Lelong lucien (7 Ergebnisse)
Verlag: [Paris, France: Parfums Lucien Lelong, ca. 1950]., 1950
- Softcover
- Manuskript
Anbieter: Wittenborn Art Books, San Francisco, CA, USAWittenborn Art Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 45,02
EUR 8,74 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Magazine Ad, 10" x 13" Good with loss at edge. Text En Francais.
Verlag: Aix-en-Provence, Edisud, 1996. In-4, cartonné, illustrations, jaquette., 1996
Anbieter: Librairie Dhouailly, Paris, FrankreichLibrairie Dhouailly
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Zustand: Gebraucht
EUR 25,00
EUR 30,00 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
Bel exemplaire. [11123].
Sprache: Französisch
- Softcover
Anbieter: Librairie AU SUD DE NULLE PART, Le Landreau, FrankreichLibrairie AU SUD DE NULLE PART
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut bis sehr gut
EUR 17,28
EUR 47,50 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
Couverture souple. Zustand: Bon. Pas de jaquette. Edité à la Revue (E. Armand Editeur), 1937 - Fascicule in-4° sur papier journal jaune puis blanc, 24 pp., texte sur 3 colonnes, illustrations en noir, petites traces du temps sinon bon état - Le narcissisme et les freudiens - L'Orgueil - Le combat contre la jalousie - Retour sur…le problème de la résistance - La virginité stagnante - L'Unique et sa propriété etc.
Sprache: Französisch
Verlag: La Chambre Syndicale de la Couture Parisienne, Paris, 1945
- Softcover
Anbieter: Librairie Rouchaleou, Saint-André-de-Sangonis, FR, FrankreichLibrairie Rouchaleou
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 680,00
EUR 54,00 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
Broché. Zustand: Très bon. 1 volume broché, dos à ressort (spiral bound), couverture illustrée d'une vignette en couleurs illustrée par Christian Bérard, non paginé ( 35 feuillets non chiffrés, soit 70 pages dont publicités, et texte avec de nombreuses illustrations en noir et blanc dont reproductions photographiques, 2 planches… hors-texte en couleurs. Avec un texte d'introduction de Lucien Lelong, et des textes de Louis Chéronnet et Gérard Bauer. Le Théâtre de la Mode était une exposition itinérante durant les années 1945 et 1946. Il a été créé pour collecter des fonds pour les survivants de la guerre et pour aider à relancer l'industrie de la mode française au lendemain de la Seconde Guerre mondiale. Les mannequins de mode, conçus par les meilleurs créateurs de mode parisiens étaient fabriqués en fil de fer et réalisés au tiers de l'échelle humaine. Quelque 60 couturiers parisiens se sont réunis et ont offert leurs matériaux de rebut et leur travail pour créer des vêtements miniatures dans de nouveaux styles pour l'exposition. Des modistes ont créé des chapeaux miniatures, des coiffeurs ont donné le des mannequins des coiffures individuelles, des bijoutiers tels que Van Cleef, Arpels et Cartier ont apporté de petits colliers et des accessoires. Le Théâtre de la Mode est devenu une exposition itinérante. Catalogue officiel édité à l'occasion de l'exposition '' Le Théâtre de la Mode ', présentée à Paris du 28 ars au 29 avril 1945, au Musée des Arts Décoratifs, pavillon de Marsan. Texte en français (Text in french). Première édition, exemplaire numéroté (achevé d'imprimer par les presses de l'imprimerie Artra à la date du 24 mars 1945, mise en page par Savignac). On joint un fascicule publicitaire dépliant donnant la liste des 183 professionnels liés à l'exposition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ).
Verlag: Printed By L'imprimerie De Bobigny, 1945
- Softcover
- Erstausgabe
Anbieter: Burwood Books, Wickham Market, Vereinigtes KönigreichBurwood Books
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Zustand: Gebraucht - Gut
EUR 484,47
EUR 26,46 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Paperback. Zustand: Very Good. First Edition. Wraps. 4to Text in English. Original publisher's spiral bound card wrappers, front wrapper with color lithograph by Christian Berard; 30 x 25.5 cm. Handsome clean vg copy with (preumanbly perished)spine skilfully renewed in thin beige linen very nicely done. VG.unpaginated 46 pages a…dvertisements for French high fashion, 84 pages text some on thin card, 8 pages advertisements; illustrated with 3 tipped in color plates, many halftones from photographs, other illustrations. Includes essay by Ferard Bauer 'Style in French Art' and '12 Scenes from the Theatre de la Mode' concering Berard. This "Review of French Fashion throughout the Years" showcased the emerging energy and inspiration of France's Haute-Couture industry following 5 years of German occupation. Fine fabrics and trimmings were in short supply after the war years and an exhibit in miniature was the perfect response to the reality of post-war shortages. Some 200 wire figurines were created by J. Saint-Martin from designs by Eliane Bonabel with molded features from original sculptures by Rebull. The manequins were dressed in creations by 41 of the leading French dressmakers and posed in theatrical scenes designed by Christian Berard, Beaurepaire, Jean Cocteau, Dignimont, Douking, Geffroy, Grau-Sala, Jean-Denis Malcles, Rebull, Saint-Martin, Touchagues, and Wakhevitch. The Exhibition originally opened at the Louvre and following the London appearance went on the exhibit at many European cities. In 1946 the exhibition was viewed in New York and San Francisco. Very good.
