Le veau (20 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Shepherds on the Neapolitan coast German: Hirten an der neapolitanischen Küste French: Bergers sur la côte napolitaine Spanish: Pastores en la costa napolitana High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1739). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

OriginalKupferstich von ca. 1750. -- Blattmaße ca.25 x19 cm. gut erhalten.|| Original copper engraving from c. 1750. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

OriginalKupferstich von ca. 1750. -- Blattmaße ca.25 x19 cm. gut erhalten.|| Original copper engraving from c. 1750. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

OriginalKupferstich von ca. 1750. -- Blattmaße ca.25 x19 cm. gut erhalten.|| Original copper engraving from c. 1750. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

No Binding. Zustand: Very Good. A splendid original antique engraved print. Mounted (matted) and ready to frame. Mount size approx. 12 x 9 inches - 30 x 27 cms. A fine opportunity to acquire an original and scarce antique print. With Description in French. Very attractive, Paris Printed. This is a fine print of Le Pied-De-veau, (Arum).…

Original Kupferstich von ca.1780. Aus dem berühmten schweizer Atlas von Zurlauben: "Tableaux de la Suisse ou Voyage Pittoresque fait dans les treize Cantons et etats allies du Corps Helvetique. - Paris, 1786. Es gilt als eines der schönsten und wertvollsten Ansichtenwerke über die Schweiz. Blattmaße ca.33 x50cm. gut erhalten. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1500.…

'PETIT FORT SUR LE RHIN AU DESSOUS DE CLEVES.'Original antique print showing a view of a small fort on the river Rhine near Kleve, Germany.Made by Jean-Jacques Le Veau after Franz Edmund Weirotter.Medium: Engraving/etching with original old hand colouring on hand laid (verge) paper.Sheet size: 28.2 x 21.4 cm (11.1 x 8.43 inch). Image size: 25.4 x 17 cm. (10 x 6.69 inch).KLEVE-FORT-RHINE-RHEIN-GERMANY | E24-01BACKGROUND INFORMATIONThis plan was published in Paris c. 1770.Biography engraver: Jean-Jacques Le Veau (17291786) , french engraver.Biography artist: Franz Edmund Weirotter (17331771), german painter. Condition: fair, given age. Paper slightly browned. Edges damaged with some paper loss and a few small tears. Some crinkles or creases. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Franz Edmund Weirotter (illustrator).…

The rare catalogue raisonne of the prints of Le Veau. 272 items thoroughly described. Numerous facsimiles. Edition limited to 200 copies, of which this is one of 175 on fine Dutch laid paper. 4to. Attractively bound in recent cloth, original wraps bound in. Uncut. Light soiling to wraps, occasional faint staining to extreme margins. A very good copy.…

Zustand: Good. 8vo. 14 x 22.3cm.Contemporary calf. Numerous full page engravings. Large paper copy.OCLC Number:799375457: Printed by F.A. Quillau. See colophon, v. 2Illustrations: etchings after Gravelot, comprising portrait frontispieces (v. 1: Tasso; v. 2: Gravelot); vignettes on both title pages; dedication leaf, v. 1; illustrative plate preceding each of the 20 cantos; head-piece to each canto (bust of a character); full-page etchings of putti at end of 9 cantos, 14 smaller tail-pieces.Etchers after Gravelot: Jean Charles Baquoy, Antoine Jean Duclos, Benoit Louis Henriquez, Jacques Le Roy (b. 1739), Jean Jacques André Le Veau, Charles Louis Lingée, Jean Massard, E?lie du Mesnil, François Denis Née, Jean-Baptiste (Charles Emmanuel?) Patas, Nicolas Ponce, Jean François Rousseau, Jean-Baptiste Blaise Simonet.Engraved title pages have lettering by Droue?t.Pagination, v. 1: 331, [1] p. (the last blank), [13] leaves of plates; v. 2: 340 p., [13] leaves of plates. in-8, de 331pp., 340pp. Plein veau époque, triple filet doré sur les plats, dos lisses ornés, tranches dorées, 2 portraits-frontispice du Tasse et de Gravelot, 20 planches d'après Gravelot, exemplaire sur Grand papier de Hollande. Très belle édition ornée de superbes illustrations. Les vignettes avec les portraits portent les noms en italien, marque de tout premier tirage. "Très belle édition publiée par G. Conti, avec illustrations superbes" (Cohen, 974-975). - Gordon Ray, The Art of the French illustrated Book 1700 to 1914, n°22A : "Handsome and delightful book. Les vignettes avec les portraits portent les noms en italien (Cohen-974). …

Zustand: 1830-1850. Le Veau D'Or Actualité Chant et Piano Paroles et musique deEdmond Lhuillier A Paris Etienne Challiot éditeur rue Saint Honoré E.C. 1982 ac1850 3 pages 33.9 X 26.2 cm Bon état, quelques pliures 040796 Nouveau.

