larry ortiz (10 Ergebnisse)

Zustand: New. In.

Paperback. Zustand: Brand New. 38 pages. 9.02x5.98x0.10 inches. In Stock.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. 1st ed. ; 9th printing ; xxi, 474 pages, 30 unnumbered pages of plates : illustrations (some color), maps ; 29 cm ; ISBN 9780130326591, 0130326593 ; OCLC 50503588 ; LCCN 2002020573 ; LC TX725.A1 H48 2003 ; Dewey 641.59 ; color illustrated boards, no dustjacket ; For courses in International Cookery, Continental Cookery, Cuisines of the World, World Cookery. Unique in its breadth, depth, and perspective, this comprehensive text on international cookery covers cuisines from around the world providing an understanding of not only their flavor concepts, but how the cuisines developed and evolved. Each cuisine is explored in terms of its general characteristics as well as issues including the history and effects from invaders and bordering countries; topography, geography, and climate; indigenous foods, culture, and influences from religion and other groups of people; foods and flavorings frequently used; common cooking methods and their origins in the area; and regional variations. Each chapter contains tested recipes representing foods and dishes from all segments of the menu and wine suggestions (provided by Beringer Blass Vineyards) for each first course, soup, and entree ; Contents Europe: British Isles -- Spain and Portugal -- France -- Italy -- Germany -- Scandinavia -- Russia and Eastern Europe -- Africa: The countries of Africa -- Middle East: Lebanon, Jordan, Iraq, Saudi Arabia, Syria, Iran, Greece, and Egypt -- Israel -- Asia: China -- Japan and Korea -- Vietnam, Thailand, and Indonesia -- India -- Australia -- Latin America: Mexico -- South America -- Caribbean Islands ; name on edge of textblock ; VG. Book.

Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 328 pages. 7.00x0.67x10.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This textbook establishes Critical Race Theory (CRT) as a central framework for social work education and praxis. Addressing and ultimately moving beyond models of cultural competence and diversity, it offers a comprehensive framework for integrating CRT into pedagogy, research, and practice. It introduces analytical tools to address issues such as systemic racism, the social construction of race, critiques of liberalism, interest convergence, intersectionality, and counternarratives. Chapters contributed by renowned social work researchers highlight how social work has been entangled with white supremacy, neoliberalism, and colonialism, while also presenting a road map for a change in the future. With case examples, narratives, and reflective questions, this book is designed for all levels of social work study, as well as for committed practitioners of anti-racism. Although grounded in the US context, global perspectives are included, making it relevant for international audiences facing systematic racism or colonial legacies.

Hardcover. Zustand: Brand New. 328 pages. 7.00x0.75x10.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This textbook establishes Critical Race Theory (CRT) as a central framework for social work education and praxis. Addressing and ultimately moving beyond models of cultural competence and diversity, it offers a comprehensive framework for integrating CRT into pedagogy, research, and practice. It introduces analytical tools to address issues such as systemic racism, the social construction of race, critiques of liberalism, interest convergence, intersectionality, and counternarratives. Chapters contributed by renowned social work researchers highlight how social work has been entangled with white supremacy, neoliberalism, and colonialism, while also presenting a road map for a change in the future. With case examples, narratives, and reflective questions, this book is designed for all levels of social work study, as well as for committed practitioners of anti-racism. Although grounded in the US context, global perspectives are included, making it relevant for international audiences facing systematic racism or colonial legacies.

Zustand: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

No Binding. Zustand: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.