Laura u marks laura u marks (54 Ergebnisse)

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. 0955955718. 2008, bright clean copy, no markings, Professional booksellers since 1981.

Zustand: Good. Paperback, illustrated with numerous (full page) photographs mostly in colour, unpaged, 8vo.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Tracing the connections-both visual and philosophical-between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the "Islamic" quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, "nonorganic life" in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.…

paperback. Zustand: New. Condition Notes: New from the publisher.

Paperback. Zustand: Brand New. illustrated edition. 280 pages. 8.75x6.00x0.75 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 288.

paperback. Zustand: Very Good. Includes signed compliments slip from the artist. Light rubbing to edges of covers and spine.

Paperback. Zustand: Brand New. 328 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New.

Zustand: New. pp. 320 Illus.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. 2000. First Edition. Paperback. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? This book offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Num Pages: 320 pages, illustrations. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 21. Weight in Grams: 560. . . . . . Books ship from the US and Ireland.…

Zustand: New. 2002. 1st Edition. Paperback. Num Pages: 280 pages, 61 halftones, 4 line drawings. BIC Classification: ACX; APF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 150 x 15. Weight in Grams: 378. . . . . . Books ship from the US and Ireland.…

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Zustand: Very Good.

hardcover. Zustand: Fine.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 15 x 21 cm, 222 pages,20 b/w illustrations - The essays discuss works by artists such as Eija-Liisa Ahtila, James Coleman, Nan Goldin, Bill Viola, and Rodney Graham. The texts by Georges Didi-Huberman, Douglas Crimp, and Laura Mulvey, written in the early 1980s, are among their most seminal.…

Paperback. Zustand: Brand New. 320 pages. 9.25x6.00x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good. 1st Edition. Very clean and well bound copy, internally as new. Front cover very lightly worn at the corner, some dust soiling to the white part of the rear panel but overall sharp copy.

Taschenbuch. Zustand: Neu. Neuware - Memories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world.Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of "haptic visuality"-a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste-to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada.The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.…