Zustand: Good. Two etchings on laid watermarked paper with margins. 17 1/4 x 12 in. sheet. Good, light foxing. Text in French.

Zustand: Good. Two etchings on laid watermarked paper with margins. 17 1/4 x 12 in. sheet. Good, light foxing. Text in French.

'AGAR REPUDIEE.'This print shows the banishment of Hagar and Ishmael, leaving Abraham.Made by Christian W.E. Dietrich after Jean-Jacques le Veau.Engraving, etching on handlaid paper. Watermark: No.Sheet size: 30 x 23 cm (11.81 x 9.06 inch). Image size: 30 x 23 cm. (11.81 x 9.06 inch).ABRAHAM-DIVORCE-HAGAR-ISHMAEL-BANISHMENT-BIBLE-CHRISTIANITYRB-A7-17BACKGROUND INFORMATIONThis attractive print was published by Basan ca. 1745-1775. Dedication to Pierre-Robert Le Cornier de Cideville.Admin: RB-T23. Condition: good, given age. Most of the margin missing. Diagonal fold in upper left corner. Below paperloss. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jean-Jacques le Veau (illustrator).…

Paris, 1902. 274 pp. Contemp h.leather, marbled sides. - Sl. worn.One of the 25 Deluxe copies on Whatman paper, signed by the author. (Nr. 12).

En feuille. Zustand: Très bon. 40 x 64,5 cm.

'LES AMANS A LA PECHE 'Romantic coastal scene with a fisherman and his partner on rocky cliffs, a ship sailing in the distance, and lush landscape with mountains and trees.Made by Jean-Jacques Le Veau after Claude Joseph Vernet.Medium: Etching and engraving on thick hand-laid (verge) paper. Watermark: Lettering watermark.Sheet size: 55 x 45 cm (21.65 x 17.72 inch). Image size: 46.5 x 39 cm. (18.31 x 15.35 inch).COASTAL VIEW, LOVERS, FISHERS, CLAUDE JOSEPH VERNET, JEAN-JACQUES LE VEAU, MARINE SCENE, ROMANTIC PRINT, 18TH CENTURY SEASCAPE, ENGRAVING, FRENCH ART | TPC-EXPO-P8-33BACKGROUND INFORMATIONBased on a painting by Claude Joseph Vernet. Engraved by Jean-Jacques Le Veau, c. 1770.Biography engraver: Jean-Jacques Le Veau (1729-1786) was a French engraver known for his meticulous etchings, often inspired by marine and landscape works by Vernet.Biography artist: Claude Joseph Vernet (1714-1789) was a celebrated French painter famous for his marine and coastal scenes, often depicting serene or dramatic atmospheres. Condition: very good, given age. Light foxing, creasing and soiling. Original fold lines as issued, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Claude Joseph Vernet (illustrator). …

Technic: Copper print, colorit: original colored, condition: Perfect condition, size (in cm): 20,5 x 34 cm, View of Ulietéa Island (Socierty Islands) with double pirogues and boathouses where the islanders park their sea boats. Author: James Cook, 1728-1779. Maps and illustrations from Cook's travels.…

