Laura lindgren (36 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Rudolph, Annet (illustrator).

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Rudolph, Annet (illustrator).

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Droop, Constanza (illustrator).

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Droop, Constanza (illustrator).

Board book. Zustand: Brand New. board book edition. 18 pages. 6.22x6.22x0.55 inches. In Stock. Német, Andrea (illustrator).

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. Droop, Constanza (illustrator). …

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Rudolph, Annet (illustrator).

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Droop, Constanza (illustrator).

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Droop, Constanza (illustrator).

hardcover. Zustand: Fine.

Hardcover. Zustand: Brand New. 160 pages. 9.00x5.50x0.75 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: fine. Zustand des Schutzumschlags: very good. Well-illustrated with full-page plates. 223 pages. 4to, black cloth, d.w. (worn at head). New York: Blast Books, (2007). First Edition. Fine in very good dust wrapper.

Zustand: New. In English.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 176 pages. 8.50x7.00x0.80 inches. In Stock.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New. 2007. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - In 1973, Michael Lesy was a young scholar whose first book had just been published. In the soon-legendary Wisconsin Death Trip he combined 1890s photographs and newspaper clippings to evoke a devastatingly tragic epoch, the real-world antithesis of the fanciful 'Gay Nineties.' It startled readers then and remains a touchstone of modern photographic interpretation.That year Lesy met and became closefriends with the great photographer Walker Evans, who in the 1930s had collaborated with writer James Agee to create another towering landmark in the American photo-essay, Let Us Now Praise Famous Men. Old, frail, with just two years left to live, Evans was still urgently and obsessively photographing. 'Outside the rooms he inhabited,' Lesy writes, 'the world was scattered with objects on their way to oblivion. He photographed them in their passage.' Brief as their friendship was, it was intense and rewarding. Each admired the other; each saw himself reflected in the other: aesthetic visionaries who shared a radical belief that photographs were not flat and static documentsthat 'the plain truth of the images . . . wasn't as plain as it seemed,' Lesy explains. 'Meanings, beliefs, and emotions lay crisscrossed under the surface of the most plainspoken photographs.' Throughout his career in the classroom and in more than a dozen books, Lesy has continually inspired us to open our eyes, our minds, and our hearts to those many layers of meaning and feeling in photos, from seemingly ordinary snapshots to majestic landscapes.In this unconventional, lyrical biography, Lesy traces Evans's intimate, idiosyncratic relationships with men and womenthe circle of friends who made Walker Evans who he was. 'Wonder and scrutiny produced the portraits Walker made in his prime,' Lesy writes. Evans's photographs of Agee, Berenice Abbott, Lady Caroline Blackwood, and Ben Shahn, among others, accompany Lesy's telling of Evans's life stories.'Wonder and scrutiny, suffused with desire and dread, produced the portraits he made in his last years,' Lesy notes. In the 1970s, Evans became enthralled with the Polaroid SX-70 and its colorful instant images, and he used it to take his last photographsportraits of people, in extreme close up, and portraits of objects.'Good clothes and good conversation, wit and erudition, originality and inventiveness, the charms of smart and pretty womenWalker took pleasure in being alive,' Lesy writes. 'He photographed objects as if they were people and people as if they were souls. All the while, he never forgot Blind Joe Death. The annihilations of the First War, the extinctions of the epidemic that followed it, the pyres and the pitsthese he never forgot. The still silence of his images was, to the very last, transcendental, and always he remembered the skull beneath the skin.'.…

Zustand: NEW.

Hardcover. Zustand: Brand New. 1st edition. 224 pages. 11.00x9.50x1.00 inches. In Stock.

223pp. 192 plates. Lrg. 4to. Cloth. D.j.

Zustand: New. &Uumlber den AutorrnrnMichael Lesy is one of America s leading photographic scholars. His books include Wisconsin Death Trip, Snapshots 1971?77, Murder City, Angel s World, Long Time Coming: A Photograph.

Buch. Zustand: Neu. Neuware - The first book on the Mütter Museum contain artful images of the museum's fascinating exhibits shot by contemporary fine art photographers. Here, the focus is on the museum's archive of rare historic photographs, most of which have never been seen by the public. Featured are poignant, aesthetically accomplished works ranging from Civil War photographs showing injury and recovery, to the ravages of diseases not yet conquered in the 19th century, to pathological anomalies, to psychological disorders. Many were taken by talented photographers between the 1860s and the 1940s as records for physicians to share among colleagues and to track patients' conditions, and demonstrate various techniques used in medical photography including the daguerreotype, micrography, X ray, and traditional portrait-style photography. As visual documents of what humans endured in the face of limited medical knowledge, these extraordinary and haunting photographs demonstrate how far medicine has advanced. …

Zustand: New. A lavishly illustrated collection of historical medical photographs from the archives of the renowned Philadelphia museum focuses on rare and unseen pieces taken as physician records between the 1860s and 1940s.The first book on the Muetter Museum contai.