lee cobb (48 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Brand New. 128 pages. 9.00x6.00x0.29 inches. In Stock.

Hardcover. Zustand: Very Good. Bright colorful cover of one of Columbus' ships and a man in stars and stripes shirt. Ink name top right corner fc. With two 78 RPM records in folder inside, pencil note on one holder and poem on inside front cover. Scarce album.

Zustand: New. In.

Zustand: New. In.

Vintage studio still photograph from the 1943 film. A young British spy is sent to Nazi-occupied France, where he is tasked with destroying a munitions plant. Set in France. 10 x 8 inches. Near Fine.

Vintage full-color British front-of-house card from the UK release of the 1955 US film. Based on the Hans Ruesch novel, "The Racer" (1953), about an Italian bus driver (Douglas) who dreams of winning the Grand Prix. Dedicated to the philosophy of "winning is the only thing," he alienates his fellow racers and everyone else. 8 x 10 inches. Light creases and toning overall, else Near Fine.

Paperback. Zustand: Very Good. Minor shelf wear, binding tight, pages clean and unmarked. This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.

"Warner Bros. Entertainment France collection , 2009. 1 volume format DVD très bon Format : DVD.

Zustand: New.

Trade Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED8VO, 185 pgs, great shape, A study to humanize Paul of Tarsus, and honor Jesus of Nazareth.

Gebunden. Zustand: New.

Vintage photograph of actor James Stewart, director Henry Hathaway and cinematographer Charles Lang on the set of the 1962 film. With a mimeo snipe and studio stamp on the verso. An epic and romanticized depiction of Westward Expansion set between 1839 and 1889, comprised of five episodes and following four generations of a family as they move westward from New York. One of two dramatic films shot for the curved screen, three projector, Cinerama format. The film won three Academy Awards including Best Screenplay and was nominated for five others. 8 x 10 inches. Near Fine. National Film Registry.

Taschenbuch. Zustand: Neu. Neuware - In 1805, Banjo was born into slavery on a plantation in Scott County, Mississippi. He grew up on the Cedar Bend Plantation owned by Jebediah Patrick. At the age of five, Banjo began to work in the cotton fields. In the deep south of Mississippi where slaves experienced more back-breaking work and harsher punishments.

Buch. Zustand: Neu. Neuware.

Two studio still photographs from the 1954 film, struck by Columbia Pictures Television in 1978. Housed in a Columbia Pictures Television photos envelope stamped with title. Budd Schulberg based his 1955 novel "Waterfront" on the screenplay. Terry Malloy (Brando), who dreams of being a prize fighter while tending his pigeons and running errands for the corrupt boss of the local union Johnny (Lee J. Cobb), witnesses a murder at the hands of Johnny's men. When he meets the victim's sister Edie (Eva Marie Saint), he confesses he feels culpable for the murder, and Edie introduces him to Father Barry (Karl Malden), who tries to persuade him to implicate the dock racketeers. Winner of eight Academy Awards including Best Picture, Best Director, Best Screenplay, Best Cinematography, Best Actor, and Best Supporting Actress, nominated for another four. Selected for the National Film Registry in 1989. Shot on location in Hoboken, New Jersey and New York City 8 x 10 inches. Near Fine. Criterion Collection 647. Selby US. Ebert I. Scorsese, A Personal Journey Through American Movies. Spicer US. Grant US.

Vintage double weight still photograph from the 1948 film. Photographer's rubber stamp and mimeograph snipe to the verso. Featuring an image of Lee J. Cobb and William Holden at a chess board. A psychopathic killer takes a young psychoanalyst and his family hostage, never expecting that the psychoanalyst would cure him of his murderous urges. 8 x 10 inches. Fine condition. Grant US Classic Noir. Selby US Canon. Silver and Ward Classic Noir. Spicer US.

DVD. Zustand: Wie neu. 2 DVDs im Original Schuber 8R-PTB0-ZAEW Sprache: Deutsch Gewicht in Gramm: 82.

Two vintage black-and-white studio still photographs from the 1973 film, one showing director William Friedkin and one showing Friedkin and screenwriter William Peter Blatty. Based on the 1971 novel by screenwriter William Peter Blatty. The first and finest film in the series, following the demonic possession of a twelve-year-old girl and the ensuing attempts to purge her body of the evil spirit. One of the great genre films of the 1970s that accomplished the uncommon feat of being an over-the-top sensation upon its release and gaining subsequent status as a classic, with a strangeness and depth supplied by the strength of Ellen Burstyn and Max von Sydow's performances. One 9.75 x 8 inches, one 9.25 x 8 inches. Near Fine. National Film Registry.

Vintage pressbook for the 1970 film. Based on the 1965 novel "The Liberation of Lord Byron Jones" by Jesse Hill Ford. A wealthy African American funeral director suspects a white policeman of having an affair with his considerably younger wife, leading to a series of violent interactions with the police force, who seek to avoid public exposure of the interracial affair. Director William Wyler's final film. Set in the fictional town of Somerset, Tennessee, and shot on location in Humboldt, Tennessee. Seven pages, saddle stapled. 11 x 17 inches. Very Good plus, lightly creased at the edges.

3 photos. All stamped by Van Pelt. 8 x 10 inches. Near Fine. Grant US. Selby Canon US. Silver Classic Noir. Spicer US.

Vintage studio still photograph from the 1947 film noir. "Key Set" stamp on the verso. From the archive of film historian and author Joel Finler. Based on a 1945 magazine article by Fulton Oursler (writing as Anthony Abbot), in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. A public attorney is hired to defend a strange out-of-towner accused of murdering a priest. Set in Connecticut, and shot on location in Connecticut and New York. 10 x 8 inches. Near Fine. Grant US. Selby Canon. Silver Classic Noir. Spicer US.

Draft script for the 1973 film. Copy belonging to uncredited cast member Merritt Blake, with his name in manuscript ink on the front wrapper. Notably with a credit for screenwriter Eleanor Perry (wife and frequent co-writer with her husband, director Frank Perry). Jay Grobart (Reynolds) kills a man who raped and murdered his wife, Cat Dancing. He is arrested, but soon after is released and goes on a crime spree. He then meets Catherine (Miles) who is escaping her abusive husband, and finds an unlikely mate. Shot on location in Arizona and Utah, USA. Blue wrappers with a die-cut title window. Title page present, dated October 31, 1972, with credits for screenwriter Eleanor Perry and novelist Marilyn Durham. 159 leaves, with last page of text numbered 158. Xerographically duplicated, with blue revision pages throughout, dated variously between November 6, 1972 and November 7, 1972. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

Early Draft script for the 1966 film, two years before its release, here under the working title "Cartel of Evil (The Not So Secret Agent)." Copy belonging to Twentieth Century-Fox President Darryl Zanuck and producer Richard Zanuck, with the manuscript ink annotations of Darryl Zanuck's initials and Richard Zanuck's name on the top right of the front wrapper, with manuscript blue ink annotations on five pages in what appears to be Darryl Zanuck's hand. Secret agent Derek Flint is a smooth-talking Renaissance man-martial arts master, polyglot, ballet dancer-who works for the international intelligence agency Z.O.W.I.E. When several fellow agents are discovered mysteriously murdered, his agency tasks Flint with finding and stopping the killers, leading him on a groovy wild goose chase across the world. Set in Rome, Marseilles, and Washington DC, and shot on location in Washington DC and California. Blue titled wrappers, rubber-stamped copy No. 46, dated April 24, 1964. Title page present, dated 4/24/64, with credits for screenwriter Hal Fimberg. 111 leaves, with last page of text numbered 111. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.