Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
EUR 39,57
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: University of California Press, 2003
ISBN 10: 0520239296 ISBN 13: 9780520239296
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Revised, Expanded. Minor shelf wear. Else a bright, clean copy. Beginning with the arts produced in the Colonial period, Dr. Lewis documents and interprets the flow of creative productions of an important segment of the American population. Her book shows that the range of art produced by African American artists covers the entire spectrum of craft productions through painting, sculpture, and printmaking. There is a progressive development of style that not only reflects the trends in particular periods, but reveals an evolving pattern of indigenous qualities that are distinct. The art community in general and the African American community in particular are fortunate to have Dr. Samella Lewis, for she has developed unusual authority in the area of African American art. I know that African American Art and Artists will be of great value educationally and that it will offer a stimulating and rewarding experience to all who have the opportunity to share in its contents.--Jacob Lawrence.
Anbieter: Books From California, Simi Valley, CA, USA
Signiert
paperback. Zustand: Very Good. Signed. Inscribed and dated by the author.
EUR 144,55
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. revised expanded edition. 340 pages. 11.75x9.00x1.25 inches. In Stock.
Verlag: Contemporary Crafts, 1976
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Good.
Verlag: Contemporary Crafts, Los Angeles, 1971
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First edition, clothbound issue. Volume 2 only. Small quarto. xii, 140pp. Heavily illustrated in color and black and white. Fine in rubbed and price-clipped, very good dust jacket with a couple of tiny nicks. Features work, text, and a portrait of over 70 African-American artists, as well as brief biographical sketches. The clothbound issue is very uncommon.
Verlag: (Contemporary Crafts Publishers), (Los Angeles), 1971
Anbieter: Type Punch Matrix, Silver Spring, MD, USA
Signiert
Zustand des Schutzumschlags: dj. First printing. First editions (both) of the complete two-volume set, inscribed by editor Samella Lewis to contributor and noted Harlem Renaissance artist Loïs Mailou Jones. Self-published in 1969, this "influential" (Jo-Ann Morgan) Black Arts Movement visual anthology was the brainchild of editors Lewis and Waddy, along with E.J. Montgomery. It was dedicated to "the unique vision of African American artists the need for the mainstream to expand notions of aesthetic beauty," a project that eventually grew into the magazine BLACK ART, the "first periodical devoted to African American and African Diaspora artists" (Jones 56-7). This set is inscribed to contributor Loïs Mailou Jones (Lois Jones Pierre-Noel), whose work appears on pages 97-8 of the first volume. Jones's work is in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Hirshhorn, the Brooklyn Museum, the Museum of Fine Arts, and The Phillips Collection. Other noted contributors include: Betye Saar, Jacob Lawrence, and Elizabeth Carlett, among more than 100, predominately West Coast artists. As the 2022 exhibition at the Crocker Art Museum based on BLACK ARTISTS attested: "BLACK ARTISTS ON ART brought attention to the many notable Black artists who were neglected or overlooked by the mainstream art world. More than 50 years later, [the book] is foundational to the arts community, acting as a record of the collaborative effort of Black artists throughout the country to unite and discuss their work." An important association of this uncommon and historic collection. Two volumes; 10.25'' x 7''. Original full dark-grey cloth, both. In original unclipped ($14.50 and $12.50 respectively) color photographic jackets. xi, 132, [1]; xii, 140 pages. Loosely laid in are a promotional brochure for Volume 1, as well as an invitation to a 1977 Studio Museum exhibition of Black artists. Inscribed by editor Lewis on the front endpaper of Volume I: "Many thanks / for your contribution / Samella Lewis / 1969." Contributor Loïs Mailou Jones's copies, with her Cranston King-designed pictorial bookplates to the front pastedowns of each volume, and her ownership signature to the front free endpaper of Volume 2. Volume 1 jacket with several closed tears and one tape repair to verso. Some creasing, rubbing. Minor edgewear to jacket of Volume 2. Order form for the book taped to rear pastedown of Volume 1. Faint toning internally. Touches of shelfwear overall. Else clean and sound. Very good plus in very good jackets. Signed.
Verlag: Contemporary Crafts, Los Angeles, CA, 1971
Anbieter: Capitol Hill Books, ABAA, Washington, DC, USA
Erstausgabe
Zustand: Very Good. Los Angeles, CA: Contemporary Crafts, 1971. First Edition, Wrapper Issue. Large octavo; publisher's black photo-illustrated card wrappers; 140pp.; illus. throughout, many full color. Wrappers rather rubbed and a bit wrinkled with small chip at top fore-edge corner of upper cover, else Very Good, internally clean and sound. The second volume of this important anthology of prominent contemporary Black artists, including profiles of Jacob Lawrence, Elizabeth Catlett, and many others.