Lebel robert duchamp marcel (15 Ergebnisse)

234 S. Kartoniert mit Umschlagklappen. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Bindung minimal gelockert. Einband leicht berieben. Name auf Vorsatz. Sonst gut erhalten. Sprache: deu.

234 S. Kartoniert mit Umschlagklappen. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Einband leicht gebräunt. Buchrücken mit leichter Knickspur. Sonst gut erhalten. Sprache: deu.

Hardcover. Zustand: Brand New. pck edition. 298 pages. 12.75x9.75x1.75 inches. In Stock.

Hardcover. Zustand: Wie neu. Zustand des Schutzumschlags: Wie neu. 1. Auflage. W : Two volumes in a slipcase: facsimile and supplement. - Quote from Jason Farago: 'He first declared a bicycle wheel to be a work of art in 1913, but it took nearly half a century with the 1959 publication of Robert Lebel s catalogue raisonné of his early painting, his ready-mades and his cryptic notes for the New York art world to crown the discreet and debonair Duchamp as King Marcel. Long out of print, it s now been re-editioned and bundled with a supplement that maps the influence of Lebel s book over the decades, all housed in a handsome slipcase.'.…

Zustand: New. KlappentextrnrnDieses Buch wurde nach seinem Erscheinen Ende 1959 fuer viele Jahrzehnte zum Standardwerk ueber Marcel Duchamp. Es erschienen gleichzeitig auch als exklusive Grand-Deluxe- und Deluxe-Ausgaben in franzoesischer Sprache sowie in Handel.

Zustand: Very Good.

Paris, Jean-Jacques Pauvert, directeur : André Breton. Un volume 19,2x19,2cm broché sous couverture illustrée, 100 pages illustrées dans et hors texte, en noir et en couleurs. Bon état. Livres.

Soft cover. Zustand: Very Good. 1st Edition. 4° - 201pp - B/w reproductions. Marcel Duchamp by Robert Lebel (1901-1986)French art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector, He wrote the first fundamental essay on Marcel Duchamp and remained close to the artists and poets of Surrealism. For example, Lebel was the friend and advisor of André Breton and close to Max Ernst, Jacques Lacan, André Masson and Claude Lévi-Strauss. First American Edition, text in English. Original wrappers. In Very good condition.…

Soft cover. Zustand: Very Good. 1st Edition. Sm.4° - 201pp - B/w reproductions. Marcel Duchamp (1887-1967) French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Text by Robert Lebel (1901-1986) art historian, specializing in modern French art. He was also an essayist, poet, novelist, and art collector. He wrote the first fundamental essay on Marcel Duchamp. First edition, text in English. Original boards. In Very good condition.…

30,5x23,5 cm. (6), 193 pp. Richly illustrated, including several tipped-in color plates. Publisher's cloth, dust-jacket. Jacket with small damages, otherwise very good.

Square 4to. (288 x 234 mm). [20 bifolia: 40 leaves + 'diptyque' + multiple + suite; pp. 79, (i)]. Half-title with copyright verso, printed title with 'A Souvenir d'Armand de la Beaumelle' verso and Lebel's text of 'La Double Vue', section title 'L'Inventeur du Temps Gratuit' and Lebel's text, final leaf with justification and achevé d'imprimer; also included, hors commerce, is the double-page original etching by Giacometti ('diptyque gravé à l'eau-forte'), Marcel Duchamp's original signed paper multiple ('La Pendule à Profil') and a suite of six additional original etchings by Giacometti, each signed in pencil. Loose as issued in original publisher's black paper wrappers with gold triangular cut-out vignette with title in black to front wrapper and silver circular cut-out vignette with second title to rear wrapper, Giacometti's signed diptych within blue printed boards and suite in white printed wrapper, original publisher's blue paper board chemise with black label to spine with title in blue and matching slipcase. Robert Lebel's dual novel and autobiography with Marcel Duchamp's signed multiple, Giacometti's signed diptych and the additional signed suite of his etchings. From the edition limited to 126 numbered copies on vélin cuve BFK Rives with an original double page etching by Giacometti (signed on the cover as usual) and Marcel Duchamp's original signed multiple, with this hors commerce copy with the additional suite of 6 smaller etchings, all signed by Giacometti; a further 150 'Club' copies were issued with an etching by Ferró as well as 1,200 copies with reproductions. This is one of the 15 'hors commerce' examples with 6 additional prints signed by Giacometti (as with copy no. 1); the remaining examples of the édition de tête, i.e. nos. 2 - 11, included only an additional 3 signed etchings by Giacometti. The justification, Giacometti's 'diptyque', the additional suite (and its wrapper) together with Duchamp's multiple are all designated 'H[ors]. C[ommerce]. C' in pencil. 'In addition, there are 15 copies hors commerce designated HC / A to HC / O, with the suite of 6 smaller etchings, all signed.' (Lust). 'Clock in Profile (1964) is a pliage of stiff paper with a central circle that can be folded so that the piece can stand upright. It was intended to be incorporated into the numbered edition of Robert Lebel's book La Double Vue Suivi de l'Inventeur du Temps Gratuit. Duchamp's three-dimensional materialization of the concept of l'Inventeur du Temps Gratuit ('The Inventor of Free Time') is described in Note 73 of the Notes and Projects: 'The Clock in Profile. / and the Inspector of Space'. The title of Lebel's book plays on the assonance of vue (vision) and vie (life) . Lebel, an intimate friend of Duchamp's and author of the first pioneering monograph on the artist, had published an imaginary biographical sketch of Duchamp, 'l'Inventeur du Temps Gratuit' in 1957. This, plus an equally imaginary autobiographical novel, became La Double Vue . Lebel's and Duchamp's conception of time seems to share the most ancient and universal desire of the alchemist (and of man), for the mastery of time implies the possibility of remaining eternally young.' (Arturo Schwarz - The Complete Works of Marcel Duchamp). [Schwarz 612; Lust 177 - 183].…

