lawrence duke (16 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

DVD. Zustand: Sehr gut. Standard Version. B4026-205 4030521326545 Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 83.

Paperback. Zustand: Brand New. 152 pages. 9.00x6.00x0.35 inches. In Stock.

Zustand: New.

Zustand: New. The Reverend J. Lawrence Driskill, STD, is a Pastor at the First Presbyterian Church, a Japanese-American church, of Altadena, Califomia, where he provides services to the Japanese-speaking parishioners.If retirement is approaching or you .

Paperback. Zustand: Brand New. 279 pages. 9.61x6.14x0.94 inches. In Stock.

Zustand: New. James MacGregor Burns is Woodrow Wilson Professor of Government Emeritus at Williams College and is currently on the faculty at the Jepson School of Leadership Studies at the University of Richmond. A Pulitzer Prize-winning historian, he has published w.

Zustand: New.

Gebunden. Zustand: New. James MacGregor Burns is Woodrow Wilson Professor of Government Emeritus at Williams College and is currently on the faculty at the Jepson School of Leadership Studies at the University of Richmond. A Pulitzer Prize-winning historian, he has published w.

Gebunden. Zustand: New. Lawrence L. Kupper, Ph.D., is an emeritus alumni distinguished professor of biostatistics at the University of North Carolina at Chapel Hill. Dr. Kupper has received several teaching and research awards during his career and has been involved with many res.

Zustand: Good. Large format color reproduction print poster 22" x 32". Very Good. Small cut in top right corner.Scarce.

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke's entry, and Eastlake's, in the Oxford DNB, as well as James Lees-Milne's biography 'The Bachelor Duke' (1991). With regard to the subject of the letters (now at Chatsworth), Eastlake's obituary in the Illustrated London News states: 'A more important effort was a large composition, commissioned by the Duke of Devonshire, the subject of which was derived from Plutarch's story of the Spartan Isadas appearing in a battle armed but undraped, and being in consequence taken for a god; the exhibition of which picture, in 1827, procured the artist's election an Associate of the Academy.' Both items have strips of minor discoloration, otherwise they are in good condition, lightly aged and with postage folds. Both signed 'Devonshire.' Eastlake is not named as the recipient of the first letter, but given the context his identity is apparent. ONE: 7 October 1827; Chatsworth. 2pp, 12mo. On first leaf of bifolium. The letter suggests that Eastlake has been paid twice. Begins: 'Dear Sir / I am surprized & embarrassed by the letter I have today received from you, and I can only account for my bankers conduct by my having employed a secretary at the very busy time of last spring, who may have sent another order for 250£, I having forgot having done so myself. / I have written to Messieurs Snow for an explanation of this & they will give information to Messieurs Harman. / Sir Thomas Lawrence who is here is going to repair a slight injury done to the picture on the journey. I have hung it in a very good though temporary place, & I admire it more every day'. In 1837 the author of 'Modern Chatsworth; or, The Palace of the Peak' reported that the painting had recently been removed from the state drawing room at Chatsworth to the banqueting hall. TWO: 25 July 1852; Brighton. 1p, 4to. Written (for reasons explained in the text) in a very shaky hand. Eastlake would clearly like to retouch his painting, but the Duke is not inclined to let him. Reads: 'Dear Sir Charles / I should be willing to comply with a request of yours, but I do not like to remove Isadas [sic] from the position where he is seen and admired by thousands every year. But a stronger objection is that I never could consent to having the picture retouched or altered. It is valued by me, and accompanied by too many recollections & associations to permit that. Wishing to give you a [sic] immediate answer, I have used my paralytic left hand. / most sincerely yrs / Devonshire.'.

