larisa dryansky (22 Ergebnisse)

Couverture souple. Zustand: Comme neuf.

Paperback. Ref. F60981. 24x29. 116 pág. Texto en ingles. Fotos en b/n. Fotografía. 31-I Fotografía Sin categorizar.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 223 pages. Edited by gallerist Edynn Houk. Features text by Laris Dryansky. A retrospective monograph that includes 110 quadtone black and white images. A clean near fine copy in cloth boards with a small remainder dot to the top of the page edges and in a very near fine dust jacket. A nicely printed book.

Zustand: AS NEW. Etat de NEUF / AS NEW condition 9782735508501 9782735508501 1034E 3.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 1st edition. 930 pages. 9.50x7.25x1.50 inches. In Stock.

Editions de l'Amateur, Musée Nicéphore Nièpce, 2001, 115 p., broché, bon état.

28,5 x 26 cm. 223 S. miz zahlr. s/w Fotoabb. OLn. mit fotoillustr. Orig.-Umschlag (dieser etwas gebraucht und mit kl. Löchlein im Falz).

Hardcover. Zustand: Brand New. bilingual edition. 247 pages. French language. 10.25x7.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. new edition. 160 pages. French language. 9.01x5.98x0.47 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. First Edition. Exceedingly scarce in the trade, this volume being compiled jointly by Larisa Dryansky, writer and curator based in Paris who has published a number of fine artist biographies of Josef Breitenbach, Jacques Henri Lartigue, and Julia Margaret Cameron, and has curated numerous photographic exhibitons, and by Edwynn Houk, the founder of the Edwynn Houk Gallery in New York, which specializes in masters of twentieth-century photography. A superior copy inside and out, being a sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bright and shiny dust jacket, paper-backed, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. Gift-quality condition inside and out. Replete with several score black-and-white reproductions of her best photographic works, including the iconic 1931 "Self-Portrait With Leica," which graces the front cover. [5], 6-231 ppMember, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good.

Zustand: Very good.

Zustand: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

Kl.-4°, Ppbd. 247 S.; mit 66 Farb- u. 5 s/w-Abb. Neuwertiges Ex. / Fine Copy // This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of imagesboth approaches having already produced an important body of comparative readings of medieval and contemporary artthe essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. ISBN: 9782503599731 Sprache: Französisch Gewicht in Gramm: 836.

Kartoniert / Broschiert. Zustand: New.

hardcover. Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Cet ouvrage entend modifier le point de vue sur l'art conceptuel en partant des multiples manières dont des artistes associés au mouvement ont eu recours à la photographie. Cette approche de l'art conceptuel nécessite de prendre de la distance par rapport au modèle anglo-américain en élargissant l'observation à d'autres aires géographiques comme celles du Brésil, de l'Italie, du Japon et de la Pologne. Le choix d'une focale élargie rassemble également des notions a priori étrangères à l'idée de dématérialisation de l'art qui reste attachée à l'historiographie de l'art conceptuel. La triade 'Photo / Objet / Concept' insiste sur la dimension matérielle des expressions artistiques étudiées. La notion d'objet constitue en effet une des idées directrices de ce volume. Elle permet d'interroger les caractéristiques matérielles du médium à travers des pratiques spécifiques comme la sculpture, la délégation ou l'exposition. Reconsidérer l'usage et les pratiques de la photographie au sein de l'art conceptuel amène à renouveler la réception d'un moment historique pour comprendre l'importance et la place du médium dans l'art d'aujourd'hui.

Taschenbuch. Zustand: Neu. Photo / Objet / Concept | Pour une lecture élargie de la photographie dans l'art conceptuel | Larisa Dryansky (u. a.) | Taschenbuch | 194 S. | Französisch | 2020 | Peter Lang | EAN 9782807609709 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Hardback, 247 pages, Size:178 x 254 mm, Illustrations:5 b/w, 66 col., Language(s):English, French. ISBN 9782503599731. Summary This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche Jan Dibbets" that was held at the Biblioth que Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus's De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art. How and why has medieval art, and particularly early medieval art, inspired contemporary artists since the 1950s? What has medieval art contributed to contemporary art? How has medieval art's treatment of figures, color, space, geometry, and rhythm provided inspiration for contemporary artists' experiments with form? In what way does contemporary artists' engagement with the topics of formatting, writing, semiosis, mimesis, and ornamentation draw inspiration from medieval models? To what extent and in what sense are the notions of authorship and performativity relevant for understanding conceptions of artmaking in both periods? Rather than focusing on medievalism and citational practices, or on the theory of images?both approaches having already produced an important body of comparative readings of medieval and contemporary art?the essays in this volume address the question of medieval art's contemporaneity thematically, through three trans-chronological topics: authorship, semiosis and mathematics, and performance. Engaging the artists' works as well as their writings, these studies conflate conceptual and esthetic perspectives. TABLE OF CONTENTS Pr face Charlotte Deno l, Larisa Dryansky, Isabelle Marchesin et Erik Verhagen Partie 1. Introduction Au-del des p riodisations : Parcours pass s et futurs potentiels Nancy Thebaut Partie 2. Auctoritas/authorship Qui tait Jean Fouquet pour Fran ois Robertet ? Une question d'auctorialit dans l'art de la fin du Moyen ge Elliot Adam L'artiste conceptuel son pupitre Val rie Mavridorakis Art conceptuel et scolastique : le Ch ne de Michael Craig-Martin est-il thomiste ? Benjamin Riado Partie 3. Signe et math matiques ?All form is a process of notation?: Hrabanus Maurus's ?exemplativist? art Aden Kumler' Les nombres de la forme et les formes du nombre. Essai sur les carolingiens et l'abstraction. Isabelle Marchesin Abstraction in Medieval Art: The Chiasm in Hagia Sophia Bissera Pentcheva Hollis Frampton, m di val Larisa Dryansky Partie 4. Performance La conversion du pr cieux sang : Gina Pane et la mystique m di vale Janig B goc Automata, Kineticism, and Automation: An Oblique History of Animacy in the Art of the Long 1960s Roland Betancourt Coda Zoe Leonard's Suitcases Amy Knight Powell Liste des contributeurs 0 g.

223 S. Leinen mit Schutzumschlag. Gr. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Schutzumschlag minimal berieben. Sonst sehr gut erhalten. Sprache: eng.