Hardcover. Zustand: Good. First Edition In English. Signed. Hardback. Dust Jacket. Large 4to. First edition in English translation by George Heard Hamilton. pp.(6)192; 48 photographs & 122 plates (6 colour tip-ins); Original publisher's orange cloth a little bumped at lower spine else clean very good copy, the dust-wrapper lacks small pieces from head & tail of spine, bottom of backstrip bumped, otherwise well preserved in original card slip-case. Inscribed by Duchamp on the half title page of the book: 'Cher Gabo, de 1923 nos jours et quelles journes! Affectueusement Marcel 1960'. In their Realistic Manifesto, Moscow, 1920, Naum Gabo and his brother Antoine Pevsner first coined the term 'kinetic art' of which the earliest instance was perhaps Marcel Duchamp's 1913 sculpture, Bicycle Wheel. Antoine moved to Paris soon after and was joined by Gabo after he secured Diaghilev's commission to design sets & costumes for La Chatte, which opened in Monte Carlo in 1927 with music by Sauget and Balanchine's choreography. PRESENTATION INSCRIPTION TO NAUM GABO. An excellent modernist art association. Signedes.…

Two volumes in publisher's clotnh-covered slipcase. Main volume in full cloth with pictorial dustjacket, Supplement in pictorial wrappers. As new. [Zürich], Hauser & Wirth Publishers, 2021. 4to. 31 x 23,5 cms. [viii] + 192 pp.; + Supplement, 56 pp. Both richly illustrated. In English. Beautifully produced facsimile of the English 1959 edition: "A French trade edition of Sur Marcel Duchamp by Trianon Press and the English language Grove Press trade edition Marcel Duchamp were printed simultaneously in 1959 in Paris. The print run for the English edition was 2,500 copies. Three thousand copies of the French version were produced. The Grove Press trade edition is the basis for Hauser & Wirth Publishers' 2021 facsimile edition." / "Hauser & Wirth Publishers' facsimile of the 1959 English edition of Marcel Duchamp is an exact reproduction of the original and retains all original details, including errors" (verso of title and Supplement colophon respectively). The supplement contains more than sixty archival images, many of which have never been published before, that share a portrait of Duchamp and his inner circle. Hauser & Wirth Publishers reanimates Marcel Duchamp with its reproduction of the 1959 Grove Press edition with the design firm Fluid, who recreated the original typefaces as digital fonts, positioning each letter and image exactly as they were in the original.…

1973. New-York et Philadelphie MOMA et Philadelphia Museum of Art 1973 - Broché cm x cm 359 pages 429 ills dont 12 couleur - Commissaires : Anne d'Harnoncourt et Kynaston Mc Shine textes en anglais de Michel Sanouillet Richard Hamilton Lawrence D. Steefel Jr Arturo Schwarz davidantin Anne d'Harnoncourt et Kynaston Mc Shine Robert Lebel Octavio Paz et John Tancock ; portrait de Duchamp par Apollinaire Breton Man Ray Andy Warhol Yoko Ono … ; chronologie bibliographie - Très bon état. Bon état.…

Paris, Trianon Press, Librairie Galerie La Hune, s.d. Plaquette 32 x 13 cm, 1 f. plié (6 pp.) (infime déchirure sans manque à la première page). La plaquette de souscription pour le livre du même nom, contenant le frontispice (phototypie et pochoir), contrecollé. En excellent état. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.…