langlois joseph (23 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Paperback. Zustand: Brand New. 143 pages. 9.00x6.00x0.34 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Soft cover. Zustand: Very Good. 1st Edition. Faint wear to covers. No marks or fading to inside pages. No crease to spine. Appears unread. 104 pages. s179.

Trade Paperback. Zustand: Used. Limited. Limited Edition with minor bumps/wear at edges/corners. Pages and pictures are clean and bright. Spine is straight and tight. Published on the occasion of the exhibition 'The Royal Art Lodge: As the Dusk'. Overall a very good limited exhibition piece.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Taschenbuch. Zustand: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Zustand: Good. Line engraving. 31 x 34 cm (sheet). Very Good, minor soiling and foxing in the margin areas.

350 S. 8°, OBrosch. Band 13 der insgesamt 14 Bände umfassenden Dokumentation der berühmten Korrespondenz von P.-J. Proudhon (1809 ? 1865). - Rücken gebrochen, Deckel lose, Textteil fleckig. 550 gr.

8°. CCXXXVII, [1] f. (blanc), 64 p. avec itre imprimé en rouge et noir, 5 miniatures gravées sur métal dans une bordure historiée en pleine page, de nombreuses initiales gravées sur métal, dont deux avec des prolongements, enluminées et colorées à la main. Cartonnage illustré de l'éditeur. Brunet III, 819. Carteret III, 294. Graesse IV, 99. Vicaire IV, 155. - Rare recueil de récits rédigés dans un style médiéval et s'inspirant de contes populaires français ainsi que de légendes historiques. L'ouvrage est surtout célèbre pour sa mise en page typographique somptueuse, de style néogothique. Il est richement décoré d'initiales, de vignettes et d'ornements imitant l'enluminure médiévale. - Ex-libris héraldique (Carolus Seidl), page de titre avec cachet effacé, bel exemplaire dans sa reliure d'origine rare. Sprache: französisch.

Zustand: Good. 4to. 23m x30cm.; 3 vols. 19th Century half morocco with marbled boards and endpapers. Fine condition. Numerous plates and engravings in the text. Extra illustrated with 45 engravings by Moreau le jeune for the edition published by Renouard in Paris in 1799, some before lettering. Expertise by Dominique Courvoisier, Paris.Salomon Gessner (1730-1788) a Swiss painter and poet, devoted himself almost entirely to literature for ten years. He wrote elegiac poetry, of an unreservedly sentimental nature. He was a talented painter of classical landscapes, and an accomplished draughtsman and engraver, producing prints as illustrations to his own works. Notes: Engraved headpieces, tailpieces, and plates after Le Barbier by Ponce, Alix, Baquoy, Delignon, Gaucher, Godefroy, Halbou, de Longueil, Pauquet, Texier, Thomas, Trière, Langlois, Viguet, Le Beau, Le Villain, Petit, and Dambrun.Description: 3 volumes ([1] ., 215 pages ; [2] ., 182 pages ; 236 pages) : illustrations ; 29 cmRay, The Art of the French Illustrated Book, no. 39; Cohen-de Ricci, cols. 433-434 and 435 ffor the Renouard ediiton. OCLC Number: 270944086Engraved headpieces, tailpieces, and plates after Le Barbier by Ponce, Alix, Baquoy, Delignon, Gaucher, Godefroy, Halbou, de Longueil, Pauquet, Texier, Thomas, Trière, Langlois, Viguet, Le Beau, Le Villain, Petit, and Dambrun.Description: 3 volumes ([1] ., 215 pages ; [2] ., 182 pages ; 236 pages) : illustrations ; 29 cmContents: t. 1. Idylles --Evandre et Alcimne, pastorale --Eraste --t. 2. Nouvelles idylles --Lettre sur le paysage a? M. Fueslin --A la cascade --Chanson d'un suisse a? sa maitresse sous les armes --Ynkle et Yariko --La nuit --Tableau du déluge --Le premier navigateur --t. 3. La mort d'Abel --Daphnis.3 volumes in-4, demi-maroquin brun avec coins, dos orné de fleurons dorés, tête dorée, non rogné (Reliure vers 1900).Belle édition, illustrée de 3 titres gravés, 2 frontispices, 72 figures, 4 vignettes et 66 culs-de-lampe gravés en taille-douce d'aprèsLe Barbier.Exemplaire relié sur brochure, auquel on a ajouté 45 gravures de Moreau le jeune pour l'édition publiée chez Renouard à Paris en 1799, dont certaines en double état dont avant la lettre.Tables manuscrites de l'époque ajoutées à la fin des tomes II et III.