Verlag: INCONNUE, 1942
- Softcover
- Zeitschrift
Anbieter: Le-Livre, SABLONS, FrankreichLe-Livre
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: ILAB
Zustand: Gebraucht - Gut bis sehr gut
EUR 505,00
EUR 42,00 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
Couverture souple. Zustand: bon. RO40040973: 1942. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 36 pages agrafées (agrafes rouillées). Couverture par RIM. 3 illustrations hors texte en couleur par: Georges SOULAS, Claude BRETAGNE et Paul BINET. Quelques illustrations/ dessins en noir… et blanc, dans et hors texte, par Lucien Lelong, rivals, rim, honore, millet, revillon et raby. 5 photos disponibles. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.
Weitere BilderThe Exhibition Le Théatre de la Mode in London
Lelong, Lucien (Ed.); Christian Bérard (Front cover illustrated by); Alinari, Brogli, Bulloz, Calavas, Fachetti, Giraudon, Bernand, Brassai, Robert Doisneau, Guy le Boyer, Schaall, Seeberger, Lipnitzki and Ostier (Photographs by); Christian Bérard, Beaurepaire, Jean Cocteau, Dignimont, Douking, Geffroy, Grau-Sala, Jean-Denis Malclès, Rebull, Saint-Martin, Touchagues, Wakhevitch (Scenery by)
Verlag: La Chambre Syndicale de la Couture Parisienne, Paris, 1945
- Softcover
- Erstausgabe
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 1.125,59
EUR 4,37 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Softcover. Zustand: g- to vg. First edition. Small folio. Unpaginated. [46]pp (Advertisement), [84]pp (Text), [8]pp (Advertisement). Original illustrated wrappers by French artist, fashion illustrator and designer Christian Bérard. Spiral bound. Illustrated with three tipped-in color plates, numerous illustrations and 47 b/w pho…tographic reproductions by Alinari, Brogli, Bulloz, Calavas, Fachetti, Giraudon, Bernand, Brassai, Robert Doisneau, Guy le Boyer, Schaall, Seeberger, Lipnitzki and Ostier, this scarce work is the official catalog of the London exhibition of "Le Théatre de la Mode", with Introductory text by Lucien Lelong, and text contributions by Louis Chéronnet and Gérard Bauer. Le Théatre de la Mode (Theatre of Fashion) was a 1945-1946 touring exhibit of fashion mannequins, approximately 1/3 the size of human scale, crafted by top Paris fashion designers. It was created to raise funds for war survivors and to help revive the French fashion industry in the aftermath of World War II*. The French fashion industry was an important economic and cultural force in Paris when World War II began. There were 70 registered couture houses in Paris, and many other smaller designers. The war had a severe impact on the industry. Couturiers and buyers fled occupied France or closed their businesses. Clothing businesses that struggled to remain open had to deal with extreme shortages of cloth, thread, and other sewing supplies. The occupying Germans intended to displace Paris with Berlin as a centre of European fashion design. The Nazi regime planned to turn Berlin and Vienna into the centres of European couture, with head offices there and an official administration, introducing subsidies for German clothing makers, and demanding that important people in the French fashion industry be sent to Germany to establish a dressmaking school there. Haute Couture's place in France's economy was key to this plan: an exported dress made by one of France's leading couturiers was said to be worth "ten tons of coal", and a litre of fine French perfume was worth "two tons of petrol". French fashion was also not only important economically, it was a vital part of France's national cultural identity. French designers resisted the Nazi regime's plans; Lucien Lelong, president of the Chambre Syndicale de la Couture Parisienne, proclaimed, 'It is in Paris or it is nowhere.' After Paris was liberated, the idea for a miniature theatre of fashion came from Robert Ricci, son of couturier Nina Ricci. All materials were in short supply at the end of World War II, and Ricci proposed using miniature mannequins, or fashion dolls, to address the need to conserve textiles, leather, fur, and so on. The mannequins were 27 1/2" (700 mm) tall, fabricated of wire. Some 60 Paris couturiers joined together and volunteered their scrap materials and labour to create miniature clothes in new styles for the exhibit. Milliners created miniature hats, hairstylists gave the mannequins individual coiffures, and jewellers such as Van Cleef and Arpels and Cartier contributed small necklaces and accessories. Some seamstresses even crafted miniature undergarments to go under the couture designs. Once work was completed on the Théâtre de la Mode, it became a touring exhibition of nearly 200 doll-size figurines in 15 elaborate artist-created sets. It opened at the Louvre in Paris on 28 March 1945, and was enormously popular, drawing 100,000 visitors and raising a million francs for war relief. With the success of the exhibit in Paris, the Théâtre de la Mode went on a tour of Europe, with shows in London, Leeds, Barcelona, Stockholm, Copenhagen and Vienna. To promote the exhibit abroad, a French government official wrote to the Ambassador of France in Britain: "France has little, alas to export, but she has her appreciation of beautiful things and the skill of her couture houses". After touring Europe in 1945, the mannequins were outfitted with new clothes designed for the 1946 season and the exhibition traveled to the United St.
