Laws catherine (19 Ergebnisse)

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Paperback. Zustand: Brand New. 01 edition. 240 pages. 11.50x8.00x1.00 inches. In Stock.

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Paperback. Zustand: Brand New. 1st edition. 92 pages. French language. 9.37x6.54x0.39 inches. In Stock.

Paperback. Zustand: Brand New. 01 edition. 240 pages. 11.50x8.00x1.00 inches. In Stock.

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Taschenbuch. Zustand: Neu. Neuware - Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity 'in' music - how music expresses or represents 'an' individual or 'a' group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place How might the work of practitioners reveal aspects of this process In what sense is subjectivity performed in and through musical practices This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th¿y Nguy¿n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).…

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Taschenbuch. Zustand: Neu. Neuware - Identity and subjectivity in musical performancesWho is the 'I' that performs The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing 'voices' can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). …

Zustand: New. Sealy & Worthington s Text, Cases, & Materials in Company Law is well-established as one of the foremost texts in its field. Vital extracts are supplemented by sophisticated commentary and well-chosen notes and questions, taking into account the most recent.

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Hardcover. Zustand: New. This book considers both music in Beckett and Beckett s significance in contemporary music, examining also how comparable philosophical concerns and artistic effects appear in literature and music of the twentieth and twenty-first centuries.

Buch. Zustand: Neu. Neuware - Samuel Beckett produced some of the most powerful writing - some of the funniest but most devastating - of the twentieth century. He described his plays, prose and poetry as 'an unnecessary stain on the silence', but the extraordinary combination of concision and richness in his writing stems from his peculiar sensitivity to the sounds and rhythms of words. Moreover, music forms a part of Beckett's comic aesthetics of failure: it plays a role in his exploration of the possibilities and failures of the imagination, and the ever-failing attempt to forge a sense of self. No wonder, then, that so many composers have taken inspiration from Beckett, setting his words to music or translating into music the dramatic themes or contexts of his work.Headaches Among the Overtones considers both music in Beckett and Beckett's significance in contemporary music. In doing so, it explores the relationship between words, music and meaning, examining how comparable philosophical concerns and artistic effects appear in literature and music of the twentieth and twenty-first centuries.…