Lawrence sarah e (15 Ergebnisse)

Hardcover. Zustand: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. An exceptional paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 359 pages; Physical description; 359 p. : ill. (some col.) ; 29 cm. "The . exhibition is mounted in association with the Rijksmusuem, Amsterdam, and the Teylers Museum, Haarlem, The Netherlands." Published on the occasion of the exhibition held Sept. 14, 2007-Jan. 20, 2008, at Cooper Hewitt, National Design Museum, Smithsonian Institution ; and Feb. 9-May 18, 2008, at the Teylers Museum, Haarlem, The Netherlands. Includes bibliographical references (p. 351-353) and index. Summary; Justly renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi (1720-1778) is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled "Carceri," or "Imaginary Prisons." Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative elements and ornamental motifs from the Egyptian, Etruscan, Greek and Roman styles; yet his work as the designer of interiors and furnishings has been largely uncelebrated until now. Published in conjunction with a major exhibition at the Smithsonian's Cooper-Hewitt, National Design Museum, in 2007, "Piranesi as Designer" features ten accessible essays and more than 300 rare illustrations that explore the far-reaching impact of Piranesi's style on three centuries of architecture and design. Subjects; Piranesi, Giovanni Battista 1720-1778 - Exhibition catalogues. ITALIAN PRINTMAKING. Individual architects ; Interior design. 2 Kg.…

Zustand: Very Good.

Lawrence, Sarah (editor) et al. PIRANESI as Designer. 360 pp., fully illustrated in color and b&w. 4to, cloth. New York, Cooper-Hewitt, National Design Museum, 2007. Accompanies an exhibition at the Cooper-Hewitt, and the Teylers Museum, Haarlem, The Netherlands.

Hardcover. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: New. In English.

Zustand: New. This handbook on group decision-making for those wanting to operate in a consensus fashion stresses the advantages of informal, common sense approaches to working together. It describes how any group can put these approaches into practice, and relates numer.

Zustand: New. This handbook on group decision-making for those wanting to operate in a consensus fashion stresses the advantages of informal, common sense approaches to working together. It describes how any group can put these approaches into practice, and relates numerous examples of situations in which such approaches have been applied. Num Pages: 1176 pages, black & white illustrations. BIC Classification: GTJ; KJM. Category: (P) Professional & Vocational. Dimension: 264 x 179 x 66. Weight in Grams: 2236. . 1999. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

gr.-4°. 359 S. Mit zahlr. tlw. farb. Abb. OKart. EA The Piranesi as Designer exhibition is mointed in association with the Rijksmuseum, Amsterdam, and the Teylers Museum, Haarlem, the Netherlands. ISBN: 0910503966 Gewicht in Gramm: 2000.

Le Grand Livre du Mois, 1993, 1 volume in-8 de 272 pages, cartonnage souple de l'éditeur. Légers plis sur la couverture, bon état.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…