leary ken (9 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Near Fine.

Soft cover. Zustand: Good. No Jacket. 2nd Edition. Good condition. This is a 4to size softcover book. Dedication by Rosengarten on title page. Pronounced binding slant. Bottom edge is bumped. Top corner of front cover is bumped. 276 pages with many illustrations.

Soft cover. Zustand: New. No Jacket. 2nd Edition. private library liquidation new soft.

[unpaginated]; 32.6 x 27.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Three serialized articles by Tom Wolfe titled "The World of LSD," and Ken Kesey and his "mystic brother," published in "New York : The World Journal Tribune Magazine," January 29, 1967; February 5, 1967 and February 12, 1967. Tom Wolfe profiles novelist Ken Kesey. Beginning with his release from jail, following him on a visit to Timothy Leary's commune in Millbrook, NY, and concluding with his re-arrest and legal battles, Wolfe paints a picture of the state of LSD in the United States. Cover image by Milton Glaser. Text would be later published as a book under the title "The Electric Kool-Aid Acid Test." Fair. Three articles removed from magazines and stapled in the upper left corner. Folded once through center. Overall yellowing and tearing to cover edges. Paper is brittle and tearing along center fold line, including a 9 cm. tear to verso.

Wrappers. Zustand: very good. Spit in the Ocean. No.1-6. Ed. K. Kesey a.o. Pleasant Hill, the editor, 1974-1981, 6 issues, ills., orig. not unif. pict. wr. - Plus the later 7th issue. = Contributions by i.a. Ken Kesey, Ken Babbs, Timothy Leary, Robert Anton Wilson, Paul Krassner, Studs Terkel en Neal Cassady. Issue no.6 is "The Special Neal Cassady Issue" with previously unpublished work. Clay and Phillips. p.296.

Zustand: Near Fine. First edition. Complete first edition set of all 12 issues of the San Francisco Oracle, plus the second and third editions of the 7th issue and additional variant of the 10th issue. Bookended by the Oracle's single-issue predecessor P. O. Frisco and single-issue successor Harbinger (virtually the 13th issue of the Oracle) for a total of 17 broadsides, each 12 - 52 pp. Near Fine with typical toning and minimal soiling and edgewear, subscription creases to several issues, and light foxing to covers of Harbinger and fourth issue of Oracle. A spectacular run of the voice of Haight-Ashbury. P. O. Frisco, which lived and died in a single issue published September 2,1966, began with articles including "Concentration Camps Ready for 'Subversives,'" "The Craft of Masturbation," and "Lenny Bruce: what can you say?." Features on culture and politics were supplemented by an art page and a recipe for hashish brownies. After the individualists on staff won a power struggle with the collectivists, the paper was reborn as the San Francisco Oracle just three weeks later. The style was more distinctly psychedelic, with a focus on personal liberty, and the back cover was printed with the editors' "Prophecy of a Declaration of Independence": "We hold these experiences to be self evident, that all is equal, that the creation endows us with certain inalienable rights, that among them are: the freedom of body, the pursuit of joy, and the expansion of consciousness." Over the next two years, the paper's contributors included the countercultural icons Timothy Leary, Ken Kesey, Allen Ginsberg, Laurence Ferlinghetti, Gary Snyder, Alan Watts, and Buckminster Fuller. The issues had themes like "Aguarian Age" and "Youth Quake" and combined articles and poetry with hand-drawn advertisements for health food stores, music sellers, and hippie fashion boutiques. The publishers introduced split-fountain color printing with the sixth issue to create a rainbow roller effect, and the newspaper's graphics and layout came to define the look of hippie culture. The worker-owned paper folded in 1968, and staff members who had relocated to Middletown put out a singe issue called Harbinger which was effectively the thirteenth and final issue of the Oracle. At its peak, the paper was printed in a run of 125,000 copies, and made an outsized impact on American culture as the rest of the country looked toward Haight-Ashbury. The editor Allen Cohen later wrote: "It began as a dream and ended as a legend.".