Lewitt maria (9 Ergebnisse)

Soft cover. Zustand: Near Fine. 1st Edition. Likely First Edition, 2006. Clean and tightly bound with fine plates and contents. Very faint erasure on the front free endpaper, otherwise fine. English/Italian text.

xvi+270pp. 8vo. Original wrappers. As new.

[viii]+269pp. 8vo. Original boards in dustwrapper. A near fine copy. First edition.

[viii]+269pp. 8vo. Original boards in dustwrapper. Indentation to prelims. A near fine copy. First edition. Signed and dated by Author.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. 1ª Edición. 191 pp. with 150 plates in color and b&w and additional b&w illustrations.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

Accame, Giovanni Maria and Ester Coen. SOL LEWITT: Wall Drawings allo Studio G7. 102 pp., roughly 24 color and 40 b&w illustrations. 4to, wraps. Bologna, Damiani Editore, 2006. This book tracks the creation of one recent work, beginning with the sparest of plans, continuing through to a schematic drawing on the wall, then figures on stepladders drawing intently. Text in English and Italian.…

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the descri.…