Larsen frank (38 Ergebnisse)

Paperback. Zustand: Very Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

No Binding. Zustand: Good. ORIGINAL 1921 PUBLICATION; with four plates including the folded map (COMPLETE for this publication); missing covers; light browning of leaves; o/w in good condition. Book.

No Binding. Zustand: Good. ORIGINAL 1910 PUBLICATION; missing covers; spine reinforced with tape; light browning of leaves; light creasing of upper corner of leaves; otherwise in good condition. Book.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Heft. Zustand: Sehr gut. unpaginiert, Ill. Einband leicht berieben, ansonsten sehr gut erh. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Pamphlet. Zustand: Brand New. Latin language. 8.23x5.83x0.55 inches. In Stock.

96 pp.; 26.9 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D.J. Huppatz; "Shaun Kirby: Slow Crawl of Necessity," by Stephen O'Connell; "The Red Eye," art by Jeremy Blake, text by Theresa Duncan; American Psychos: The End of Art Cinema in the '90s," by Laurence A. Rickels; "Thomas Demand: Paper Chases," by Nancy Princenthal; "Doug Aitkin: Immoral Video," by David Hunt; "The Family Firm: Andreas Gursky & German Photography," by Norman Bryson Reviews by Alex Coles, Jan Tumlir, David Hunt, Mai-Thu Perret, Fabrice Stroun, Jeffrey Kastner, Stuart Koop, Charles LaBelle, Ryan Whyte, Michelle Grabner, Barry Schwabsky, Terry R. Myers, Julie Joyce, Peter Frank, Roger Sullivan, Stephen O'Connell, Blair French, Regine Basha, Charles Green, Juliana Engberg, Ihor Holubizky, Lars Bang Larsen, and Gavin Wade. Cover: Thomas Demand. Very Good. Dust soiling of covers with original pricing sticker on bottom left corner of recto. Rubbing and dust soiling of verso. Light edgewear with bumping of top left corner of verso. Contents clean and unmarked. …

Pamphlet. Zustand: Brand New. Latin language. 11.57x8.11x0.47 inches. In Stock.

Pamphlet. Zustand: Brand New. German language. 11.42x8.03x0.39 inches. In Stock.

Pamphlet. Zustand: Brand New. German language. 10.94x8.27x0.39 inches. In Stock.

Zustand: New.

Pamphlet. Zustand: Brand New. Latin language. 11.69x8.19x0.47 inches. In Stock.

125 Seiten, Mit vielen Abbildungen; aus dem Inhalt: Die Vorfahren der V 200.1 - Die Technik der V 22.1 - Hersteller und Abnahme - Unterhaltung - Die V 22.1 im Betriebsdienst - Verkäufe - Museumsfahrzeuge - Die Lebensläufe der Maschinen; --- 2 Zeitschriftenartikel auf Vorsatz montiert, ansonsten gutes Exemplar Sprache: Deutsch Gewicht in Gramm: 620 Gr.-8°, Gebundene Ausgabe / Pappband.…

Hardcover. Zustand: Brand New. German language. 10.24x7.80x0.55 inches. In Stock.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Zustand: Brand New. Latin language. 10.32x7.87x0.55 inches. In Stock.

Zustand: New.

Dek. förlagsband. Nyskick. Bollnäs 2010. 8:o. 304 sid. Illustrerad, delvis i färg. (Baksidestext:) "Lera är bra till många saker. Toalettstolar och värmesköldar på rymdfarkoster till exempel. I mitt fall har jag använt leran som lagningsmedel till ett inre svart hål. Leran är i sanning mångsidig. Det här är en berättelse om lera: från sedimenterat berg till kruka. Det är också en berättelse om lerans resa från berget till mitt inre där den har fungerat som både svärd och sköld. Fonden för min berättelse är Färila under 1950-talet, Vägverket, Orsa Finnmark, Uppsala och Bollnäs. I boken finns också politiken, alkemiglädjen, the Duchess of Westminster och drömmarna, tankarna, färgerna, och inte minst - saknaden efter en pappa. Alla mina glasyrrecept finns publicerade i boken". - - - Frank Larsen, född i Färila Hälsingland 1946 är autodidakt krukmakare men har gått ett flertal kurser hos David Frith i Wales. Han öppnade egen verkstad i Bollnäs 1980, "Frank Larsen Krumkakeri" och arbetar i raku, stengods och Terra sigillata. Frank kallar sig keramisk traditionalist och försöker åstadkomma en korsning av skaninavisk modernism och anglo-asiatisk tradition. …

Informations Forlag, København 2010. 849 sider. Illustrationer i s/h. Orig. kartonbind. Ejerstempel på inderomslag. Ellers pæn.

Gebundene Ausgabe. Zustand: Wie neu. Original verschweißt Rik280113 Sprache: Deutsch Gewicht in Gramm: 481.

Gebundene Ausgabe. Zustand: Wie neu. Original verschweißt Rik280154 Sprache: Deutsch Gewicht in Gramm: 481.

Gebundene Ausgabe. Zustand: Wie neu. Original verschweißt Rik270527 Sprache: Deutsch Gewicht in Gramm: 481.