Verlag: J. & J. Boydell September 29, 1799, London, 1799
Anbieter: William Chrisant & Sons, ABAA, ILAB. IOBA, ABA, Ephemera Society, Fort Lauderdale, FL, USA
Erstausgabe
William Satchwell Leney, After: John Graham (illustrator). First Edition. Stipple etching of Othello looking over Desdemona while she sleeps. Originally from "A Collection of Prints, from pictures painted for the purpose of illustrating the dramatic works of Shakespeare, by the artists of Great Britain," 1803 published by Boydell. Hinge matted to white mat board. Light foxing to print, otherwise paper is bright and clean. Closed tear to bottom left edge of print, although not effecting any printed material. Mat: 23.5 x 29.5 inches; Window: 17 x 23 inches; Print: 20.25 x 26.75 inches.
Verlag: London John and Josiah Boydell . 1803., 1800
Anbieter: Robert Frew Ltd. ABA ILAB, London, Vereinigtes Königreich
Kunst / Grafik / Poster
EUR 356,39
Anzahl: 1 verfügbar
In den WarenkorbOriginal copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). Light foxing to outer edges of margins, 16cm tear along plate mark, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).