Zustand: Good. Original engraving. 31 x 52.3cm. Corners mounted on a black support sheet.Charles-François Grenier de Lacroix, called Lacroix de Marseille .Charles François Grenier de Lacroix, known as Lacroix de Marseille, established his reputation as a painter of Italianate seascapes and landscapes. He specialised in capricci embellished with figures and distinguished by a taste for fantastic architecture. Despite his success during his lifetime, comparatively little is known about him. He used a number of different signatures, signing himself Grenier de La Croix on a Port scene dated 1750 (Toledo Museum of Art, OH) and using Delacroix on an Eruption of Vesuvius of 1767. Born in Marseille, Lacroix's first known paintings were two pendant seascapes signed and dated 1743, entitled Italian port at sunrise and Italian port at sunset. By 1754, he had moved to Rome. He visited Naples in 1757, painting Vesuvius and the surrounding countryside. In Rome, Lacroix met Adrien Manglard (1695-1760), the celebrated sea painter from Lyon, and his pupil Joseph Vernet (1714-1789), who was to become the most important influence on Lacroix's work. Lacroix painted seascapes, seaports, storms and sunsets which both in subject and style show his debt to Vernet. His capricci, particularly his depiction of figures, also reflect the influence of Italian artists such as Francesco Zuccarelli (1702-1788) and Marco Ricci (1676-1729/30). Lacroix was in Paris by the end of the 1770s and exhibited at the Salon du Colisée in 1776. He participated in the Salon de la Correspondance in Paris in 1780 and 1782, and died in Berlin in 1782. During the eighteenth century his paintings were very popular and many were engraved by Le Veau and Le Mire. The work of Lacroix de Marseille is represented in the Toledo Museum of Art, Ohio; the Dijon Museum of Art and the National Museum, Stockholm.…

'1ERE. VUE DES ENVIRONS DE BAYONNE.'(First View of the Surroundings of Bayonne.) A serene landscape featuring people engaging in leisurely activities near the water, with a backdrop of a picturesque town and ruins, executed with detailed engraving.Made by Jean Jacques Le Veau after Joseph Vernet.Medium: Engraving on Hand laid paper (verge) paper. Watermark: Lettering with 'Auvergne'.Sheet size: 51 x 40 cm (20.08 x 15.75 inch). Image size: 42.4 x 32 cm. (16.69 x 12.6 inch).BAYONNE, VERNET, LE VEAU, ENGRAVING, FRENCH, 1775 | PCO-B7-46BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hollstein 194, copy A (reduced copy).Biography engraver: Jean Jacques Le Veau (1729-1786) was a French engraver known for his detailed and refined engravings, often after famous paintings of his time.Biography artist: Joseph Vernet (1714-1789) was a French painter, known for his maritime scenes and landscapes, highly regarded in the 18th century. Condition: good, given age. Light foxing and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Joseph Vernet (illustrator).…

Zustand: Good. 8vo. 4 vols. 15 cx 22cm. Printed on laid paper. 4 engraved title pages, 2 portraits and 202 plates. Marbled art nouveau calf bindings signed by A. Cretin-Pellion [Beaune, France]. (v. 1) [1 f.] xvi, 99 pp., plus 48 plates; (v. 2) [1 f.] 112 pp., plus 49 pls.; (v. 3) [1 f.] 106 pp., plus 50 pls.; (v. 4) [1 f.] 168 pp., plus 61 pls.; .OCLC Number / Unique Identifier:1097847182; For the earlier edition published by Lattré in 1789: Landwehr VI, 349 ; Cohen-De Ricci. pp. 456-457 ; Praz 357; Gordon Ray, Art of the French Illustrated Book, no. 23.À partir de 1765, Hubert-François Bourguignon d'Anville, dit Gravelot (1699-1773), donne des dessins sur le thème des emblèmes et allégories destinés à paraître chaque année sous la forme d'Almanachs iconologiques. À sa mort, en 1773, l'éditeur Lattré fait appel à Charles-Nicolas Cochin (1715-1790) qui, jusqu'en 1781, poursuit l'entreprise selon l'esprit voulu par Gravelot. L'ensemble des planches est ensuite repris pour former le traité qu'avait annoncé Gravelot dès la parution du premier Almanach de 1765 et publié sous le titre d'Iconologie par figures, d'abord au format in-12, chez Lattré, en 1789, puis au format in-8, chez Le Pan, en 1791.L'illustration se compose de deux portraits des artistes interprétés par Gaucher d'après La Tour et Monnet, quatre titres-frontispices et 202 jolies figures hors texte de Gravelot et Cochin gravés par Choffard, Aliamet, Bacquoy, de Ghendt, Legrand, Masquelier, Saint-Aubin, etc.Cohen, 456 - Gordon N. Ray, pp. 25-30 et 49-50 - Ch. Michel, Charles-Nicolas Cochin et le livre illustré au XVIIIe siècle, Genève, Droz, 1987, pp. 311-317. …