Leman joy (11 Ergebnisse)

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Neu. Neuware - J'ai toujours eu du mal à parler, à dire ce que mon coeur veut révéler. À l'intérieur, un volcan qui ne cesse de frissonner, un vide infini que rien ne peut combler. Alors j'écris, pour que mes mots prennent leur envol, pour que mes silences s'éclairent sous ce rôle. Des bribes de vies, des éclats d'amour, des instants brûlants, des rires, des détours. Des rencontres folles, douces ou tempétueuses, des âmes croisées, parfois silencieuses. Des murmures volés, des passions éclatantes, des histoires qui s'emmêlent, infiniment dansantes. Chaque page est un souffle, un frisson, un secret, un miroir où l'on se cherche, où l'on se tait. La vie suit son cours, implacable et souveraine. Mais ici, dans ces vers, tout renaît, tout s'emmène. La valse des coeurs n'est pas un simple recueil. C'est un chemin d'âme où chacun se construit. Une invitation à sentir, à vibrer, à aimer, à reconnaître, peut-être, ce que l'on a toujours cherché. Joy Leman est une auteure genevoise qui explore l'écriture avec une impétueuse curiosité, mêlant souvenirs intimes et récits universels pour sublimer les passions vécues et les émotions, perdues ou nouvelles. À trente ans, elle fait de la publication de La valse des coeurs l'accomplissement d'un de ses trente voeux à réaliser, poursuivant son chemin d'écriture, guidé par l'élan du coeur. La poésie, héritage maternel, se révèle pour elle être une langue secrète où son âme se dévoile et s'émerveille.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. This juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding television field in Britain and France during the 1950s and 1960s. The post WW2 era marked a substantial shift in socio-political structures and organisation in both countries within a context of change and possibilities for innovative approaches. This study reveals internal struggles within the French and British institutions controlling broadcasting as crucial determinants in the background decision making which constitutes the focus of the study. Analysis of those events indicates how creative initiatives with a social class perspective can penetrate the threads of communication control in a new system, prior to the consolidation of all the determinants of prevalent bureaucratic structures. This book foregrounds how socially conscious communication practitioners deployed methods intended to retain control of style and meaning in productions in the face of management scepticism and, in some cases, direct interference. The text draws upon oral history contributions plus research documentation and archive material from within the Institutions. Case studies are presented across national and cultural boundaries. These are reinforced by authentic voices and testimonies from personal interviews which I carried out with directors and writers in both Britain and France. The book provides a unique insight into active engagement, and socio/political judgements used by writers, editors, producers, and directors in reaching out to what was a rapidly expanding audience.…

Hardback. Zustand: New. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. This juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding television field in Britain and France during the 1950s and 1960s. The post WW2 era marked a substantial shift in socio-political structures and organisation in both countries within a context of change and possibilities for innovative approaches. This study reveals internal struggles within the French and British institutions controlling broadcasting as crucial determinants in the background decision making which constitutes the focus of the study. Analysis of those events indicates how creative initiatives with a social class perspective can penetrate the threads of communication control in a new system, prior to the consolidation of all the determinants of prevalent bureaucratic structures. This book foregrounds how socially conscious communication practitioners deployed methods intended to retain control of style and meaning in productions in the face of management scepticism and, in some cases, direct interference. The text draws upon oral history contributions plus research documentation and archive material from within the Institutions. Case studies are presented across national and cultural boundaries. These are reinforced by authentic voices and testimonies from personal interviews which I carried out with directors and writers in both Britain and France. The book provides a unique insight into active engagement, and socio/political judgements used by writers, editors, producers, and directors in reaching out to what was a rapidly expanding audience.…

Hardcover. Zustand: Brand New. 194 pages. 9.61x6.70x9.61 inches. In Stock.

Zustand: NEW.

Hardback. Zustand: New. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. This juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding television field in Britain and France during the 1950s and 1960s. The post WW2 era marked a substantial shift in socio-political structures and organisation in both countries within a context of change and possibilities for innovative approaches. This study reveals internal struggles within the French and British institutions controlling broadcasting as crucial determinants in the background decision making which constitutes the focus of the study. Analysis of those events indicates how creative initiatives with a social class perspective can penetrate the threads of communication control in a new system, prior to the consolidation of all the determinants of prevalent bureaucratic structures. This book foregrounds how socially conscious communication practitioners deployed methods intended to retain control of style and meaning in productions in the face of management scepticism and, in some cases, direct interference. The text draws upon oral history contributions plus research documentation and archive material from within the Institutions. Case studies are presented across national and cultural boundaries. These are reinforced by authentic voices and testimonies from personal interviews which I carried out with directors and writers in both Britain and France. The book provides a unique insight into active engagement, and socio/political judgements used by writers, editors, producers, and directors in reaching out to what was a rapidly expanding audience.…

Hardback. Zustand: New. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. This juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding television field in Britain and France during the 1950s and 1960s. The post WW2 era marked a substantial shift in socio-political structures and organisation in both countries within a context of change and possibilities for innovative approaches. This study reveals internal struggles within the French and British institutions controlling broadcasting as crucial determinants in the background decision making which constitutes the focus of the study. Analysis of those events indicates how creative initiatives with a social class perspective can penetrate the threads of communication control in a new system, prior to the consolidation of all the determinants of prevalent bureaucratic structures. This book foregrounds how socially conscious communication practitioners deployed methods intended to retain control of style and meaning in productions in the face of management scepticism and, in some cases, direct interference. The text draws upon oral history contributions plus research documentation and archive material from within the Institutions. Case studies are presented across national and cultural boundaries. These are reinforced by authentic voices and testimonies from personal interviews which I carried out with directors and writers in both Britain and France. The book provides a unique insight into active engagement, and socio/political judgements used by writers, editors, producers, and directors in reaching out to what was a rapidly expanding audience.…

Hardcover. Zustand: new. Hardcover. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. This juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding television field in Britain and France during the 1950s and 1960s. The post WW2 era marked a substantial shift in socio-political structures and organisation in both countries within a context of change and possibilities for innovative approaches. This study reveals internal struggles within the French and British institutions controlling broadcasting as crucial determinants in the background decision making which constitutes the focus of the study. Analysis of those events indicates how creative initiatives with a social class perspective can penetrate the threads of communication control in a new system, prior to the consolidation of all the determinants of prevalent bureaucratic structures. This book foregrounds how socially conscious communication practitioners deployed methods intended to retain control of style and meaning in productions in the face of management scepticism and, in some cases, direct interference. The text draws upon oral history contributions plus research documentation and archive material from within the Institutions. Case studies are presented across national and cultural boundaries. These are reinforced by authentic voices and testimonies from personal interviews which I carried out with directors and writers in both Britain and France. The book provides a unique insight into active engagement, and socio/political judgements used by writers, editors, producers, and directors in reaching out to what was a rapidly expanding audience. A comparative study of the politics and production processes of television drama in France and in Britain during a formative historical moment for communication systems. The juxtaposition reveals surprising similarities in the intentions and achievements of practitioners in this expanding field in Britain and France during the 1950s and 1960s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…