No Binding. Zustand: Very Good. 1st Edition. Stipple engraving in colours, finished by hand. Sheet size 35x26,5 cm. Hinge-mounted. From the folio edition of Redouté's roses, probably the most celebrated flower book ever published. Slightly browned and slightly stained, with some discolouring of white margin due to earlier matting, else fine.

No Binding. Zustand: Very Good. 1st Edition. Stipple engraving in colours, finished by hand. Sheet size 36,5x27,8 cm. From the folio edition of Redouté's roses, probably the most celebrated flower book ever published. Slightly browned, with some discolouring of white margin due to earlier matting, else fine.

The Grand Tour in eighteenth century virtual reality! Oblong folio (320 by 473mm). 199 engraved vues d'optique (including 5 duplicates), with fine original hand-colour, several prints marked with the collector's mark of a capital 'G' (unidentified) in ink stencil, the first few subjects with a little staining at sheet edges, three sheets trimmed into platemark, rebacked in half calf over original marbled paper boards. Together with: Zograscope, turned mahogany, mirror and lens. A fine collection of vues d'optique, together with their viewing machine, or zograscope. Vues d'optiques, or perspective view prints, were a fashionable entertainment in the elite drawing rooms of the eighteenth century, and also a popular street entertainment at fairs and markets. Publishing houses in London, Paris, Augsburg, and Bassano competed in their production. In total about 5,000 vues d'optiques were produced. Vues d'optiques, while conventionally called by the French term, are sometimes referred to in English as 'perspective views', although this term can cause confusion since it also refers to other types of images. Guckkastenblätter or Guckkastenbilder is the German name. They are mostly hand-coloured etchings or engravings designed to be viewed through a convex lens, often mounted with a mirror, so that the viewer saw what appeared to be a three-dimensional image. The viewing machines used to look at vues d'optiques included zograscopes (a turned wood stand holding a lens and a mirror, such as the present example), or enclosed perspective boxes. Vues d'optiques are always horizontal in format. They generally range between 22 and 28cm in height, and between 36 to 42cm in width. They predominantly depict city views with a strong central perspective, like a canal or street stretching towards the horizon, and coloured in bright, simple colours. Underneath the image is a description in one or more languages, and above the image a title is often found printed reversed in French. London was the first city in which vues d'optiques were produced, and the total output from English publishing houses amounted to about 1300 during the years between 1734 and around 1800. The main publishers were Henry Overton, John Bowles, Robert Sayer, Henry Overton II, Carington Bowles, and Laurie and Whittle. It was in Paris, however, that the pastime reached its apex, and a number of publishers produced a total of about 2000 different vues d'optiques during the years between 1740 and 1836. The main publishers in Paris were Balleue, André Basset, Nicolas Beauvais, Carcano, Chapouland, Jacques Chéreau, Jean Baptiste Crépy, Jean-Francois Daumont, Esnauts et Rapilly, Hocquart, Jacques-Gabriel Huquier, Laurent Pierre Lachaussée, Nicolas Langlois, Maillet, Louis Joseph Mondhare and Poilly. About 1200 different vues d'optiques were produced in Augsburg between 1766 and 1828, followed far beyond by about 350 prints produced by the Italian publishing house of Remondini in Bassano between 1764 and 1817. All European publishing houses were in constant competition, but they also cooperated in certain fields. The Augsburg publishers, for example, jointly engaged a painter to travel to various European cities in order to draw the current views. In general, however, vues d'optiques publishers did not hesitate to copy images from many sources, either other vue d'optique publishers or artists who had made images deemed suitable. Chinese subjects in vues d'optiques are uncommon. They were only produced in publishing houses in Augsburg and Paris, and then only in small numbers, even though chinoiseries were highly fashionable at the time. Only 36 subjects in total are known. Niklas Leverenz identifies nine different images published in Paris. It is worth noting, therefore, that the present collection includes some 7 or those 9 subjects. The contents may be summarized as follows: Austria (6); Canada (1); China (7); Cuba (1); Denmark (1); France (84); Georgia (1); Germany (8); Guyana (1).

Stipple engraving, part printed in colours and finished by hand, first edition, trimmed to just outside of platemark, but good colour. Dimensions: 365 x 270mm. (14.25 x 10.75 inches).