Sprache: Englisch
Verlag: University of Hawai'i Press, 2017
ISBN 10: 0824858050 ISBN 13: 9780824858056
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In den WarenkorbZustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Sprache: Englisch
Verlag: Princeton University Press, 2013
ISBN 10: 0691156530 ISBN 13: 9780691156538
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In den WarenkorbHardcover. Zustand: Good. Corner bumped, else Fine. 335 pages : illustrations (some colour) ; 31 cm Contents: Picturing the tale of Genji -- Vision/practice -- The body -- Picturing the world -- Combinatory visual cultures -- Vision/history.
Sprache: Englisch
Verlag: MP-HAW University of Hawai'i, 2017
ISBN 10: 0824858050 ISBN 13: 9780824858056
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In den WarenkorbHardcover. Zustand: Brand New. 384 pages. 10.50x7.50x1.50 inches. In Stock.
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In den WarenkorbHardcover. Zustand: Brand New. 384 pages. 10.50x7.50x1.50 inches. In Stock.
Sprache: Englisch
Verlag: University of Hawai'i Press, 2017
ISBN 10: 0824858050 ISBN 13: 9780824858056
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2017. hardcover. . . . . . Books ship from the US and Ireland.
Zustand: New. Über den AutorGregory P. A. Levine is professor of the art and architecture of Japan and Buddhist visual cultures at the University of California, Berkeley.KlappentextPresents the first critical analysis .
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EUR 108,54
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In den WarenkorbHardcover. Zustand: Brand New. 384 pages. 11.90x1.50x8.80 inches. In Stock.
Sprache: Englisch
Verlag: University Of Hawaii Press Sep 2017, 2017
ISBN 10: 0824858050 ISBN 13: 9780824858056
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar "Zen boom." Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey's modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over "timeless" visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art's design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by "discourse analysis," moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenthearly twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our "Zenny zeitgeist," such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen's value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of "Zen influence," and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others.
Zustand: Muy buen estado. Tela con sobrecubierta Cuarto. En inglés. 328 pp. University of Hawaii Press, 2017. Orientalismo. Budismo zen.