Larcher m de (6 Ergebnisse)

Sprache: Französisch
Verlag: Institut métapsychique international, Paris, 1959
- Softcover
Anbieter: le livre ouvert. Isabelle Krummenacher, Cossonay-Ville, Schweizle livre ouvert. Isabelle Krummenacher
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EUR 27,62
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In den WarenkorbCouverture souple. Zustand: Très bon. Pas de jaquette. 240x155mmDécembre 1959. Sommaire: Télépathie et Déficience mentale, Prapsychochimie de la divination (Suite). Les méthodes Delawarr. Centenaire de Charles Henry. 67 pages. Table Analytique des matière de la revue métapsychique 1940-1960. 36 pages.
Verlag: Trento,, 1978
- Softcover
Anbieter: Studio Bibliografico Benacense, riva del garda, TN, ItalienStudio Bibliografico Benacense
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EUR 27,50
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In den WarenkorbCm. 30, pp. 38 di testo + 48 tavole con le riproduzioni di molte cartoline in nero ed a colori. Bross. orig. ill. Perfetta conservazione.

Image - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, J-M. Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haraldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press, 1964
- Softcover
- Erstausgabe
- Magazin//Zeitschrift
Anbieter: Aeon Bookstore, New York, NY, USAAeon Bookstore
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EUR 111,40
EUR 4,33 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
Weitere BilderImage - Kinetic Art: Concrete Poetry
Philip Steadman (ed.); Stephen Bann, Martha Boto, Nino Calos, Jose Maria Cruxent, Andree Dantu, Ian Hamilton Finlay, Reg Gadney, Eugen Gomringer, Richard Hardwick, Knud Hvidberg, David Larcher, Frank Malina, Frank Popper, Mike Weaver (contributors); featuring: Ian Hamilton Finlay, Pierre Garier, Augusto de Campos, Decio Pignatari, Haroldo de Campos, Eugen Gomringer, Dom Sylvester Houedard, Nicolas Schoffer, Frank Malina, Gregorio Vardanega, Martha Boto, J-M. Cruxent, Andree Dantu, Knud Hvidberg, William Soya, Nino Calos
Verlag: Kingsland Prospect Press Ltd., London, 1964
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 120,04
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In den WarenkorbPaperback. Zustand: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young gradu…ates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).

Verlag: Editions culture et civilisation, 1976
Anbieter: Hairion Thibault, CREVOUX, FrankreichHairion Thibault
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EUR 60,00
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In den WarenkorbZustand: Good. Bon état. Bruxelles. in-8. 1976. Simili-Cuir titré au dos en lettres dorées. 394 pages. Reproduction anastaltique de l'édition de librairie de Ch. Gallot Sens 1845. Good.

Verlag: A La Teste Noire Rue de la Verrerie attenant la Couronne d'or pres l'Hotel de Pompome,, Paris,, 1756
- Foto
Anbieter: Daniel Crouch Rare Books Ltd, London, Vereinigtes KönigreichDaniel Crouch Rare Books Ltd
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EUR 960,33
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In den WarenkorbP is for Papetiers Etched trade card Trade card of the Larcher family, stationers to Louis XV of France, who operated from the sign "A la Teste Noir" between about 1720 and 1762. Two variants of this card are known, and this appears to be the latter. Waddesdon Manor 3686.1.2.3 for variation.