktart: Bücher | Leyton's Process Grammar has been applied by scientists and engineers in many disciplines including medical diagnosis, geology, computer-aided design, meteorology, biological anatomy, neuroscience, chemical engineering, etc.  This book demonstrates the following:The Process Grammar invents several entirely new concepts in biological morphology and manufacturing design, and shows that these concepts are fundamentally important. The Process Grammar has process-inference rules that give, to morphological transitions, powerful new causal explanations.  Remarkably, the book gives a profound unification of biological morphology and vehicle design. The book invents over 30 new CAD operations that realize fundamentally important functions of a product. A crucial fact is that the Process Grammar is an example of the laws in Leyton's Generative Theory of Shape which give the ability to recover the design intents for which the shape features of a CAD model were created. The book demonstrates that the Process Grammar recovers important design intents in biological morphology and manufacturing design. In large-scale manufacturing systems, the recovery of design intents is important for solving the interoperability problem and product lifecycle management. This book is one of a series of books in Springer that elaborates Leyton's Generative Theory of Shape.…

Zustand: New. In English.

Zustand: gut. 2001. A Generative Theory of Shape Lecture Notes in Computer Science, 2145 In deutscher Sprache. pages.

Hardcover. Zustand: Brand New. 544 pages. 9.25x6.25x1.50 inches. In Stock.

Paperback. Zustand: Brand New. 558 pages. 9.26x6.11x1.26 inches. In Stock.

Revised Draft script for the 1966 British film, copy belonging to Art Director George Provis, with his name written on the top of the title page, and manuscript pencil and marker annotations on nearly every page, with clippings of the shooting schedule and set requirements frequently affixed to the verso of the opposing page, and two pencil illustrations of the house and cottage from the film on the verso of the last page. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Michael Parks stars as an arrogant young art student who seduces the overprotective mother of his friend, played by a stunning Jennifer Jones. Shot on location in Middlesex and London. Purple untitled wrappers with a die-cut window in the British style. Title page present, dated 16 July, 1965, noted as Revised Screenplay, with credits for screenwriter Millard Lampell. 117 leaves, with last page of text numbered 109. Mimeograph duplication, rectos only, with blue, pink, and goldenrod revision pages throughout, dated variously between 14 September 1965 and 31 August 1965. Unbound as issued. Pages Near Fine, wrapper Near Fine.…