zahlr. Programmheftausschnitte. Edward Kennedy "Duke" Ellington (* 29. April 1899 in Washington, D.C.; 24. Mai 1974 in New York City) war einer der einflussreichsten amerikanischen Jazzmusiker. Als Pianist war er einer der wichtigsten Neuerer des Stride-Piano. Als Komponist verfasste er annähernd 2000 Kompositionen (Lieder und Suiten), von denen bald hundert zu Jazzstandards wurden. Als Bandleader trug er zur Ausprägung des Swing als Bigband-Stil bei. William Alonzo "Cat" Anderson (* 12. September 1916 in Greenville, South Carolina; 29. April 1981 in Norwalk, Kalifornien) war ein US-amerikanischer Jazz-Trompeter. Cat Anderson war besonders für sein über fünf Oktaven reichendes Spiel, speziell in den oberen Tonlagen, bekannt. Roy Burrowes (auch Roy Burrows, * 18. Februar 1930 in Kingston (Jamaika); 2. Dezember 1998 in London) war ein Jazz-Trompeter und Flügelhornist. Willis Raymond "Ray" Nance (* 10. Dezember 1913 in Chicago, Illinois; 28. Januar 1976 in New York City, New York) war ein amerikanischer Jazz-Trompeter, Violinist und Sänger. Charlie Melvin "Cootie" Williams (* 10. Juli 1911 in Mobile, Alabama; 15. September 1985 in Long Island in New York City) war ein US-amerikanischer Jazztrompeter. Lawrence Brown (* 3. August 1907 in Lawrence, Kansas; 5. September 1988 in Los Angeles, Kalifornien) war ein US-amerikanischer Jazz-Posaunist, der vor allem als Solist im Duke Ellington Orchestra bekannt wurde. George "Buster" Cooper (* 4. April 1929 in Saint Petersburg, Florida; 13. Mai 2016 ebenda[1]) war ein US-amerikanischer Jazz-Posaunist des Swing. Charles Raymond "Chuck" Connors (* 18. August 1930 in Maysville (Kentucky); 11. Dezember 1994 in Los Angeles) war ein US-amerikanischer Jazzmusiker (Bassposaune, Posaune), der ein langjähriges Mitglied im Duke Ellington Orchestra war. Paul Gonsalves (* 12. Juli 1920 in Brockton, Massachusetts; 14. Mai 1974 in London, Großbritannien) war ein Tenorsaxophonist des Swing und Bebop. James H. "Jimmy" Hamilton (* 25. Mai 1917 in Dillon, South Carolina; 20. September 1994 in Saint Croix, Jungferninseln) war ein US-amerikanischer Jazz-Klarinettist, Tenorsaxophonist, Arrangeur, Komponist, Musiklehrer. Er arbeitete 25 Jahre mit Duke Ellington. Russell Procope (* 11. August 1908 in New York City; 21. Januar 1981 ebenda) war ein US-amerikanischer Jazz-Klarinettist und Altsaxophonist, bekannt für seine lange Mitgliedschaft in Duke Ellingtons Orchester, wo er neben Jimmy Hamilton auch als Solo-Klarinettist zu hören war. Harry Howell Carney (* 1. April 1910 in Boston, Massachusetts, USA; 8. Oktober 1974 in New York City) war ein US-amerikanischer Saxophonist und ein wichtiges langjähriges Mitglied des Duke-Ellington-Orchesters. Samuel "Sam" Woodyard (* 7. Januar 1925 in Elizabeth (New Jersey); 20. September 1988 in Paris) war ein US-amerikanischer Jazz-Schlagzeuger, der das Spiel auf zwei Basstrommeln populär machte. Ernie "Shep" Shepard, eigentlich Ernest Shepard junior, (* 19. Juli 1916 in Beaumont (Texas); 23. November 1965 in Hamburg) war ein US-amerikanischer Jazzbassist. (Wikipedia) Sprache: deutsch.

Six vintage publicity photographs of The Four Tops, taken variously throughout 1965-1975. Three photographs credit International Talent Management of Detroit, Michigan on the bottom margin, with the insignia of photographer James J. Kriegsmann of New York on the bottom corners, and six photographs with provenance stamps on the versos. The Four Tops originated in Detroit in 1953, originally playing as the Four Alms. The group was one of the originators of the Motown sound that grew in popularity throughout the 1960s, and played without a change in personnel for over four decades. The band continues to perform today, with Fakir as the last surviving original member. 8 x 10 inches. Generally Near Fine.